On Tue, Oct 22, 2013 at 11:37:56PM +0200, Johan Vromans wrote:
It's too late here to continue experimenting, but your example works
with 2.16.
My intuition tells me it has something to do with the q. Could it be
that it's duration is compile time static, and not dynamic?
When you have
For scores with multiple instruments of various tunings, how do you tell
lilypond to to render midi with normalized pitch (everything adjusted
to concert pitch, appropriately) — WITHOUT transposing the visual,
written notes.
E.g., a trumpet part is written a whole tone higher, and you want
Am 23.10.2013 10:55, schrieb Bric:
For scores with multiple instruments of various tunings, how do you
tell lilypond to to render midi with normalized pitch (everything
adjusted to concert pitch, appropriately) — WITHOUT transposing the
visual, written notes.
E.g., a trumpet part is
Am 23.10.2013 10:58, schrieb Urs Liska:
Am 23.10.2013 10:55, schrieb Bric:
For scores with multiple instruments of various tunings, how do you
tell lilypond to to render midi with normalized pitch (everything
adjusted to concert pitch, appropriately) — WITHOUT transposing the
visual, written
On 10/23/2013 10:55 AM, Bric wrote:
For scores with multiple instruments of various tunings, how do you tell
lilypond to to render midi with normalized pitch (everything adjusted
to concert pitch, appropriately) — WITHOUT transposing the visual,
written notes.
E.g., a trumpet part is written
Bric b...@flight.us writes:
For scores with multiple instruments of various tunings, how do you
tell lilypond to to render midi with normalized pitch (everything
adjusted to concert pitch, appropriately) — WITHOUT transposing the
visual, written notes.
E.g., a trumpet part is written a
When I try LilyBin on iPad or iPhone the preview window covers nearly
the whole editor window when I use a file from the DropBox link.
I could not move the preview window so that the editor becomes usable.
Has anyone managed to use LilyBin on the iPad?
Thomas
EdBeesley edplaysdrums at gmail.com writes:
Digging up an old chestnut here... I've gone through the archives and it
seems that there was interest from several users for a reliable solution to
a slash through the first of a beamed group of grace notes.
The oft-quoted solution is the
On 23 oktober 2013 17:25:38 m.tarenskeen m.tarensk...@zonnet.nl wrote:
I have the same problem. It would be nice if LilyBin could be optimized for
use with tablets. Personally I would like a screen that let's me toggle
between scoreview and sourceview, instead of a split screen that tries to
Hi,
I have a polyhonic situation with a b'2. and a b'1. unison (see the
attached image).
Is it correct to typeset three dots in a column while two of them
actually share the same pitch? (I mean, the topmost dot is at the
vertical position of a dot for a d''.
Any opinion appreciated.
Urs
- Original Message -
From: Urs Liska u...@openlilylib.org
To: lilypond-user lilypond-user@gnu.org
Sent: Wednesday, October 23, 2013 4:33 PM
Subject: specific dot configuration
Hi,
I have a polyhonic situation with a b'2. and a b'1. unison (see the
attached image).
Is it correct to
On 23.10.2013, at 17:46, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Urs Liska u...@openlilylib.org
To: lilypond-user lilypond-user@gnu.org
Sent: Wednesday, October 23, 2013 4:33 PM
Subject: specific dot configuration
Hi,
I have a polyhonic situation
Am 23.10.2013 18:04, schrieb pls:
On 23.10.2013, at 17:46, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Urs Liska u...@openlilylib.org
To: lilypond-user lilypond-user@gnu.org
Sent: Wednesday, October 23, 2013 4:33 PM
Subject: specific dot configuration
Hi,
I
Il 23/10/2013 17:33, Urs Liska ha scritto:
I have a polyhonic situation with a b'2. and a b'1. unison (see the
attached image).
Is it correct to typeset three dots in a column while two of them
actually share the same pitch?
Yes, in my opinion: I find this solution very clear, graphically and
But she also shows that – unless conditions are cramped – notes of
different duration take a dot right beside each notehead...
That's what the original edition does - but I find it very ugly in
that case.
Not necessarily, cf. the image in
Am 23.10.2013 19:17, schrieb Werner LEMBERG:
But she also shows that – unless conditions are cramped – notes of
different duration take a dot right beside each notehead...
That's what the original edition does - but I find it very ugly in
that case.
Not necessarily, cf. the image in
Yeah, this issue with slashed grace notes has been bothering me for some long
time. The kind of music I write uses this notation constantly. So far, the
best temporary solutions I have found have been to draw a line manually on
LilyPond and move it to the correct position (which is a pain if the
Thomas Morley-2 wrote
There are some snippets using 'path'
http://lsr.dsi.unimi.it/LSR/Search?q=path
Indeed, I have found them very helpful!
Thomas Morley-2 wrote
Would be nice to have one with 'make-connected-path-stencil'
Ok, here we go:
http://lsr.dsi.unimi.it/LSR/Item?u=1id=891
I
Hi,
On Wed, Oct 23, 2013 at 2:25 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
I recently discussed this with some other users on this post here:
http://lilypond.1069038.n5.nabble.com/Acciaccaturas-and-slashed-stems-td150981.html#a150995
In one of the messages, an example was
Hi David,
This function is a nice workaround, and it indeed works much better than the
previous one. I will certainly explore this snippet, thanks a lot for
sharing it!
Take care,
Gilberto
--
View this message in context:
Hi David,
I slightly modified the constants in your function and the result now is
looking even better (in my opinion, the slashes tend to be in a better
position now). This is the modified code:
% A better slash snippet %%%
\version 2.17.29
slash = {
#(remove-grace-property 'Voice
hi,
On 23 Oct 2013, at 21:25, Gilberto Agostinho gilbertohasn...@gmail.com
wrote:
As for typing a score without the slashes: as a composer myself, I think
that it is inadmissible that a score of mine would be printed without the
slashes if I wrote them there.
i may have missed this part
Hi Simon,
When dealing with older music, the grace notes are normally referred as
appoggiaturas and the slashed grace notes as acciaccaturas. In general
lines, an appogiatura is played with its full value of duration, which is
then subtracted from the main note. It is easier to see an image of
23 matches
Mail list logo
