2013/4/10 Urs Liska :
> Is it possible to hook into the \voiceXXX commands to (optionally) color-code
> them?
> This could be helpful when dealing with complex polyphonic situations.
> In my experience it is often enough to assign the right voice to get the
> spacing right, and it would be nice i
Is it possible to hook into the \voiceXXX commands to (optionally) color-code
them?
This could be helpful when dealing with complex polyphonic situations.
In my experience it is often enough to assign the right voice to get the
spacing right, and it would be nice if the eye would be assisted with
2013/4/9 Federico Bruni
> Common Practice Period
>
well, this one has been translated before:
http://lilypond.org/doc/v2.17/Documentation/notation/writing-pitches#note-names-in-other-languages
as "Periodo di pratica comune"
does it refer to the western classic music?
better ideas?
2013/4/8 Davide Liessi
> Sources:
> [G] = "Enciclopedia della Musica", Garzanti, Milano, 1996
> [Z] = Daniele Zanettovich, "Elementi fondamentali di teoria e di
> ortografia musicale", Pizzicato edizioni musicali, Udine, 1988
>
> Unreferenced statements are my personal opinions.
>
Ciao Davide,
On Tue, 9 Apr 2013 21:50:59 +0100
"Phil Holmes" wrote:
> - Original Message -
> From: "Urs Liska"
> To:
> Sent: Tuesday, April 09, 2013 9:05 PM
> Subject: Re: Cropped output (à la -dpreview) possible in Finale and Sibelius
>
>
> > Am 09.04.2013 18:26, schrieb Urs Liska:
> >> I never
"Phil Holmes" writes:
> I commented in an earlier message that Sibelius, IMHO, produces
> witheringly appalling graphics output. Unaliased,
At high resolution (print or Epaper) this is a defensible decision for
getting high-contrast output. But the rendition is still appallingly
bad given the
Carl Peterson writes:
> I'm not an expert on GhostScript, but in practice it is nearly always
> best to rasterize vector graphics at the intended output resolution.
Except when it isn't. What makes you think that the PDF viewers are
doing anything but rasterizing vector graphics at the intended
Hi,
2013/4/9 Carl Peterson :
> The best I can do for a sample at the moment is this PDF that is an
> advertisement for a hymnal that uses left-justified first syllables. It does
> not right-justify the last syllables.
>
> http://www.sumphoniahymnal.com/copy-content/hymnal-info-toc.pdf
Hmm. I see
Am 09.04.2013 18:26, schrieb Urs Liska:
I never used Sibelius, and the last version of Finale I actually
worked with was 2001.
Therefore I'd like to ask here before writing something
inappropriately negative about them ;-)
Is it possible to output cropped output in .png or .pdf format from
th
- Original Message -
From: "David Kastrup"
To:
Sent: Tuesday, April 09, 2013 6:49 PM
Subject: Re: Cropped output (à la -dpreview) possiblein Finale and Sibelius
Urs Liska writes:
It seems this is Sibelius 7's default. See attached PNG.
Huh? The perfectly rendered stafflines
Eduardo,
It's not so bad if you don't care where the system breaks are. For most
hymns, the default behavior does a decent job of producing output with a
reasonable density. The issue comes in if you want to lay your music out so
that the lyrics are laid out with the same line breaks as if they we
I'm not an expert on GhostScript, but in practice it is nearly always best
to rasterize vector graphics at the intended output resolution. The issue
is how that graphic is downsampled. For example, if I rasterize a two-pixel
wide black vertical line down to half the resolution, depending on where
t
Date: Tue, 9 Apr 2013 13:34:03 -0400
Subject: Re: Question about left-aligning syllables at beginning of lines
From: carlopeter...@gmail.com
To: janek.lilyp...@gmail.com
CC: lilypond-user@gnu.org
The best I can do for a sample at the moment is this PDF that is an
advertisement for a hymnal that
> As far as what can be controlled by Lilypond and it's developers,
> making sure PNG files are generated well *is* something that should
> be addressed, since that is completely within Lilypond's control.
Does GhostScript's PNG backend produces satisfying results?
Otherwise, what about creating
Hi,
as contribution to this discussion: the staves number 3 and 4 in the
attachment is what would please my eyes the most (for n staff lines):
multi measure and whole rests:
hanging from the staff line above the centre: staff line floor(n/2)
counting from top to bottom
half rests:
sitting on
On 04/09/2013 08:47 PM, Alexander Kobel wrote:
[...]
Besides, rectangles bound /regions,/ and I see a valid point in not
willfully changing regions or areas. For lines, it's slightly more
likely that the designer intended the object to be a line than for
rectangles. [...]
By the way: I stumble
Alexander Kobel writes:
> On 04/09/2013 08:26 PM, Janek Warchoł wrote:
>> 2013/4/9 Werner LEMBERG:
>>>
It's a very hard problem and probably not solvable.
>>>
>>> Ah, I misread, sorry. Yes, it might be worth to test with line
>>> strokes.
>>
>> I find it most interesting that apparently the
On 04/09/2013 08:26 PM, Janek Warchoł wrote:
2013/4/9 Werner LEMBERG:
It's a very hard problem and probably not solvable.
Ah, I misread, sorry. Yes, it might be worth to test with line
strokes.
I find it most interesting that apparently there is some way to solve
this problem. If line st
The problem is that how a Lily output is rendered by a PDF reader is not
within the realm of control for Lilypond. The fact is that some PDF
features are handled differently by different viewers, if they are handled
at all. For example, in my graphic design work, I learned that transparency
is a bi
2013/4/9 David Kastrup :
> Janek Warchoł writes:
>
>> 2013/4/9 David Kastrup :
>>> Urs Liska writes:
>>>
It seems this is Sibelius 7's default. See attached PNG.
>>>
>>> Huh? The perfectly rendered stafflines make it clear that this is not a
>>> scanned image. But clef, noteheads and t
> It's a very hard problem and probably not solvable.
Ah, I misread, sorry. Yes, it might be worth to test with line
strokes.
Werner
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> Have you seen
> http://code.google.com/p/lilypond/issues/detail?id=2658 ? *That's*
> appalling - and it's how LilyPond output is rendered :( :( :( (image
> attached) It's sad that there are no comments on this issue after 9
> months :(
It's a very hard problem and probably not solvable. Essen
Janek Warchoł writes:
> 2013/4/9 David Kastrup :
>> Urs Liska writes:
>>
>>> It seems this is Sibelius 7's default. See attached PNG.
>>
>> Huh? The perfectly rendered stafflines make it clear that this is not a
>> scanned image. But clef, noteheads and text are rendered _appallingly_
>> a
2013/4/9 David Kastrup :
> Urs Liska writes:
>
>> It seems this is Sibelius 7's default. See attached PNG.
>
> Huh? The perfectly rendered stafflines make it clear that this is not a
> scanned image. But clef, noteheads and text are rendered _appallingly_
> awful, like it would be dithering
Urs Liska writes:
> It seems this is Sibelius 7's default. See attached PNG.
Huh? The perfectly rendered stafflines make it clear that this is not a
scanned image. But clef, noteheads and text are rendered _appallingly_
awful, like it would be dithering the stroke widths.
Hopefully not t
The best I can do for a sample at the moment is this PDF that is an
advertisement for a hymnal that uses left-justified first syllables. It
does not right-justify the last syllables.
http://www.sumphoniahymnal.com/copy-content/hymnal-info-toc.pdf
This hymnal does something else I wouldn't mind be
Thanks for that clarification.
So this isn't a 'selling point' for LilyPond anymore ...
Urs
Am 09.04.2013 18:59, schrieb Phil Holmes:
- Original Message - From: "Urs Liska"
To: "Lilypond-User"
Sent: Tuesday, April 09, 2013 5:26 PM
Subject: Cropped output (à la -dpreview) possible in F
2013/4/9 Carl Peterson :
> As I mentioned in another thread, I'm working on a hymnal/psalter project
> and ideally would like to justify both the left and right edges of each line
> of lyrics.
Interesting. I don't quite see why you would want that - i'd have to
see a picture.
Anyway, i'm pretty s
On 04/09/2013 06:26 PM, Urs Liska wrote:
> When I used Finale one had to draw a rectangle with the mouse that then was
> exported.
> Needless to say that this is a poor way to consistently line up music
> fragments
> in a text document.
I doubt this is the way a hardcore professional engraving pe
I never used Sibelius, and the last version of Finale I actually worked
with was 2001.
Therefore I'd like to ask here before writing something inappropriately
negative about them ;-)
Is it possible to output cropped output in .png or .pdf format from
them, just like -dpreview or lilypond-book
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Peter Crighton" ; "LilyPond Mailing List"
Sent: Tuesday, April 09, 2013 3:55 PM
Subject: Re: Rests in TabVoice
"Phil Holmes" writes:
From: "David Kastrup"
To: "Peter Crighton"
Cc: "LilyPond Mailing List"
Sent:
"Phil Holmes" writes:
> From: "David Kastrup"
> To: "Peter Crighton"
> Cc: "LilyPond Mailing List"
> Sent: Tuesday, April 09, 2013 3:13 PM
> Subject: Re: Rests in TabVoice
>
>>> Probably the ideal solution would be to have whole and half rests one
>>> line lower and all other rests centered be
- Original Message -
From: "David Kastrup"
To: "Peter Crighton"
Cc: "LilyPond Mailing List"
Sent: Tuesday, April 09, 2013 3:13 PM
Subject: Re: Rests in TabVoice
Probably the ideal solution would be to have whole and half rests one
line lower and all other rests centered between the t
- Original Message -
From: "Peter Crighton"
To: "David Kastrup"
Cc: "LilyPond Mailing List"
Sent: Tuesday, April 09, 2013 2:48 PM
Subject: Re: Rests in TabVoice
2013/4/9 David Kastrup
Peter Crighton writes:
> Hello there,
>
> would it be possible to attach rests in a TabVoice t
Peter Crighton writes:
> 2013/4/9 David Kastrup
>>
>> Peter Crighton writes:
>>
>> > Hello there,
>> >
>> > would it be possible to attach rests in a TabVoice to a different
>> > line? At least whole and half rests look terribly vertically
>> > off-centered, especially in four-line staffs, and
Is it possible to include fonts from a folder inside my project and not
from global ~/.fonts folder? It is easy-er when making backup to include
fonts which are allready inside a project.
--
*Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje.
Izreke 12:18*
_
Hello Carl,
that works perfect! Thanks a lot.
best regards
Kai
> I seem to remember looking in the documentation that you would refer to the
> variable in Scheme as #(numbered-title t). Could be wrong.
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2013/4/9 David Kastrup
>
> Peter Crighton writes:
>
> > Hello there,
> >
> > would it be possible to attach rests in a TabVoice to a different
> > line? At least whole and half rests look terribly vertically
> > off-centered, especially in four-line staffs, and they would benefit
> > from being a
Thanks Joseph for pointing me to git checkouts..it works for me.
On Sun, Apr 7, 2013 at 7:42 PM, pls wrote:
> On 07.04.2013, at 19:29, Joseph Rushton Wakeling <
> joseph.wakel...@webdrake.net> wrote:
>
> On 04/07/2013 06:51 PM, Stjepan Horvat wrote:
>
> I realy like git too..Once i tried to make
2013/4/8 David Kastrup
>
> \new Staff { $(skip-of-length mybass) }
>
>
Great! That's perfect.
Thank you very much, David.
Carlo
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Kai,
I seem to remember looking in the documentation that you would refer to the
variable in Scheme as #(numbered-title t). Could be wrong.
Cheers,
Carl
On Tue, Apr 9, 2013 at 7:35 AM, Kai Lautenschläger <
kai.lautenschlae...@me.com> wrote:
> Hi Jay,
>
> that is a great function. Unfortunately
As I mentioned in another thread, I'm working on a hymnal/psalter project
and ideally would like to justify both the left and right edges of each
line of lyrics. I'm willing to settle for the left edge, if the right edge
is too cumbersome to do. I manually right-justified the last syllables on
one
Hi Jay,
that is a great function. Unfortunately I have no knowledge of scheme
whatsoever. So I'd like to ask, if there is a simple solution for the following
question.
I use the described counter and would like to use titles which are defined in a
variable instead of the actual text. Let's ass
2013/4/9 Carl Peterson :
> I know this question has been posed before on this list, but either there
> wasn't a definitive answer that I could find or I just couldn't understand
> it. I know that I can manually trigger left-aligning syllables at the
> beginning of lines, using
>
> \once \override L
Am 09.04.2013 13:19, schrieb Janek Warchoł:
2013/4/9 Werner LEMBERG :
Putting the bar number at the start of the line would require
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Indeed, but i find it
2013/4/9 Werner LEMBERG :
>> Putting the bar number at the start of the line would require
>>
>> %{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
>>
>> instead.
>
> I like that. It's tedious to type manually, but a computer program
> doesn't know that word :-)
Indeed, but i find it unreadable, especially if it w
Peter Crighton writes:
> Hello there,
>
> would it be possible to attach rests in a TabVoice to a different
> line? At least whole and half rests look terribly vertically
> off-centered, especially in four-line staffs, and they would benefit
> from being attached one line lower.
> Other rests mig
OK. Please consider my suggestion as obsolete, but I'd like to clarify
what I intended to say (but obviously failed to do so)
Quoting David Kastrup :
Urs Liska writes:
Would something like
%@5 a,4 ( a4 ) ( b4 ) d4 |
be an option?
The combination'%@' would indicate that the next token is
Hello there,
would it be possible to attach rests in a TabVoice to a different line? At
least whole and half rests look terribly vertically off-centered,
especially in four-line staffs, and they would benefit from being attached
one line lower.
Other rests might appear too low then, but I would li
2013/4/9 David Kastrup :
> In the same sense that drilling a hole in your knee and pouring in milk
> is an option, definitely.
ROFLMAO
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Urs Liska writes:
> Am 09.04.2013 11:38, schrieb Werner LEMBERG:
>>> Putting the bar number at the start of the line would require
>>>
>>>%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
>>>
>>> instead.
>> I like that. It's tedious to type manually, but a computer program
>> doesn't know that word :-)
>>
>>
Am 09.04.2013 11:38, schrieb Werner LEMBERG:
Putting the bar number at the start of the line would require
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Werner
Would something like
%@5 a,4 ( a4
> Putting the bar number at the start of the line would require
>
> %{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
>
> instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Werner
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Jacques Menu TvTMail writes:
> The math I mentioned is because I interpreted the bar number in:
>
> a,4 ( a4 ) ( b4 ) d4 | % 6
>
> as a help to locate the offending bar number…
Well, it is a help but probably not immediately what you'd like best. I
think it is reasonable to have bar checks at t
2013/4/9 Carl Peterson :
> So...is there a command that would allow me to include a file only once (so
> that if it is included a second time, it won't actually be executed) OR to
> detect whether the variable has been initialized? I would prefer the first
> since that would take care of some forma
The math I mentioned is because I interpreted the bar number in:
a,4 ( a4 ) ( b4 ) d4 | % 6
as a help to locate the offending bar number…
David, sorry I offended you about work going on. I've got only one experience
in open software contributions so far, which lead to a dead-end: these
On 09.04.2013, at 09:01, Urs Liska wrote:
> Am 09.04.2013 08:49, schrieb David Kastrup:
>> Jacques Menu writes:
>>
>>> Hello folks,
>>>
>>> I've been experimenting with Sibelius 7.1.3 as a front-end to Lily,
>>> i.e. as a note input engine.
>>>
>>> This lead me to fix some issues in musicxml2
Am 09.04.2013 08:49, schrieb David Kastrup:
Jacques Menu writes:
Hello folks,
I've been experimenting with Sibelius 7.1.3 as a front-end to Lily,
i.e. as a note input engine.
This lead me to fix some issues in musicxml2ly:
- the comment bar number at the end of regular lines is one
t
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