- Original Message -
From: Chris lubese...@gmx.de
To: lilypond-user@gnu.org
Sent: Wednesday, November 28, 2012 2:15 AM
Subject: Lilypond-book does not run
I have used Lilypond-book (2.14) with Vista. Now I switched to Windows 8
and
installed the actual stable lilypond Version (2.16).
This is a wonderful program-but there is a bit of a learning curve.
This snippet gives me everything I want---except I'd like to have the clef
and key signature reappear on each new line. Suggestions?
\score {
\relative {
\key g \major
g1 a b c d e fis g a b c d e fis
g a b c
Here it goes :
\score {
\relative {
\key g \major
g1 a b c d e fis g a b c d e fis
g a b c d e
}
}
\score {
\relative fis''' {
\key g \major
fis
g fis e d c b a
g fis e d c b a
g fis e d c b a g
}
}
\layout {
indent = 0 \mm
\context {\Score \remove
Christopher Brooks cbro...@orpheus-acoustics.com writes:
This is a wonderful program-but there is a bit of a learning curve.
This snippet gives me everything I want---except I'd like to have the clef
and key signature reappear on each new line. Suggestions?
You could try something like
Hi all,
It's good to know how to do this. For metric notation, I found that it's
also useful to stop the duration line before the barline, instead of
continuing it to a subsequent notehead, if the following note is in the
next bar:
#(define flat-gliss
(lambda (grob)
(let ((left-Y
Hello everyone,
I'm working on a piece for piano that uses a kind of cluster chord
glissando that goes from the bass clef to the treble clef. When I
originally engraved the piece by hand, I just drew a cluster chord in the
bass and added lines connecting it to a cluster chord in the treble (the
Hi All,
How can I make fingerings in parentheses the same font as other fingerings?
How do I control the location of fingerings relative to the staff?
{
% how to make fingering in parentheses same font?
% how to control location of fingering re staff?
c'' d''-4 e''-(4) c''-4
try
{ c'' d''-4 \parenthesize -4 e'' a c''-4 }
Eluze
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2012/11/28 Christopher Brooks cbro...@orpheus-acoustics.com:
Hi All,
How can I make fingerings in parentheses the same font as other fingerings?
Try:
\version 2.16.0
{
c'' d''-4 e''-\tweak ParenthesesItem #'font-size #-2 -\parenthesize -4 c''-4
}
How do I control the location of
I switched to Windows 8 and
installed the actual stable lilypond Version (2.16.1). An actual MikTeX
Installation did run (pdfLaTeX works).
Lilypond.exe runs well, lilypond-book does not run correctly.
To have a simple test I used the example of the documentation
+1 for square line terminals, that would be ideal.
Thanks for the hints and scheme function – both are perfect.
O.
On 28 Nov 2012, at 18:41, Jeffrey Trevino jeffrey.trevi...@gmail.com wrote:
Hi all,
It's good to know how to do this. For metric notation, I found that it's also
useful to
2012/11/28 Jeffrey Trevino jeffrey.trevi...@gmail.com:
Hi all,
It's good to know how to do this. For metric notation, I found that it's
also useful to stop the duration line before the barline, instead of
continuing it to a subsequent notehead, if the following note is in the next
bar:
Thomas Morley wrote
Try:
\version 2.16.0
{
c'' d''-4 e''-\tweak ParenthesesItem #'font-size #-2 -\parenthesize -4
c''-4
}
sorry - I always forget to check if my solutions work in the version the
user indicated (and I'm most often on the newest development version, 2.17.7
actually)
Thanks, Harm! That does just what we were trying to get at, I think.
It's a long-term goal of mine to learn enough about the Scheme side of
Lilypond to be able to design stencils, and custom notational constructs
more broadly, like you've just done. It seems like graphic flexibility with
\markup
Keith N. McKenna wrote:
Greetings All;
In many some of the Gregorian Chant's I have access to they show the
divisio Maior as starting slightly above the third line of the staff and
continuing to just below the second line of the staff instead of a full
bar line like the Divisio Maxima only less
2012/11/29 Eluze elu...@gmail.com:
Thomas Morley wrote
Try:
\version 2.16.0
{
c'' d''-4 e''-\tweak ParenthesesItem #'font-size #-2 -\parenthesize -4
c''-4
}
sorry - I always forget to check if my solutions work in the version the
user indicated (and I'm most often on the newest
2012/11/28 Nick Payne nick.pa...@internode.on.net:
On 28/11/12 09:35, Thomas Morley wrote:
Although I can confirm your observation, I asked myself: How would I
use a TextSpanner to span a repeat-unfold-expression with pure
LilyPond-syntax?
I couldn't find any reasonable method.
The
On 29/11/12 12:45, Thomas Morley wrote:
2012/11/28 Nick Payne nick.pa...@internode.on.net:
On 28/11/12 09:35, Thomas Morley wrote:
Although I can confirm your observation, I asked myself: How would I
use a TextSpanner to span a repeat-unfold-expression with pure
LilyPond-syntax?
I couldn't
On Nov 28, 2012, at 7:02 PM, Jeffrey Trevino jeffrey.trevi...@gmail.com wrote:
It's a long-term goal of mine to learn enough about the Scheme side of
Lilypond to be able to design stencils, and custom notational constructs more
broadly, like you've just done. It seems like graphic
Eluze elu...@gmail.com writes:
Thomas Morley wrote
Try:
\version 2.16.0
{
c'' d''-4 e''-\tweak ParenthesesItem #'font-size #-2 -\parenthesize -4
c''-4
}
sorry - I always forget to check if my solutions work in the version the
user indicated (and I'm most often on the newest
Thomas Morley thomasmorle...@googlemail.com writes:
Hi Nick,
apart from the repeat-unfold-problem there's an additional one, due to
the chord at the end of the TextSpanner.
#(define (text-spanner-start-stop mus)
(let ((elts (extract-typed-music mus 'rhythmic-event)))
Exchange
Hello,
Is there a way to flip the grace note/appoggiatura marking so it's above the
note, instead of where it is now? It's all messy and overlapping; I'd like
to move it to be above the notes.
Coming from Sibelius, I know it's easy to just hit a key and flip a
slur-style marking, but I'm
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