2014-07-08 16:48 GMT+02:00 Abraham Lee tisi...@gmail.com:
This may also help. I made this diagram because I had trouble understanding
which page layout properties did what. See attached for a graphical example
of vertical layout properties (some rigid, some flexible). This, in
conjunction with
Javier,
I am not sure it is the most elegant solution, yet it appears to work.
The command \set stemLeftBeamCount is at
http://lilypond.org/doc/v2.18/Documentation/notation/beams#manual-beams
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
2014-07-09 2:54 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com:
I need help implementing beam subdivisions with non-periodic beat
structure (see image). Thank You!
I'm afraid you'll have set them manually (like in the good old times)!
\version 2.18.2
\relative c{
\time 4/4
\key g
Greetings, All!
I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up until
now, there were only a couple of music fonts available that were really
usable on a professional level: /Emmentaler/ (the default,
Hi Simon,
I also stumbled sometimes ove this behaviour, but I think it is not a
real bug. If the parser has a list? predicate, it looks for
dot-notation. But if it gets a custom predicate, it will not do so.
Am I right, David?
IIUC some predefined predicates (list?, string?, ly:duration?,
Hi Abraham,
2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com:
*My question is this: /Is anyone interested in this?/*
That's great news.
Yes I'm interested.
Pierre
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tisimst wrote
Greetings, All!
I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up
until now, there were only a couple of music fonts available that were
really usable on a professional level:
/
Hi list,
With notation like
\version 2.18.0
\chordmode {
c/g
}
I can get chord names with /G at the end to indicate a G added below the
root of the chord.
With the notation
\new ChordNames
{
c' e' g'1
}
I can get the chord symbol C typeset, but is there any way to get the
C/G
I would also be interested.
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... o dear ...
my mail was delayed one day. But thats not too bad, as the other answers
are much more helpful.
Still, wrapped predicates do not get any special handling by th parser.
Cheers, Jan-Peter
On 08.07.2014 13:58, Jan-Peter Voigt wrote:
I also stumbled sometimes ove this behaviour, but
tisimst wrote
This may also help. I made this diagram because I had trouble
understanding which page layout properties did what. See attached for a
graphical example of vertical layout properties (some rigid, some
flexible).
Hi Abraham,
This is so helpful, thanks! I'd say this deserves a
I'm interested as well.
-Paul
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On 9 July 2014 07:43, tisimst tisi...@gmail.com wrote:
Greetings, All!
I have worked out a very nice way to switch between notation fonts in
LilyPond […]
*My question is this: /Is anyone interested in this?/*
Hi,
This is wonderful news, thank you! I am totally interested.
And I guess
Hi List,
On the French forum Remy and I (see:
http://lilypond-french-users.1298960.n2.nabble.com/instrumentName-sur-plusieurs-lignes-dans-une-fonction-tt7581499.html)
are stucked with a markup function.
Here we are so far :
\version 2.18.2
#(define (general-column align-dir baseline mols)
Thanks - that's very neat. And, of course, these solutions can be
transposed at a stroke.
Richard
On Wed, 2014-07-09 at 18:06 +0200, Thomas Morley wrote:
2014-07-09 13:52 GMT+02:00 Richard Shann rich...@rshann.plus.com:
Hi list,
With notation like
\version 2.18.0
\chordmode {
c/g
Hi, All!
I just wanted to thank those who have responded so far. Keep 'em comin'!
I also wanted to remind everyone responding via email to Reply to All so
the responses make it back to this forum thread.
Thanks!
- Abraham
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On Wed, Jul 9, 2014 at 11:26 AM, tisimst [via Lilypond]
ml-node+s1069038n164192...@n5.nabble.com wrote:
Hi, All!
I just wanted to thank those who have responded so far. Keep 'em
comin'!
I also wanted to remind everyone responding via email to Reply to
All so the responses make it
The \subdivideBeams statement adds the unwanted subdivisions at the time
signature beats.
Once I did away with this, the passage renders with just two overrides per
break in the beam. Not as elegant as defining a custom beat count structure,
but the intent is clear.
\version 2.18.2
On Wed, Jul 09, 2014 at 11:01:46AM -0700, tisimst wrote:
Oh, and if anyone has a music font that they've started (or finished,
or wanted to do), but couldn't get to work with LilyPond, I can help
you with that if you'd like. :)
LilyJAZZ might be more useful if it included lowercase
On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
Does anyone know what font is used for the chordnames in Pat
Metheny's anthology songbook, published by Hal Leonard?
Here is a sample image linked from a seller's website:
Hi Abraham,
2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com:
I am pleased to announce that I have several new music fonts, both in OTF
and SVG formats, that I'd like people to be able to use, but this requires a
patch to a single file, so anyone wanting to patch the file can do it with
Jim Long wrote
LilyJAZZ might be more useful if it included lowercase
characters. While an all-caps font might be okay for tempo
markings, and other text annotations, it isn't really suitable
for chordnames.
Does anyone know what font is used for the chordnames in Pat
Metheny's anthology
Well, honestly, it's not like anyone has to really really be involved in
anything yet. For now, I just wanted to get a concensus on the matter.
Thanks for your input!
-Abraham
Janek Warchoł [via Lilypond] ml-node+s1069038n164197...@n5.nabble.com wrote:
Hi Abraham,
2014-07-09 7:43 GMT+02:00
On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
Does anyone know what font is used for the chordnames in Pat
Metheny's anthology songbook, published by Hal Leonard?
Here is a sample image linked from a seller's website:
Oops, sorry about the double email. Connection problems.
Regards,
Nathan
On Wed, Jul 9, 2014 at 2:14 PM, Nathan Ho when.possi...@gmail.com wrote:
On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
Does anyone know what font is used for the chordnames in Pat
Metheny's
Many thanks for the feedback - i will try it out - much appreciated
dirk van damme
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Thank you for this. With that I have now got as far as the attached
sample in trying to typeset a jazz chord sheet (the chords are just
nonsense but most of the needed elements are there now).
Attached is the sort of sheet I'm trying to use LilyPond to improve on.
I think I have most of the
I'm surprised that it does. Thanks for coming up with that option.
I was stuck in the section on Subdivided beams, but failed to come up with any
combination of \baseMoment and \beatStructure that would render these beam
subdivisions.
On Tuesday, July 8, 2014 8:39 PM, Mark Stephen Mrotek
Jan-Peter Voigt jp.vo...@gmx.de writes:
On 08.07.2014 13:58, Jan-Peter Voigt wrote:
I also stumbled sometimes ove this behaviour, but I think it is not a
real bug. If the parser has a list? predicate, it looks for
dot-notation. But if it gets a custom predicate, it will not do so.
Am I
Xavier,
That issue is a perfect example of what can be changed easily (i.e., no
symbolic linking, no fancy naming-renaming, copying-recopying, etc.) All the
fonts can co-exist, just as we are already used to with text fonts, in what
I've developed.
Regards,
Abraham
Xavier Scheuer
I just thought I'd ask the question...
If more music fonts were available, would we, the LilyPond community (I
realize this doesn't reach everyone using LP), be willing to sacrifice a
_very tiny_ amount of extra typing to support the ability to switch music
fonts more easily?
Let me explain.
On 07/08/2014 05:16 PM, tisimst wrote:
You simply put this block into you .ly file and now you get those
fonts instead of the defaults. /What if/, using a similar syntax we
could change the music and brace fonts like this (additions
highlighted):
Add the new different things at the *end* of
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