Try placing that context definition in the \midi block rather than the
\layout block.
That was my first try too, but, again, it worked only when I used Staff
instead of GrandStaff. And then it didn't matter if I placed it in the
layout or in the midi block ...
Alexandre Araujo Moreira alexandr...@gmail.com writes:
Alexandre Araujo Moreira alexandr...@gmail.com writes:
\version 2.16.2
simpleMusic =
#(define-scheme-function (parser location melody) (ly:music?)
#{
\score {
$melody
\layout {}
Robert Schmaus robert.schm...@web.de writes:
Try placing that context definition in the \midi block rather than the
\layout block.
That was my first try too, but, again, it worked only when I used
Staff instead of GrandStaff. And then it didn't matter if I placed it
in the layout or in the
Thomas Morley thomasmorle...@googlemail.com writes:
currently we have these two engravers:
Fingering_engraver and New_fingering_engraver.
The New_fingering_engraver has these properties:
fingeringOrientations
harmonicDots
stringNumberOrientations
strokeFingerOrientations
If you want to
Before you (or anyone else) starts an investigation into this, let me
(or someone else) double-check to be sure. I'm currently using Elysium
(and Eclipse) to write LilyPond scores, and I did notice that there
seems to exist something like a midi-instrument memory. Meaning that
changing the midi
Robert Schmaus robert.schm...@web.de writes:
Before you (or anyone else) starts an investigation into this, let me
(or someone else) double-check to be sure. I'm currently using Elysium
(and Eclipse) to write LilyPond scores, and I did notice that there
seems to exist something like a
David Kastrup wrote
Eluze lt;
eluzew@
gt; writes:
it has no effect - why?
Try placing that context definition in the \midi block rather than the
\layout block.
thanks, that works (and I could have found myself, but maybe I was confused
by the fact that it works in the \with block...)!
Eluze elu...@gmail.com writes:
David Kastrup wrote
Eluze lt;
eluzew@
gt; writes:
it has no effect - why?
Try placing that context definition in the \midi block rather than the
\layout block.
thanks, that works (and I could have found myself, but maybe I was
confused by the fact
On 14 March 2013 18:24, Marek Klein ma...@gregoriana.sk wrote:
Yes:
http://www.lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attached-to-notes#new-dynamic-marks
mpdolce = \markup {\dynamic mp \italic dolce}
mpdolcedyn = #(make-dynamic-script mpdolce)
dynam = {
s2\mf
In my (minimal) example below, I'm having trouble with displaying
dashed barlines in the middle of the bar. Probably the first
occurance of the tuplets in the violin - a figure which is running
'through' the bar - is making things difficult, but is there a way
to force the barline anyway? I don't
2013/3/18 Jethro Van Thuyne p...@jethro.be:
In my (minimal) example below, I'm having trouble with displaying
dashed barlines in the middle of the bar. Probably the first
occurance of the tuplets in the violin - a figure which is running
'through' the bar - is making things difficult, but is
Ok great, that does the trick the way I want it to be displayed
:) Thanks!
Jethro
Thomas Morley (18 Mar 2013 @ 13:53)
the bar-line-interface is heavily changed.
Use \bar ! instead of \bar dashed or run convert-ly.
Cheers,
Harm
___
fabio gabbianelli fabiogabbiane...@hotmail.it writes:
hi everybody! i'm good with english so i'll post the image to let you
see my problem:
The image contains a number of slurs, so it is not sufficient for
guessing what your problem is.
--
David Kastrup
Hi Fabio,
what exactly is your problem (what is this exactly)?
Ties combine notes over a bar line for example : a ~ a
Slurs mean legato: a( a)
Or is your problem how to write multiple voices in one staff? (That I
would consider the most tricky part of your example).
Cheers,
Joram
how can i
Hi Fabio,
here is a code that nearly reproduces your measures (without slurs/ties
on first and last notes). I hope you can read from this example what you
asked for. You can remove the comments (from % to the line end).
For others reading this, some more detailed questions:
1) Why is there a
I've looked at the diagram and have found the following things that I would
like to mention:
The top hole should be a hole on both bassoon and contrabassoon. The top
hole very often has a half hole, and some players even use quarter and
three-quarter holes for the top hole.
The third hole on
On December 16, 2012 at 4:52 PM Gerard McConnell gerine...@gmail.com wrote:
Apparently Microsoft has created the problem:
«Known issues with this security update
We are aware of issues related to OpenType Font (OTF) rendering in
applications such as PowerPoint on affected versions
Hi,
have you tried the backend svg:
lilypond -dbackend=svg infile.ly
svg uses for some reason not the format but the backend option.
Cheers,
Joram
lilypond -o outfile.svg -fsvg infile.ly
What am I doing wrong?
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lilypond-user mailing list
the problem is the first part, when chord is legato with two linesi don't
if i had explain good..!
Il giorno 18/mar/2013, alle ore 15:11, Noeck ha scritto:
Hi Fabio,
here is a code that nearly reproduces your measures (without slurs/ties
on first and last notes). I hope you can read
Is the example I posted a solution for you?
If it's only the two slurs, try:
\set doubleSlurs = ##t
18.03.2013 16:02, fabio gabbianelli:
the problem is the first part, when chord is legato with two linesi
don't if i had explain good..!
\version 2.16.0
\new Staff \partcombine
2013/3/18 Noeck noeck.marb...@gmx.de
have you tried the backend svg:
lilypond -dbackend=svg infile.ly
svg uses for some reason not the format but the backend option.
keep a look to this issue:
http://code.google.com/p/lilypond/issues/detail?id=967
Hi,
while answering a question here, I wondered about the different
positioning of slurs and ties. Slurs begin and end centred on the note
head, while ties are placed between the notes (cf. example below). I
think this is also what Gould suggests.
\relative c'' {
\textLengthOff
b^expected
Hi,
On Mon, Mar 18, 2013 at 5:44 PM, Noeck noeck.marb...@gmx.de wrote:
2.) For notes outside the staff (on ledger lines, like c’) there is in
my opinion no reason to place ties below the note heads. I would prefer
to have them placed like for the d or b example, because currently ties
are
Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
My two-act musical, Robin Hood: The Legendary Musical Comedy, had a
three-week run at Toronto's Hart House Theatre in January. It was quite
successful, to the point that several parties have voiced an interest in
further developing and
Bric wrote
lilypond -o outfile.svg -fsvg infile.ly
please note that lilypond adds the extension automatically so probably you
want to write
lilypond -o outfile -dbackend=svg infile.ly
Eluze
--
View this message in context:
You are absolutely right, this is just LilyPond's sloppiness. In
general, tie formatting is ugly in many cases, and i'm thinking about
a complete redesign of tie formatting since summer 2011 (yep, 1.5
years now). I have many examples and half the design written, but
little time to finish it
Thanks for everything, guys. I just tested what David said on 2.17 and it
worked for the case I described here. Problem is, when I try to add a
\header block inside it I start getting errors again. Considering how many
problems I've faced so far regarding this, I feel I'm trying to push the
Alexandre Araujo Moreira alexandr...@gmail.com writes:
Thanks for everything, guys. I just tested what David said on 2.17 and
it worked for the case I described here. Problem is, when I try to add
a \header block inside it I start getting errors again.
\header inside of \score is not possible
On 18 March 2013 19:49, David Kastrup d...@gnu.org wrote:
\header inside of \score is not possible as far as I remember. You need
to use \paper instead. \header can only be used at top level or inside
of \book.
\header blocks may be placed in a \score block, but only after the
music
Postridie Idus Martias MMXIII scripsit Thomas Morley :
Where do you store the values you want have printed?
How is the structure of your file(s).
Which is your version?
etc
Please post a compilable example.
I have access to lilypond 2.12.3 (Debian stable).
I of course already looked in
Message: 8
Date: Sat, 16 Mar 2013 15:20:32 -0700
From: Sarah k Alawami marri...@gmail.com
To: lilly pond discuss discuss lilypond-user@gnu.org
Subject: articulation simbols
Message-ID: 70420b68-2597-433f-b1cc-47d884d5d...@gmail.com
Content-Type: text/plain; charset=us-ascii
Hello to
Hi Tim,
Congratulations!
Thanks!
That's very generous of you. Most of the rental license agreements one
has to sign for a musical today prohibit cuts or additions of any kind.
Of course, that prohibition is almost universally ignored.
As a music director of musicals, I know only too well
On Mar 18, 2013, at 8:40 PM, Jérôme Plût wrote:
Postridie Idus Martias MMXIII scripsit Thomas Morley :
Where do you store the values you want have printed?
How is the structure of your file(s).
Which is your version?
etc
Please post a compilable example.
I have access to lilypond
David Kastrup wrote
Eluze lt;
eluzew@
gt; writes:
..., but maybe I was confused by the fact that it works in the \with
block...!
A context modification in the music is applied to all outputs.
why can't midi items be read from the \layout block?
Why would they? The \layout block
Eluze elu...@gmail.com writes:
David Kastrup wrote
Eluze lt;
eluzew@
gt; writes:
..., but maybe I was confused by the fact that it works in the \with
block...!
A context modification in the music is applied to all outputs.
why can't midi items be read from the \layout block?
Hi Thomas,
\consists Piano_pedal_align_engraver
That solved it — thank you!
Best wishes,
Kieren.
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Message: 2
Date: Mon, 18 Mar 2013 13:00:40 -0700
From: Tim Reeves tim.ree...@tokamerica.com
To: lilypond-user@gnu.org
Subject: Re: lilypond-user Digest, Vol 124, Issue 124
Message-ID:
of01d29e28.05b80cfb-on88257b32.00696897-88257b32.006de...@tokamerica.com
Content-Type: text/plain;
I guess I'll have to remember those symbols then. lol! The manual did not
explain them at all. Is there a way to memorize these? I'm coming from braille
music here lol!
lol. I know what percent is. I think I might have been going faster then my
brain. Hehahah.
Thanks and take care.
On Mar
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