Hi David,
This is a very help description. Maybe you could describe for me: I see
both the box duration as a spacer duration and the line duration as
"extender length," in what seem to be unitless units.
Here is an addition -- although I'm not sure if it's an improvement -- that
might be importan
Hi Ming, I took another look at this and since there's only one key signature
where the accidentals do not extend above the staff (F major / D minor) I just
added extra padding for those keys. Now the key names always appear above the
staff, regardless of the clef.
The sizing of the acciden
Hi Ben,
On Tue, Nov 13, 2012 at 8:46 PM, SoundsFromSound
wrote:
> I'm trying to wrap my head around the frameEngraver4 and can't quite grasp
> the syntax and how to customize the code to suit my needs.
>
> Is there a guide or cheat-sheet that explains how to use frameEngraver to
> it's fullest po
I'm trying to wrap my head around the frameEngraver4 and can't quite grasp
the syntax and how to customize the code to suit my needs.
Is there a guide or cheat-sheet that explains how to use frameEngraver to
it's fullest potential? I feel like it's a bit over my head and I feel lost
when trying
Yup.
http://erato.uvt.nl/files/imglnks/usimg/5/57/IMSLP01776-Mozart_EineKleineNachtmusik_Score.pdf
from IMSLP; cf. pp. 2 and 4 in the violin parts.
DR
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, November 12, 2012 12:59 AM
To: Daniel Rosen
Cc: Thomas Morl
Hi there,
Three trill questions for you experts:
1) I'm having trouble spanning some notes with a trill spanner when the
first spanned note has a bass clef mark attached and the trill spanner has
a specified pitch in parentheses --
When my staff looks like,
\new Staff {
\pitchedTrill
\c
Whoa --
It's marvelous to see such a detailed response to my question.
Most importantly, frameEngraver4 works! I will study the differences
between 3 and 4 to see what changed.
As mentioned, it seems to me that the best course of action would be to
make dynamic spanner creation a high developmen
David Nalesnik-2 wrote
> Hi,
>
> On Tue, Nov 13, 2012 at 12:29 PM, TaoCG <
> tao_lilyponduser@
> > wrote:
>> So, is this possible?
>> I tried to set the #'first-note property of the BarLine's #'space-alist
>> to 0
>> but no effect.
>>
>> What I'm basically trying to achieve is a lot of RhythmicS
TaoCG wrote
> What I'm basically trying to achieve is a lot of RhythmicStaff in a
> StaffGroup so that the span bars mark the first beat in a measure rather
> than separating two measures.
> Maybe using bar lines isn't even the right approach but I wouldn't know
> how to mimic the span bars.
what
Hi, Paul:
For now I just do alternate key signature on the top staff only or use manually
by hand . Hope you have time to re-work to use rehearsal approach.
Blessing in+,
Ming
>
> From: Paul Morris
>To: MING TSANG
>Cc: lilypond-usermailinglist
>Sent: Tu
Am 13.11.2012 10:00, schrieb Mate Szalay:
[...]
This is to confirm, that the default behavior of 2.16.1-1 is indeed
exactly what I wanted.
And I'm quite amazed that I got the first response to my question in
5 minutes and even a pointer the git commit(!) in 3 hours.
That's when I learned tha
Hi,
On Tue, Nov 13, 2012 at 12:29 PM, TaoCG wrote:
> So, is this possible?
> I tried to set the #'first-note property of the BarLine's #'space-alist to 0
> but no effect.
>
> What I'm basically trying to achieve is a lot of RhythmicStaff in a
> StaffGroup so that the span bars mark the first beat
So, is this possible?
I tried to set the #'first-note property of the BarLine's #'space-alist to 0
but no effect.
What I'm basically trying to achieve is a lot of RhythmicStaff in a
StaffGroup so that the span bars mark the first beat in a measure rather
than separating two measures.
Maybe using b
On Nov 13, 2012, at 7:26 AM, MING TSANG wrote:
> Hi, Paul: I apply the change, it pushes the display above the staff. However
> I notice (1) that the distance is not constant from system to system - it
> diminishes;
That is expected. It sets the padding (distance) between the top of the
high
Peter O'Doherty-2 wrote
> In unmetered/ cadenza-style passages one often finds a time signature in
> the form of an 'X'.
could you give a (scanned) example, I don't really see what you mean
thanks
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/unmetered-time-si
Am 12.11.2012 19:16, schrieb Rutger Hofman:
Hello list,
I am typesetting a piece by Alban Berg. Its accidental style is like Lilypond's
dodecaphonic (explicit accidental for each note), but it differs in that
immediately repeated notes within a bar don't get an accidental. How can I make
an a
Mario Lang writes:
> David Kastrup writes:
>
>> Taught me a lesson about "optimization" and "computer scientists".
>
> Yes, I know about the pitfalls that premature optimisation can open.
> In the case I was talking about, I actually went from roughly 70
> seconds runtime of my first naive imple
David Kastrup writes:
> Mario Lang writes:
>
>> David Kastrup writes:
[...]
>>> Computers are fast enough nowadays that the choice of implementation
>>> language is almost irrelevant compared to the choice of algorithm and
>>> consequently the algorithmic complexity.
>>
>> Having experienced
Hello ponders.
Id like to set up a TempoSpanner, using all current settings for
MetronomeMark (offsets, paddings, fonts etc) and placing the
MetronomeMark in the usual manner, but also including a
spanner-interface to get stipled lines etc. towards the next \tempo mark
(or an explicit \tempoSpanSt
Hi,
On Mon, Nov 12, 2012 at 10:00 PM, Marc Hohl wrote:
> Am 12.11.2012 21:37, schrieb Mate:
>
>> Hi,
>>
>> I am trying to have standard notation + guitar tab where the tab only
>> contains
>> (fret) numbers. No stems, no bars, no rests, no dots, no circles, nothing.
>>
>> [...]
>>
>> Do I have t
"m...@mikesolomon.org" writes:
>> It would probably raise more interest to first tackle MusicXML export
>> and then use the code as a starting base for doing Braille as well.
>>
>
> I could agree more with this statement. Please consider doing this.
In my "topical sort order" of things to do,
On 12 nov. 2012, at 14:47, David Kastrup wrote:
> Mario Lang writes:
>
>> David Kastrup writes:
>>
>>> Would it be useful if LilyPond could export BMC?
>>
>> Of course! Actually, thats something that blind people are wishing
>> for for a long time so that they could make use of the huge bod
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