On Feb 10, 2013, at 6:09 PM, Eluze wrote:
> I never used such transformations, but in
>
> /NR 1.6.2 Modifying single staves /(2.17.11) I found:
>
> "The clef position and the position of middle C may need to be adjusted
> accordingly to fit
> the new lines."
Thanks Eluze. I had actually trie
On 11 February 2013 10:23, Shane Brandes wrote:
>
>The hand engraving was amazing. I liked the "I don't make mistakes" quote.
>
> Shane
I never thought much about how music used to be engraved, but when I
did there were always more questions than answers.
I’m surprised how close it was to w
On 10 February 2013 21:43, Henning Hraban Ramm wrote:
>
> Am 2013-02-10 um 21:18 schrieb bobr...@centrum.is:
>
>> I assumed SCORE, too, but this would imply Sibelius if that was Henle we
>> were looking at in the second video:
>>
>> http://www.sibeliusblog.com/meta/henles-music-engraving-video/
>
Mr. Morley:
Thank you for your response and the two suggestions. I shall "play" with
both of them.
You have assisted my learning.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Sunday, February 10, 2013 12:20 PM
To: Mark Stephen Mrotek
Cc: lilyp
Kale Good-2 wrote
> Hello,
> Is there a way to set dot-color for each individual note on a fretboard
> diagram? I'd like to differentiate between root notes and other scale
> tones.
>
> For examples, could I have the first fret note be white while the second
> fret note is black?
> Red would also
The hand engraving was amazing. It makes you wonder what sort of metal
exactly the plates are. I liked the "I don't make mistakes" quote.
Is it possible that program was an in house adaptation of Music Tex or
one of the others?
Shane
On Sun, Feb 10, 2013 at 4:43 PM, Henning Hraban Ramm wrot
Paul Morris-6 wrote
> Hello everyone,
>
> Here's another obscure question. If you change the line-positions to
> create a custom staff, for example to have a 4-line staff, what is the
> best way to also change the "midpoint" of the staff, so that the stem
> directions are correct for the altered
David Nalesnik-2 wrote
>
> I agree. A \bar markup would be very useful for making form diagrams.
added
https://code.google.com/p/lilypond/issues/detail?id=3164&colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
to the tracker
Eluze
--
View this message in context:
http://
Am 2013-02-10 um 21:18 schrieb bobr...@centrum.is:
> I assumed SCORE, too, but this would imply Sibelius if that was Henle we were
> looking at in the second video:
>
> http://www.sibeliusblog.com/meta/henles-music-engraving-video/
>
> Also, Sibelius keyboard input does bear a number of simila
On 02/10/2013 09:08 PM, Henning Hraban Ramm wrote:
No it doesn’t ;-)
I know it's _not_ Lilypond, but it does appear to share some similarities.
It’s SCORE, see http://en.wikipedia.org/wiki/SCORE_(software)
Doesn't look like SCORE markup to me:
http://www.ccarh.org/courses/253/handout/scorei
2013/2/10 Thomas Morley :
> 2013/2/10 Mark Stephen Mrotek :
>
>> For what term/command in the online manual do I search for instructions as
>> to orientating an ornament, e.g., mordent, to the left of a middle pitch of
>> a chord,
>
> Don't know about such a command.
>
> Above a workaround tweaking
I assumed SCORE, too, but this would imply Sibelius if that was Henle we were
looking at in the second video:
http://www.sibeliusblog.com/meta/henles-music-engraving-video/
Also, Sibelius keyboard input does bear a number of similarities with LilyPond
input syntax.
-David
- Original Messa
2013/2/10 Mark Stephen Mrotek :
> For what term/command in the online manual do I search for instructions as
> to orientating an ornament, e.g., mordent, to the left of a middle pitch of
> a chord,
Don't know about such a command.
Above a workaround tweaking Fingering:
\version "2.16.1"
mor =
Am 2013-02-10 um 19:29 schrieb Joseph Rushton Wakeling:
> On 02/10/2013 05:21 PM, Luca Rossetto Casel wrote:
>> Another one,
>> http://www.youtube.com/watch?v=m5uPPJj_M_o
>
> Does anyone know anything about the computer engraving software shown in this
> second video? I don't recognize it, but
Hello:
For what term/command in the online manual do I search for instructions as
to orientating an ornament, e.g., mordent, to the left of a middle pitch of
a chord, e.g., to the left of the "c" in < g c e >?
Thank you .
Mark
___
lilypond-us
On 02/10/2013 05:21 PM, Luca Rossetto Casel wrote:
Another one,
http://www.youtube.com/watch?v=m5uPPJj_M_o
Does anyone know anything about the computer engraving software shown in this
second video? I don't recognize it, but it's striking how similar it looks to
Lilypond.
_
Thanks to everyone for all of the helpful information !
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Noted, thanks!
Paul Morris-6 wrote
> On Feb 10, 2013, at 12:22 AM, SoundsFromSound <
> soundsfromsound@
> > wrote:
>
>> Hmm, I think I maybe figured it out. Not 100% sure if it's the most
>> lean,
>> efficient code but this seems to work great for what I want:
>>
>> A solo piano piece with n
Il 10/02/2013 12:18, Urs Liska ha scritto:
"Music Engraving on Metal Plates":
http://www.youtube.com/watch?v=345o3Wu95Qo
Another one,
http://www.youtube.com/watch?v=m5uPPJj_M_o
Luca
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On Feb 10, 2013, at 12:22 AM, SoundsFromSound wrote:
> Hmm, I think I maybe figured it out. Not 100% sure if it's the most lean,
> efficient code but this seems to work great for what I want:
>
> A solo piano piece with no barlines and no time signature.
Looks fine to me. As Xavier and David
Xavier Noria writes:
> I have a score with about 50 \acciaccaturas that take too much space
> in the source code compared to the surrounding music. Is there a way
> to define an alias to be able to use a shorter name?
>
> Please do not hesitate to point me to the documentation if it is
> covered
I have a score with about 50 \acciaccaturas that take too much space
in the source code compared to the surrounding music. Is there a way
to define an alias to be able to use a shorter name?
Please do not hesitate to point me to the documentation if it is
covered somewhere.
__
Each time I show that movie to my students, their respect for the printed
scores grows :-)
I have a original plate (from Henle), and showing the plate and the movie
together is a fantastic way to make people realize the amazing work behind
the printed score.
Philippe
--
View this message in c
On 10 February 2013 09:43, Javier Ruiz-Alma wrote:
> The LSR for typesetting two opposing fermatas above/below a barline will not
> produce desired result when voices converge on one staff. Suggest adding a
> note
> of this, or better yet, how one could overcome this.
>
> http://lsr.dsi.unimi.it
Wonderful video, very useful for lilypond translators.
It was posted in this list some time ago, from Werner IIRC
Urs Liska ha scritto:
>"Music Engraving on Metal Plates":
>http://www.youtube.com/watch?v=345o3Wu95Qo
>
>Astonishing!
>
>___
>lilypond-us
On 10 févr. 2013, at 12:18, Urs Liska wrote:
> "Music Engraving on Metal Plates":
> http://www.youtube.com/watch?v=345o3Wu95Qo
>
> Astonishing!
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilyp
"Music Engraving on Metal Plates":
http://www.youtube.com/watch?v=345o3Wu95Qo
Astonishing!
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Frédéric Bron writes:
>> Disagree. The default conversation language of LilyPond (all its
>> command and function names) is English, the default note language is
>> dutch. side-ees is perfectly consistent with LilyPond's defaults.
>>> By the way I discover in 2.16 doc that the default language
> Disagree. The default conversation language of LilyPond (all its
> command and function names) is English, the default note language is
> dutch. side-ees is perfectly consistent with LilyPond's defaults.
>> By the way I discover in 2.16 doc that the default language has moved
>> to English now?
Xavier Scheuer writes:
> On 10 February 2013 02:25, Michael Rivers wrote:
>> I'm making theory tests for students, and I'm trying to print a blank staff
>> (except for a clef and bar lines) divided into two, three or four equal
>> measures in which students will draw scales, triads or key signat
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