oops--forgot to change the version statement back to 2.16.2.
--David
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On Tue, Jul 9, 2013 at 4:05 PM, David Nalesnik wrote:
>
>
> I've got a newer version of this which allows you to make adjustments to
> the position of the tuplet number along the beam from the default centered
> position. (This sometimes proves necessary when there's a collision.)
> I'll look aro
Hi Derek,
2013/7/10 Derek :
> I have tried to make a tiny example here but just shortening my file to ten
> bars. I don't know if it is still too big though.
It is by far too big!!
And please fix all the log-warnings, before posting.
Or in case you don't know how, ask habout them.
> I am sure t
2013/7/10 Eric Pancer :
> Thank you very much, your suggestions helped the situation. I have two
> more issues.
>
> On Tue, Jul 9, 2013 at 5:04 PM, Thomas Morley
> wrote:
>> 2013/7/9 Eric Pancer :
>>> I'm working on the following file but having some issues where
>>> formatting tricks don't seem
I have tried to make a tiny example here but just shortening my file to ten
bars. I don't know if it is still too big though. I am sure that the problem
arises from my attempt to add centred dynamics to the piano score but I
don't know how to fix it. I have fiddle with every parameter I could find
I would suggest using \skip where the voice has the same lyrics as the other
parts - so the soprano lyrics will start with a number of \skip entries and
then switch to the words. If you need to save time typing, you can use
\repeat unfold 2 { \skip1 }
and change the 2 to whatever number of s
Sebastian,
Can you provide an example of this and/or a sample of code?
Cheers,
Carl
On Wed, Jul 10, 2013 at 5:10 PM, Sebastian Canagaratna <
s-canagara...@onu.edu> wrote:
> HI: I wonder if someone could help me with this.
> All the examples I see in the documentation refers to Lyrics either ab
HI: I wonder if someone could help me with this.
All the examples I see in the documentation refers to Lyrics either above
or below the staves. There are SATB pieces where for example the first part
consists only of Soprano, then after a few measures the Alto comes in,then
all four parts etc. When
2013/7/10 Urs Liska :
> Is there an easy way to automatically repeat the time signature at the
> beginning of each system?
> It should also work for ones with manual timesignaturefractions.
>
> TIA
> Urs
> --
> Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet.
Hi Urs,
c
Thank you very much, your suggestions helped the situation. I have two
more issues.
On Tue, Jul 9, 2013 at 5:04 PM, Thomas Morley wrote:
> 2013/7/9 Eric Pancer :
>> I'm working on the following file but having some issues where
>> formatting tricks don't seem to be working. A couple of questions:
David:
> Janek WarchoĊ writes:
>
> > Hi all,
> >
> > i managed to get internet connection for a moment.
> >
> > 2013/7/7 Karl Hammar :
> >> Urs:
> >>> Would you mind writing the same as a comment to the original post
> >>> on the blog? That would be nice.
> >>
> >> I'm not found of forums, mostly
Is there an easy way to automatically repeat the time signature at the
beginning of each system?
It should also work for ones with manual timesignaturefractions.
TIA
Urs
--
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet.___
That's exactly what I was looking for.
Thanks a lot!
On 07/10/2013 05:02 PM, Eluze wrote:
Am 10.07.2013 16:07, schrieb Peter O'Doherty:
Hi list,
I know this has been asked before but I still haven't managed to find
a suitable solution.
How to end a measure with a grace note (group), without
Am 10.07.2013 16:07, schrieb Peter O'Doherty:
Hi list,
I know this has been asked before but I still haven't managed to find
a suitable solution.
How to end a measure with a grace note (group), without causing this
error: "programming error: bounds of this piece aren't breakable."?
sorry,
Hi list,
I know this has been asked before but I still haven't managed to find a
suitable solution.
How to end a measure with a grace note (group), without causing this
error: "programming error: bounds of this piece aren't breakable."?
Many thanks,
Peter
--
//=
-
Am 10.07.2013 13:55, schrieb Urs Liska:
Am 10.07.2013 13:52, schrieb Nick Payne:
This works:
\version "2.17.21"
{
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 16)
a'16[ r r a']
\stopStaff
s2
\startStaff
a'32[ r r a']
}
Thank you.
Of course I thought about sub
Am 10.07.2013 13:52, schrieb Nick Payne:
On 10/07/13 19:03, Urs Liska wrote:
Hi,
I need to achieve a beaming as in the attached png, i.e. beams over
rests with only one beam throughout the time.
a)
Is it really true that I have to do that manually in the way I did it in
the attached file?
Th
On 10/07/13 19:03, Urs Liska wrote:
Hi,
I need to achieve a beaming as in the attached png, i.e. beams over
rests with only one beam throughout the time.
a)
Is it really true that I have to do that manually in the way I did it in
the attached file?
This works:
\version "2.17.21"
{
\set su
Hi,
Having the need to engrave a "bendBefore" I looked in the archives and
found this item mentioned several times over the last few years but
not in recent versions of Lilypond.
Is there any work done on this? Some code I can use or test?
Regards,
Wim.
2013/7/10 David Kastrup :
> Thomas Morley writes:
>
>> 2013/7/6 Pierre Perol-Schneider :
>>> 2013/7/5 Pierre Perol-Schneider
kern =x-length*1,4*EXP(-(LN(0,14)/LN(20)*LN(Staff-Size)))
>>
>> So far as I can observe the calculations isn't exact: with higher or
>> lower staff-size valu
Hey, this work looks fantastic.
I would really love to include that in my reply post which now looks
like http://lilypondblog.org/?p=830&preview=1&_ppp=e3bfee8403
I have elaborated on how easy it is to recreate one example with
LilyPond and speculated a bit how one could generate a complete set
k...@aspodata.se (Karl Hammar) writes:
> It seems that
>
> #(define (byteToPfx byte)
> (map (lambda (bit)
> (if (logbit? bit byte) #{ c'64 #} #{ r64 #}))
> (iota 8 7 -1)))
>
> #@(byteToPfx 34) c'64
>
> (Is lilypond-mode up to standard indenting thoo
k...@aspodata.se (Karl Hammar) writes:
> (Is lilypond-mode up to standard indenting thoose things?)
No. I make do by switching to scheme-mode, indenting, and then
switching back to LilyPond-mode.
--
David Kastrup
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li
David Kastrup:
> k...@aspodata.se (Karl Hammar) writes:
>
> > If you look at:
> >
> > http://downloads2.makemusic.com/blog/elementsv1-p221.pdf &
> >
> > from his "Binary Theory and Creation of the Fundamental Rhythm
> > Patterns", you'll see that the table is simply a
> >
> > pattern = 0x00E0;
Hi,
I need to achieve a beaming as in the attached png, i.e. beams over
rests with only one beam throughout the time.
a)
Is it really true that I have to do that manually in the way I did it in
the attached file?
b)
If yes, is this a deficit in LilyPond or an indication that this isn't
'co
Hi Frank,
> I tried to go about according to the documentation, but can't quite get
> things to work. Th following code:
>
> \version "2.16.1"
> \header {
> title = whatever"
> }
> {
> \key des \major
> \clef bass
> \time 4/4
> \chords {es:m9 f:m7 ges:maj7 f:m7}
> {es4 r8 f8 ges4 r8 f8}
> }
>
>
Frank Wuest writes:
> Hi everyone,
>
> I just need to rearrange some sheet music, and this is the first time
> I need to incorporate chord symbols.
>
> I tried to go about according to the documentation, but can't quite
> get things to work. Th following code:
>
> \version "2.16.1"
> \header {
>
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