>> I recently tested LilyPond on Windows 8 (Enterprise Development
>> Test version running on VirtualBox). It appears that LilyPond does
>> not support any OpenType features on Windows 8 (at least as of
>> version 2.16.2).
>
> We have issues
> http://code.google.com/p/lilypond/issues/detail?id=26
Aleksandr Andreev writes:
> In Ubuntu, LilyPond has support of the default OpenType features (that
> is, those features that are on by default: ccmp (Glyph Composition),
> liga (Ligatures), kern (Kerning), mark (Mark to base positioning) and
> mkmk (Mark to mark positioning)). My understanding is
wjm writes:
> After a lot of fiddling around I came up with this schema:-
That reads much like
http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd
what are we missing?
Greetings,
Jan
--
Jan Nieuwenhuizen | GNU LilyPond http://l
"ericoschm...@yahoo.com.br" writes:
> Hi, earlier today i just copied/pasted this to my file, and it worked
> fine. All tritones go down.
Just as a note aside: if you are using a current version of LilyPond,
\relative { ... }
without explicit reference pitch is defined such that the first pit
ericoschm...@yahoo.com.br wrote
>>>(Rookie scheme tip: a single quote (') is not the same as a backtick (`).
This tripped me up!)
>
> did i use the wrong one somewhere???
No you're fine, I just got them confused and it took awhile to figure out
what was wrong. So just a cautionary tale for the
>>(Rookie scheme tip: a single quote (') is not the same as a backtick (`).
This tripped me up!)
did i use the wrong one somewhere???
ok, now... For my taste, the way i did for solving the Chromatic/traditional
notation compatibility is satisfying. Extra note names could be added so you
can inp
This is somewhat the approach I'm taking with my Psalter project. each
selection/hymn/psalm setting has a lyric file and a tune file. Each contains
variables such as poet, scripture reference,copyright, etc. that are relevant
and unchanging with that file. This allows me to reuse tunes with othe
Hi, earlier today i just copied/pasted this to my file, and it worked fine.
All tritones go down.
I didnt really understand what the hell that code is doing, but worked the
way i want.
---
/dodecaPitchNames = #(map (lambda (pitchname)
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and hope to get it done by November or so. it's a surprise for a
very special friend of mine who is let's say very fragile in health and I want
to give it to her choir. I'm thinking of writing all the parts
Hello List,
In Ubuntu, LilyPond has support of the default OpenType features (that
is, those features that are on by default: ccmp (Glyph Composition),
liga (Ligatures), kern (Kerning), mark (Mark to base positioning) and
mkmk (Mark to mark positioning)). My understanding is that there is
presentl
Greetings!
After watching Sarah K Alawami's work on a score recently on this
user-list, but not having the musical and compositional skills to make
constructive remarks, and after reading the thread entitled 'stylesheet
structure', it occurred to me that an approach might be found which
might
On Wed, May 15, 2013 at 12:19:25PM +0100, Peter Toye wrote:
> I found the cres--cen--do conversation - it seems that there's
> a general need for a new form of text spanner which can spread
> out the text.
At the risk of seeming a curmudgeon, I would refute "general."
I'm unclear on what the diff
ericoschm...@yahoo.com.br wrote
> But i really am confused with those different plataforms for the same
> list:
> nabble, gnu, and mail-archive
> which is the one i should actually be browsing?
I think it's basically just a matter of personal preference. I'm trying out
nabble at the moment.
-Pau
With some help from these snippets:
http://lsr.dsi.unimi.it/LSR/Item?id=784
http://lsr.dsi.unimi.it/LSR/Item?id=619
I worked out how to redefine the note names, and make the default scale (the
scale that is represented by the staff) a chromatic scale. See the snippet
below. This avoids the in
on 2013-05-17 at 01:21 Thomas Morley wrote:
> Rereading the code I'm not convinced about my brilliance:
well, i was referring to the results, which seem to be perfect indeed.
of course i can't evaluate the coding style...
___
lilypond-user mailing
2013/5/17 luis jure :
>
> on 2013-05-17 at 00:40 Thomas Morley wrote:
>
>> Meanwhile you may want to use the function below.
>> Comments in code, if something isn't clear, shout.
>
> brilliant, as always...
Rereading the code I'm not convinced about my brilliance:
Please delete `Score.' from.
\o
on 2013-05-17 at 00:40 Thomas Morley wrote:
> Meanwhile you may want to use the function below.
> Comments in code, if something isn't clear, shout.
brilliant, as always...
thank you very much! i can't say i understand the code, but it works
flawlessly. it resulted to be a more complicated prob
2013/5/16 luis jure :
>
> dear list,
>
> the output of the following code is shown in the first attached image:
>
> \version "2.17.17"
>
> \score {
> \new Voice \with {
> \remove "Forbid_line_break_engraver"
> \override Beam.breakable = ##t
> }
>
> \relative c'' {
>
On Wed, May 15, 2013 at 5:05 PM, SoundsFromSound
wrote:
>
> David Nalesnik-2 wrote
> > 2013/5/15 SoundsFromSound <
>
> > soundsfromsound@
>
> > >:
> >> > TOne question though: what would
> >> > be the easiest way to "center" this span (so the dashes line up in the
> >> > center of the words, rathe
On Thu, 2013-05-16 at 05:42 -0700, ericoschm...@yahoo.com.br wrote:
> I think i have all i need now, it will just take some time to digest.
>
> About the \include, can i just add my chromatic.ly language files and other
> templates to this directory, instead of having a copy with every musical
> f
I think i have all i need now, it will just take some time to digest.
About the \include, can i just add my chromatic.ly language files and other
templates to this directory, instead of having a copy with every musical
file I make?
/"Files which are to be included in many scores may be placed in
On 05/16/2013 07:14 AM, Carl Peterson wrote:
How would I go about forcing a page break after a score's header (before the
actual music)? In preparing slides for my psalter project, I want to generate
title cards before the first slide of each score. So far, everything I'be tried
either generat
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