Re: Hide dynamic marking

Javier Ruiz writes: > Is there a command or override that allows one to attach a dynamic to > a note (for MIDI-only), yet hide it from layout? > > \once \override Script visibility ='##f (?) > > c\f c-\omit\f If you still want it to take up space (so that you may pencil it back in later), c-\hi

Hide dynamic marking

Is there a command or override that allows one to attach a dynamic to a note (for MIDI-only), yet hide it from layout? \once \override Script visibility ='##f (?) c\f ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/li

Re: Holst's "Mars"?

Here's a band version that might save you a bit of work: http://www.omet.ca/scores/Mike_Blackstock_2/ - 'Mars from the Planets' bottom of page Originally in musicXML here: http://musescore.com/user/15251/scores/48167# On Sat, Jan 26, 2013 at 9:52 PM, Evan Driscoll wrote: > I was surprised to loo

Re: Holst's "Mars"?

On 01/26/2013 09:17 PM, Shane Brandes wrote: There is a Dover edition. But I don't remember how nice the print in that volume is. I've actually got the Dover edition. I should have mentioned that I need an electronic version. Actually I guess what I need is actually way stronger than that: I

Re: Holst's "Mars"?

There is a Dover edition. But I don't remember how nice the print in that volume is. Shane On Sat, Jan 26, 2013 at 9:52 PM, Evan Driscoll wrote: > I was surprised to look on IMSLP not find a download of The Planets score > that is better than a somewhat mediocre scan. I also checked the Mutopia

Holst's "Mars"?

I was surprised to look on IMSLP not find a download of The Planets score that is better than a somewhat mediocre scan. I also checked the Mutopia project and did a quick search. I'm interested enough in having a nicer version that I plan on typesetting it (probably just Mars, unfortunately),

Re: disabling point-and-click for displayed chords?

On Tue, Jan 15, 2013 at 3:05 PM, Adam Spiers wrote: > On Tue, Jan 15, 2013 at 9:41 AM, David Kastrup wrote: >> Adam Spiers writes: >> >>> I need to generate point-and-click links for notes but not for >>> displayed chord names. However, \pointAndClickTypes only filters by >>> music event class,

Collision with \repeat tremolo and accidental of second note

See minimal example below and image attached \relative c'' { \repeat tremolo 16 { bes,32 aes' } | } Is this a bug, or should I be setting some minimal distance between the two notes? Jethro <>___ lilypond-user mailing list lilypond-user@gn

Re: Grace notes on first bar of piano staff

Thank you for the work around, Nathan and Federico! Jethro Nathan (26 Jan 2013 @ 21:02) On Sat, Jan 26, 2013 at 11:54 AM, Jethro Van Thuyne wrote: When trying to typeset grace notes on the first beat of a piano staff, something odd happens with the left hand bass clef. First there is a treb

Re: Grace notes on first bar of piano staff

I have often thought about putting an automated fix for this in Denemo, but I am not sure if it is easy to describe the conditions where it is needed, and what is needed in the case that another part has a note that spans the position where the grace occurs. If someone can say what these are I will

Re: Writing markup in lisp

On Jan 26, 2013, at 12:42 PM, David Kastrup wrote: > Not quite: you'll need > > \addInstrumentDefinition #"contrabassoon" > #`((shortInstrumentName . ,#{ \markup { ... } #} )) > > or you'll have the quoted equivalent of \markup in your definition. Thanks David! _

Re: ledger line crash with very high notes in first chord of system

Jeffrey Trevino gmail.com> writes: > the accidentals should be moved to the left to avoid collision with the > ledger lines. Yes, the ledger lines are discontinuous, so they hide the accidental much more than staff lines would. I added a bug report

Re: Grace notes on first bar of piano staff

Il 26/01/2013 20:54, Jethro Van Thuyne ha scritto: When trying to typeset grace notes on the first beat of a piano staff, something odd happens with the left hand bass clef. First there is a treble clef engraved, then a time signature, and only after that a bass clef and key signature. right = \r

Re: Grace notes on first bar of piano staff

On Sat, Jan 26, 2013 at 11:54 AM, Jethro Van Thuyne wrote: > When trying to typeset grace notes on the first beat of a piano > staff, something odd happens with the left hand bass clef. First > there is a treble clef engraved, then a time signature, and only > after that a bass clef and key signa

Grace notes on first bar of piano staff

When trying to typeset grace notes on the first beat of a piano staff, something odd happens with the left hand bass clef. First there is a treble clef engraved, then a time signature, and only after that a bass clef and key signature. right = \relative c'' { \clef treble \key f \major

Re: Conditional ambitus

Thomas Morley writes: > Why use a function at all? > > \version "2.16.2" > > isAmbitus = ##f > > #(define includeAmbitus > (if isAmbitus > #{ \with { \consists "Ambitus_engraver" } #} > #{ \with { } #})) > > \score { > \new Voice = "one" \includeAmbitus {e' f' g'} > } > > Seems to

Re: Ongoing ties

Thank you :) On 26/01/13 18:37, Phil Holmes wrote: - Original Message - From: "Alberto Simões" To: "lilypond" Sent: Saturday, January 26, 2013 6:32 PM Subject: Ongoing ties Hello I am trying to mimic the image in attach. I tried: a,[ e'~ g~] 4. but it doesn't work. What am I

Re: Ongoing ties

- Original Message - From: "Alberto Simões" To: "lilypond" Sent: Saturday, January 26, 2013 6:32 PM Subject: Ongoing ties Hello I am trying to mimic the image in attach. I tried: a,[ e'~ g~] 4. but it doesn't work. What am I missing? :D tieWaitForNote -- Phil Holmes __

Ongoing ties

Hello I am trying to mimic the image in attach. I tried: a,[ e'~ g~] 4. but it doesn't work. What am I missing? :D Thank you Alberto <>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Conditional ambitus

2013/1/26 David Kastrup : > Kevin Stolt writes: > >> Hi, >> I'm trying to conditionally add ambitus based on a variable >> definition. I'm >> having trouble figure out how to do it. >> >> \version "2.16.2" >> isAmbitus = #f >> includeAmbitus = #(define-music-function >> (parser location) >> (

Re: Writing markup in lisp

On 26/01/13 17:42, David Kastrup wrote: Paul Morris writes: Please disregard my last message. I now see that you wanted to use \markup in the following scheme code: \addInstrumentDefinition #"contrabassoon" #`((shortInstrumentName . "Cbsn.")) So I think something like this should work:

Re: Conditional ambitus

Kevin Stolt writes: > Hi, > I'm trying to conditionally add ambitus based on a variable > definition. I'm > having trouble figure out how to do it. > > \version "2.16.2" > isAmbitus = #f > includeAmbitus = #(define-music-function > (parser location) > () > (if isAmbitus > #{ \with { \con

Re: Override placement

Noeck writes: > Am 26.01.2013 17:21, schrieb David Kastrup: >> Well, it depends on the version Joram is using, and he did not specify. >> The syntax given by me requires version 2.17.6 or later. Admittedly, it >> might be a bit audacious to silently assume that this is what people are >> using o

Re: Writing markup in lisp

Paul Morris writes: > Please disregard my last message. I now see that you wanted to use > \markup in the following scheme code: > > \addInstrumentDefinition #"contrabassoon" > #`((shortInstrumentName . "Cbsn.")) > > > So I think something like this should work: > > \addInstrumentDefinition #"c

Conditional ambitus

Hi, I'm trying to conditionally add ambitus based on a variable definition. I'm having trouble figure out how to do it. \version "2.16.2" isAmbitus = #f includeAmbitus = #(define-music-function (parser location) () (if isAmbitus #{ \with { \consists "Ambitus_engraver" } #} #{ #} )) %W

Re: Writing markup in lisp

Please disregard my last message. I now see that you wanted to use \markup in the following scheme code: \addInstrumentDefinition #"contrabassoon" #`((shortInstrumentName . "Cbsn.")) So I think something like this should work: \addInstrumentDefinition #"contrabassoon" #`((shortInstrumentNa

Re: Writing markup in lisp

Hello Alberto, Looks like you've already figured it out, but you can also wrap lilypond code in #{ ... #} to embed it in scheme code. This is particularly helpful for use with \markup. So I think the following should also work (although I haven't tried it): \set Staff.instrumentName = #{

Re: Override placement

Am 26.01.2013 17:21, schrieb David Kastrup: > Well, it depends on the version Joram is using, and he did not specify. > The syntax given by me requires version 2.17.6 or later. Admittedly, it > might be a bit audacious to silently assume that this is what people are > using on the general user l

Re: Writing markup in lisp

And got there: \addInstrumentDefinition #"SC" #`((shortInstrumentName . ,(markup #:center-column (#:line ("S") #:line ("C") Thank you Alberto On 26/01/13 16:05, Alberto Simões wrote: Hello I am trying to use this kind of approach to

Re: Writing markup in lisp

Almost there... \addInstrumentDefinition #"SC" #`((shortInstrumentName . ,(markup #:column (#:line ("S") #:line ("C") now if I can center the letters... On 26/01/13 16:05, Alberto Simões wrote: Hello I am trying to use this kind of approac

Re: Odd things with \repeat percent and R1

Noeck writes: > Am 26.01.2013 09:59, schrieb David Kastrup: >> Noeck writes: >> Well, there may or may not be a musical rationale behind what can >> sensibly supported. > > For the full measure requirement, there is. > For the number of bars, I could imagine repeating up to 4 bars this way, > bu

Re: Override placement

james writes: > On Jan 26, 2013, at 2:12 PM, Noeck wrote: >> >> Is there a difference between: >> \new Staff \with { \override Clef.color = #red } { a } >> and >> \new Staff { \override Staff.Clef.color = #red a } > > Although David has provided an illustration of the difference (mostly > due

Writing markup in lisp

Hello I am trying to use this kind of approach to define instrument names/changes: \addInstrumentDefinition #"contrabassoon" #`((shortInstrumentName . "Cbsn.")) just like it is explained in http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Writing-parts Now, I needed a special ins

Re: Override placement

On Jan 26, 2013, at 2:12 PM, Noeck wrote: > > Is there a difference between: > \new Staff \with { \override Clef.color = #red } { a } > and > \new Staff { \override Staff.Clef.color = #red a } Although David has provided an illustration of the difference (mostly due to the faulty grace note

Re: Override placement

Hi David, thanks, now things are much clearer to me! Cheers, Joram Am 26.01.2013 14:34, schrieb David Kastrup: > You can perfectly fine write > > \score { \new Score \with { \override Clef.color = #red } >{ \new Staff { c c c c } } } I see. > works fine here, so I have no idea what y

Re: Lilypond-book, Xelatex, and full scores

Thank you for that, it's exactly what I was looking for. So much easier and better than the kludges I was looking to do. On 1/25/13, flup2 wrote: > Hello, > > When I need to include full scores into a LaTeX document, I usually use the > LaTeX package "pdfpages" (I guess it also works with XeLaTe

Re: Override placement

Noeck writes: > Hi, > > am I right that there is no \with-block for scores? > Why do I write \score (not \new Score) but \new Staff? Because \score is just where the music appears, not implying any particular context (apart from Global which is created automatically)? You can perfectly fine writ

Override placement

Hi, am I right that there is no \with-block for scores? Why do I write \score (not \new Score) but \new Staff? Is that correct: overrides on Staff or Voice level go into a \with block, overrides on score level go into the \layout block? Why am I not allowed to use a context prefix there? Like \la

Re: Expanding bowed arpeggios

David Kastrup writes: > shutterfreak writes: > >> shutterfreak wrote >>> On Sat, Nov 24, 2012 at 1:26 PM, Olivier Biot < >> >>> olivier.biot@ >> >>> >wrote: >>> >>> Dear all, >>> >>> Following up on my own request, I stumbled upon an insightful article >>> featuring Bach's prelude for piano (B

Re: ledger line crash with very high notes in first chord of system

Why? We don't do that with accidentals on stave lines. -- Phil Holmes - Original Message - From: Jeffrey Trevino To: Phil Holmes Cc: lilypond-user Sent: Saturday, January 26, 2013 2:14 AM Subject: Re: ledger line crash with very high notes in first chord of system Hi

problem with the script extract music

Dear community, I have a problem with the script extraxtMusic, which I have downloaded at http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly I think, it has to do with the fact, that the file consists of more files. I get the error message > mmR = { > R1*100 \tag #'mmWarning

Re: Odd things with \repeat percent and R1

Am 26.01.2013 09:59, schrieb David Kastrup: > Noeck writes: > Well, there may or may not be a musical rationale behind what can > sensibly supported. For the full measure requirement, there is. For the number of bars, I could imagine repeating up to 4 bars this way, but then I definitely prefer

Re: Odd things with \repeat percent and R1

Noeck writes: > Am 26.01.2013 06:15, schrieb Jim Long: >> On FreeBSD 8.3 amd64, this works for R1, R1*1, or R1*2, but >> crashes lilypond with R1*3 (or 4 ...). Puzzling. >> >> … \repeat percent 4 R1*2 >> > > Hi Jim, > > I think, this is because there are commonly used symbols in the percent >

Re: Odd things with \repeat percent and R1

Am 26.01.2013 06:15, schrieb Jim Long: > On FreeBSD 8.3 amd64, this works for R1, R1*1, or R1*2, but > crashes lilypond with R1*3 (or 4 ...). Puzzling. > > … \repeat percent 4 R1*2 > Hi Jim, I think, this is because there are commonly used symbols in the percent repeat style for repeating exac