Hello:
In a previous thread
(http://lists.gnu.org/archive/html/lilypond-user/2013-08/msg00673.html), a
Chopin Nocturne was discussed that has polymetrics starting on the second
page of the score. I have looked at the .ly file (attached) and have a
minimal understanding of the "\set Timing.meas
Peter Bjuhr" wrote:
My starting point was that this could be achieved by using some kind of
alternative arpeggio, but so far this has not been a successful approach.
Here is a rough sketch of such an approach,
without considering collisions and other subtleties.
It has its own arrowdir param
Kieren MacMillan writes:
> This thread reminded me that I wanted to let you all see the first few pages
> of a recent commission, which ended up requiring polymetrics across line
> breaks, etc.
>
> I love the way it turned out, and I can't imagine how difficult it would be
> to engrave in some
2013/8/30 Gilberto Agostinho
> Hello all,
>
Hi Gilberto,
>
> I altered the *system-system-spacing #'basic-distance* to various values
> but couldn't see any difference.
>
>
> 'Cause that has changed in 2.17.
Use :
system-system-spacing = #'((basic-distance . 8) (padding . 1))
Cheers,
Pierre
Hello all,
I have been trying to modify the distance between systems and staves, but I
found it somehow difficult to understand. I am using the following code (on
which I added the a \paper snippet):
\version "2.17.24"
\paper {
system-system-spacing #'basic-distance = #8
score-system-spaci
Daniel Thompson writes:
> Hi Folks
>
> I am trying to modify an shared include file the allow it to switch
> the score that uses it between A4 "normal" mode and an cut-down A5
> form (for an e-book reader).
>
> I can make set-paper-size conditional using a $(if construct but can't
> find a way to
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Hi Folks
I am trying to modify an shared include file the allow it to switch
the score that uses it between A4 "normal" mode and an cut-down A5
form (for an e-book reader).
I can make set-paper-size conditional using a $(if construct but can't
find a
Thank you, Thomas.
In fact, I was interested in having the expressions "Fa" and "Sib" on the
left of the bae, and not centered as they are now.
But let's assume that they should be good to me as they are: there is no
way to have the expressions a little closer to the pentagram and not so
high? Wha
Hello:
\alternative{blabla}
or italian (that remains the international musician lang.) Solo 2a volta
2013/8/30, Urs Liska :
> Am 30.08.2013 12:11, schrieb Simon Bailey:
>> On Friday, 30 August 2013 at 11:13, David Kastrup wrote:
>>> You use an X here. That's the wrong character. Try using в inst
Am 30.08.2013 12:11, schrieb Simon Bailey:
On Friday, 30 August 2013 at 11:13, David Kastrup wrote:
You use an X here. That's the wrong character. Try using × instead,
either writing it directly or as \markup \char ##xd7
david,
this is the original score the composer sent me from finale. i use
On Friday, 30 August 2013 at 11:13, David Kastrup wrote:
> You use an X here. That's the wrong character. Try using × instead,
> either writing it directly or as \markup \char ##xd7
david,
this is the original score the composer sent me from finale. i used \markup {
\normal-text "2. ×:" } (see s
Nick Payne writes:
> On 30/08/13 18:54, David Kastrup wrote:
>> Nick Payne writes:
>>
>>> I've been setting up emacs and xpdf for use with lilypond 17.25 on
>>> Ubuntu 13.04, using emacs 24.3, and the Debian install files for xpdf
>>> 3.03 and libpoppler19. Most things seem to be working - I hav
On 30/08/13 18:54, David Kastrup wrote:
Nick Payne writes:
I've been setting up emacs and xpdf for use with lilypond 17.25 on
Ubuntu 13.04, using emacs 24.3, and the Debian install files for xpdf
3.03 and libpoppler19. Most things seem to be working - I have syntax
highlighting, I can run Lily
Simon Bailey writes:
> please pardon the double post, i forgot the attachment… :)
>
> --
> Simon Bailey
> +43/699/190 631 25
>
>
> On Friday, 30 August 2013 at 11:00, Simon Bailey wrote:
>
>> hi,
>>
>> i'm typesetting a piano piece for a young composer, and he has a
>> descrescendo in one
Am 30.08.2013 11:02, schrieb Simon Bailey:
please pardon the double post, i forgot the attachment... :)
--
Simon Bailey
+43/699/190 631 25
On Friday, 30 August 2013 at 11:00, Simon Bailey wrote:
hi,
i'm typesetting a piano piece for a young composer, and he has a descrescendo in one repet
- Original Message -
From: "Simon Bailey"
To: "lilypond-user"
Sent: Friday, August 30, 2013 10:00 AM
Subject: 2nd time only
hi,
i'm typesetting a piano piece for a young composer, and he has a
descrescendo in one repetition which should only be played the second
time.
in his sco
please pardon the double post, i forgot the attachment… :)
--
Simon Bailey
+43/699/190 631 25
On Friday, 30 August 2013 at 11:00, Simon Bailey wrote:
> hi,
>
> i'm typesetting a piano piece for a young composer, and he has a descrescendo
> in one repetition which should only be played th
hi,
i'm typesetting a piano piece for a young composer, and he has a descrescendo
in one repetition which should only be played the second time.
in his score, it's labelled "2. x: >" (see attached original-snippet.png). this
is perfectly comprehensible for anybody who speaks german, i'm not s
Nick Payne writes:
> I've been setting up emacs and xpdf for use with lilypond 17.25 on
> Ubuntu 13.04, using emacs 24.3, and the Debian install files for xpdf
> 3.03 and libpoppler19. Most things seem to be working - I have syntax
> highlighting, I can run Lilypond with C-c C-l, and C-c C-s open
http://lilypond.1069038.n5.nabble.com/Pseudo-handwritten-font-tt142117.html#a147230
Does it help?
-Harm
Hi Harm,
it does indeed! Thanks a lot! I should have searched the archives more
thoroughly, I guess.
Best,
Robert
___
lilypond-user mail
Hey all,
Do any of you have scores where you use the \transparent command in markups?
For example,
{
c''4^\markup \transparent \draw-circle #10 #1 ##f r4 c''2^"foo" |
}
I'm doing some work on development and it would be useful to see how
\transparent is used in real scores.
Cheers,
MS__
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