Hi Kieren,
Am 27.02.2014 04:44, schrieb Kieren MacMillan:
> Hi Jan-Peter,
> ...
> Are you interested in taking up that challenge? =)
yes, I am :)
And I will answer more , when I left all infections behind, which my
children brought from school and kindergarten ...
> I would love a dead-simple, d
I just came across a workaround for this LilyPond crash - adding
\once \override MultiMeasureRestNumber #'transparent = ##t
before the multi-measure rests in the second voice results in the
typesetting finishing correctly.
I came across this because I was getting the number printed twice in
some
On Thu, Feb 27, 2014 at 10:27:53AM +, Richard Shann wrote:
> I just came across a workaround for this LilyPond crash - adding
I have been getting very occasional segfaults with Lily since at
least 2.17. I have never been able to create a minimal example
because as soon as I change anything
Hello everyone,
I would like to be able to split a music sheet into multiple files, one for
each bar (produce one pdf or png and one midi file for each bar).
The purpose behind this request is that I would like to be able use separate
bars to write a music analysis of different pieces.
Is there a
Am 27.02.2014 17:16, schrieb Fnor:
Hello everyone,
I would like to be able to split a music sheet into multiple files, one for
each bar (produce one pdf or png and one midi file for each bar).
The purpose behind this request is that I would like to be able use separate
bars to write a music anal
The attached image shows signs to denote heavy and light syllables in
poems (unfortunately I don't have an idea how they're called in English).
We have the portato in LilyPond/Feta which has a very similar meaning to
the "lyric" pendant, but if I'm not mistaken we don't have anything to
denote
I am messing this up or is Lilypond? How do you resolve the offset stems?
\version "2.18.0"
rightOne = \relative c' {
<<{\stemUp 4. q }\\{a'8\rest \stemUp a( g) a\rest e( b)}>>
}
rightTwo = \relative c' {
b2.
%<<{ s2.}\\ {b2.} >>
}
\score { \new Staff = "right"
<< \rightOne \\ \rightTw
Shane,
I don't know the source of the problem with the stem. Does this get you what
you want?
\version "2.18.0"
rightOne = \relative c' {
<< { 4. q } \\
{ b2. } \\
{a''8\rest a ( g) a\rest e ( b )} >>
}
\score { \new Staff = "right" \rightOne
}
Mark
-Original Message-
From: lily
Thanks, that will work.
On Thu, Feb 27, 2014 at 2:01 PM, Mark Stephen Mrotek
wrote:
> Shane,
>
> I don't know the source of the problem with the stem. Does this get you what
> you want?
>
> \version "2.18.0"
> rightOne = \relative c' {
> << { 4. q } \\
>{ b2. } \\
>{a''8\rest a ( g) a\res
- Original Message -
From: "Shane Brandes"
To: "LilyPond User Group"
Sent: Thursday, February 27, 2014 6:50 PM
Subject: funny stems
I am messing this up or is Lilypond? How do you resolve the offset stems?
Have you checked the log file?
--
Phil Holmes
___
yes it does give a warning.
warning: maybe input should specify polyphonic voices
Which seemed odd in so far as I thought I did, but apparently every
thing had to be in the polyphonic section.
Shane
On Thu, Feb 27, 2014 at 2:06 PM, Phil Holmes wrote:
> - Original Message - From: "Shane
Hello,
I have a question about changing stems. In my case it's related to an
exploration of using SMuFL Fonts in LilyPond, which are made available
in the openLilyLib snippets repository by Joram Berger and Nathan Ho. I
would like to take the opportunity to thank them both!
Attached is my un
On 2014-02-27 18:33, Urs Liska wrote:
The attached image shows signs to denote heavy and light syllables in
poems (unfortunately I don't have an idea how they're called in English).
We have the portato in LilyPond/Feta which has a very similar meaning
to the "lyric" pendant, but if I'm not mi
- Original Message -
From: "Shane Brandes"
To: "Phil Holmes"
Cc: "LilyPond User Group"
Sent: Thursday, February 27, 2014 7:13 PM
Subject: Re: funny stems
yes it does give a warning.
warning: maybe input should specify polyphonic voices
Which seemed odd in so far as I thought I did
Am 27.02.2014 21:14, schrieb Peter Bjuhr:
On 2014-02-27 18:33, Urs Liska wrote:
The attached image shows signs to denote heavy and light syllables in
poems (unfortunately I don't have an idea how they're called in English).
We have the portato in LilyPond/Feta which has a very similar meaning
On 2014-02-27 22:09, Urs Liska wrote:
This is exactly the glyph I wanted. But unfortunately it really
doesn't look compatible with Feta (replace the last r4 with "f--") and
see.
I'm not sure you would like the Bravura tenuto better:
\relative c'{
\stemUp
f4 _\markup { \smuflchar ##xE486
yes it says that too, and also rests and notes can't go in the same
rhythmic column. It was just a confounding result as it was not what I
anticipated happening.
S.
On Thu, Feb 27, 2014 at 3:41 PM, Phil Holmes wrote:
> - Original Message - From: "Shane Brandes"
> To: "Phil Holmes"
> Cc
2014-02-27 2:21 GMT+01:00 Kieren MacMillan :
> Hi David (et al.),
>
> This is both amazingly embarassing and incredibly encouraging...
>
> When I wrote
>
>>> I'd rather do something like
>>>title = #'(Two Ukrainian Courting Tunes:" "A Minuet & Scherzo")
>>> and then be able to say
>>>\marku
Hi Jan-Peter,
Thanks for the detailed response!
> I will answer more , when I left all infections behind, which my
> children brought from school and kindergarten …
=\
Although my 3½ year old daughter has had several bouts of “day-care-itis” — and
my wife picked it up several times — I’ve fort
Hi,
i'm going to Frankfurt MusikMesse, and since i cannot afford the
plane, i'll probably go by some wheeled transport. Maybe someone will
be travelling from Berlin to Frankfurt on Thursday evening/night/early
Friday morning and i could carpool?
And/or maybe someone will be going from Frankfurt
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