Jim Tisdall writes:
> When I call lilypond to compile a score by means of a web page
> that is using CGI, lilypond takes about 25 seconds to
> *successfully* complete. From the commandline,
> same files and flags, under a second; from a similar but non-web
> program, under a second.
Are you cert
Gilberto Agostinho writes:
> Well, I would gladly add a request for automatic beaming with grace
> notes in the Issues List if nobody objects about it.
I don't see that it makes any sense. The beaming in a grace can't be
governed by the same rules or actually any rules as in the main music
sinc
Well, I would gladly add a request for automatic beaming with grace notes in
the Issues List if nobody objects about it.
About the slashes, this exact problem is indeed described in the Issue 1333
you sent me, but the bad news is that it is considered as /Priority-Low/ and
/Patch-abandoned/. So I
Hi, I'm going to briefly sketch this problem, just to see if anyone
else has come across it ... and because being specific would be a
real bear, given the interacting systems involved ...
When I call lilypond to compile a score by means of a web page
that is using CGI, lilypond takes about 25 sec
On 09/18/2013 10:38 PM, Gilberto Agostinho wrote:
Also, if anyone know a way of proposing this to be implemented at some point
in the next versions of LilyPond, I would love to know what do I have to do.
The issue about the slash you can follow here:
https://code.google.com/p/lilypond/issues/
Jim Tisdall writes:
> I'm generating a click track. I need it to start a measure
> (or two) before the music in a staffgroup. I want the extra
> beginning measure to be hidden, so it doesn't show up in the
> typeset score, but just sounds in the midi output. I already
> have the clicktrack hid
I'm generating a click track. I need it to start a measure
(or two) before the music in a staffgroup. I want the extra
beginning measure to be hidden, so it doesn't show up in the
typeset score, but just sounds in the midi output. I already
have the clicktrack hidden. I just need it to start a
Hi Peter,
Thank you very much for your answer. I am glad to hear you think this
subject is relevant. First of all, let me say that you were totally right
about my issue with the automatic slurs on \acciaccatura, which can be
avoided by using \slashedGrace.
As for the automatic beam, I do hope it
Hi Gilberto!
First I will like to say that your thoughts on this seems very relevant!
On 09/18/2013 06:50 PM, Gilberto Agostinho wrote:
- Also, the automatic slurs should not exist, in my opinion. Even in
Mozart's music one can find examples where acciaccaturas or grace notes are
not slurred, a
Hi Janek,
This is amazing — great work!
It even seems to Do The Right Thing™ when it comes to \newSpacingSection.
(I'll report back for sure after more rigorous testing.)
Thank you so much for this.
Cheers,
Kieren.
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lilyp
I think this is perfect, except that it only appears at the beginning of
the first system. Is there any way to get Lilypond to add the same markup
to the first syllable of each subsequent system?
Thanks again,
*Benjamin Bloomfield*
On Wed, Sep 18, 2013 at 12:19 PM, Kieren MacMillan <
kieren_ma
Hi Eluze,
Thank you so much for your advice. I did manage to adapt the snippet you
recommended me and now my score looks fine, but here are my general thoughts
about this issue:
- I believe that this problem with acciaccaturas should be covered in the
documentation, since a regular user would exp
Hi Benjamin,
> I think this is perfect, except that it only appears at the beginning of the
> first system. Is there any way to get Lilypond to add the same markup to the
> first syllable of each subsequent system?
I'm sure there is! =)
Maybe something in this thread can help you:
http://lis
My apologies. I am working with someone else on this, and I *thought* that
was what he wanted, but after he saw this, it became clear that what he
actually wanted was for these lines to only be visible at the beginning of
each system, just above/below the first word or so. You can see his
example
:(
2013/9/17 David Kastrup :
> David Kastrup writes:
>
>> This is a reminder that next weekend, Sept 20th to 24th, there will be a
>> LilyPond developer and user meeting in Waltrop, Germany.
>
> Ok, the current possible participant list would look like the following:
> Jan, Janek, Harm and myself
Hi Benjamin,
> My apologies. I am working with someone else on this, and I thought that was
> what he wanted, but after he saw this, it became clear that what he actually
> wanted was for these lines to only be visible at the beginning of each
> system, just above/below the first word or so.
BTW, a joke from the same conversation. I wrote back then
2011/3/13 Janek Warchoł :
> [what we need is also] changing
> objects' outlines from boxes to something resembling their shape more
> precisely. For example forte sign here
> { a''8 e'' f''4 ^\f ( a'' e'' d'''2 b'') }
> should be consid
+10! - Eluze
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View this message in context:
http://lilypond.1069038.n5.nabble.com/adjusting-horizontal-spacing-a-function-dedicated-to-Graham-tp150985p150989.html
Sent from the User mailing list archive at Nabble.com.
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This snippet is dedicated to Graham Percival (see post scriptum)
2013/9/14 Janek Warchoł :
>
> 2013/9/13 Curt :
>> Unexpectedly hard parts of creating this score (all specific to v2.16):
>>
>> - General spacing and staff sizes. I believe Lilypond by default
>> puts everything too close t
Gilberto Agostinho wrote
> Hello everybody,
>
> I have a question related to acciaccaturas and slashed stems. So the first
> one is: why when more than one note is inputed as acciaccaturas or slashed
> grace notes they are not automatically beamed? And why when I beam them I
> lose the slash?
>
>
Hello everybody,
I have a question related to acciaccaturas and slashed stems. So the first
one is: why when more than one note is inputed as acciaccaturas or slashed
grace notes they are not automatically beamed? And why when I beam them I
lose the slash?
\version "2.17.26"
{
\relative c''{
On Tue, 17 Sep 2013 23:36:46 -0700, Jim Long wrote:
On Wed, Sep 18, 2013 at 01:00:16AM +, Keith OHara wrote:
The announcement of the change is at
http://lilypond.org/doc/v2.17/Documentation/changes/index.html
Also noted, thanks again. Here's why I was tweaking voltas to
begin with
2013/9/18 Derek Klinge :
> I am working on a project that involves statistically analyzing music by
> counting the number (perhaps also duration) of specific notes (say # of
> notes above middle C). Are there any internals in Lilypond that might help
> accomplish this?
> Thanks,
> Derek
>
> ___
2013/9/18 Thomas Morley :
> 2013/9/18 David Kastrup :
>> (1 32) tries to call 1 with 32 as its argument. Just write
>>
>> #(ly:make-moment 1/32)
>>
>> and be done. If you really, really don't remember how LilyPond
>> represents fractions and you really, really want to use
>> fraction->moment, you
Am 18.09.2013 00:32, schrieb Jim Long:
On Fri, Jul 26, 2013 at 04:32:47PM +0200, Urs Liska wrote:
Hi,
can you tell me what the \parenthesize function uses to print the
parentheses?
There are paren glyphs in the accidentals section, are they used for
that purpose?
And does this mean that I can o
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