Re: LilyPond meeting 2014?

Hi all, I'd also like to join the party, but I am quite busy in the next time. I would like to join in for a session via skype or google-hang-out or similar - I could talk about and discuss the edition-engraver. Online-participation might be an option for users outside europe? Cheers, Jan-Peter

Re: How to avoid key change with \transpose ?

Robert Schmaus writes: > If you're interested in keeping C major: if you don't supply a key at > all, the key will be C major before and after transposition. I'm no > sure this can be done with any other key ... If there is no \key in the transposed part, the previous key will be retained. It's

Re: Barline at beginning of lines of music.

Am 16.07.2014 11:15, schrieb Richard Shann: On Wed, 2014-07-16 at 08:38 +0200, Marc Hohl wrote: Am 15.07.2014 16:14, schrieb Richard Shann: Well, I'm not sure I follow the distinction between defined bar-types and not, this code \version "2.18.0" \defineBarLine ":" #'(":" ":" ":") \defineBarLi

Re: How to avoid key change with \transpose ?

If you're interested in keeping C major: if you don't supply a key at all, the key will be C major before and after transposition. I'm no sure this can be done with any other key ... Best, Robert __ In any free society, the conflict between social conformity and individual liberty is p

Re: How to avoid key change with \transpose ?

MarcM wrote > How to keep all voices in C major? Hi, try \modalTranspose http://lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches#index-_005cmodalTranspose HTH, -Paul -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-to-avoid-key-change-with-tra

Re: How to avoid key change with \transpose ?

I don't know about keeping in the right key for transposition (I actually ran into the same project today). To make the ending work, perhaps you should do something like: base = \relative c' { c4 c8 [ d8 ] e4 e8 [ f8 ] g4 } violinI = \relative c' { \base e f g} violinII = \relative c' { r2 \trans

How to avoid key change with \transpose ?

Hi Lilyponders, I am arranging a Bach Canon for 4 voices to 4 violins. Bach_Canon.ly Bach_Canon.pdf

Articles on church music on Github in LilyPond format

I came across a couple of articles on church music on Github in LilyPond format. (Organ accompaniments for Gregorian Chant, a LilyPond transcription of the Nova Organi Harmonia.) http://createdigitalmusic.com/2014/07/fork-chant-github-goes-gregorian-open-source-notation/ http://www.wired.com/201

Re: Multirest in temporary polyphonial passage

Hello Thomas, Am 16.07.2014 20:50, schrieb Thomas Morley: > Any reason not to use: > > \layout { > \context { > \Voice > \override MultiMeasureRest #'staff-position = #-0 > \override Rest #'staff-position = #0 > } > } That did the trick! Thank you. Best wishes Hartmut -- Hartmu

Re: Multirest in temporary polyphonial passage

2014-07-16 18:40 GMT+02:00 Hartmut Leister : > Dear Lilypond users, > > I have a small problem, when dealing with multirests in temporary > polyphonial passages. See my minimum non-working example [1] - in bar 2 > the synchronous rests of voice > > I have a source snippet perfectly merging multires

Re: Multirest in temporary polyphonial passage

On 14-07-16 10:40 AM, Hartmut Leister wrote: Dear Lilypond users, I have a small problem, when dealing with multirests in temporary polyphonial passages. See my minimum non-working example [1] - in bar 2 the synchronous rests of voice I have a source snippet perfectly merging multirest, when us

Multirest in temporary polyphonial passage

Dear Lilypond users, I have a small problem, when dealing with multirests in temporary polyphonial passages. See my minimum non-working example [1] - in bar 2 the synchronous rests of voice I have a source snippet perfectly merging multirest, when used in completely polyphonial music: > \override

Re: Barline at beginning of lines of music.

On 16/07/14 10:19, Thomas Morley wrote: 2014-07-14 20:21 GMT+02:00 James : Well I'm still no clearer from this thread if we do or do not need a doc improvement. If so could someone create a tracker issue or give me something I can use (or tell me the doc is OK and nothing needs improving). We

Re: Barline at beginning of lines of music.

On Wed, 2014-07-16 at 08:38 +0200, Marc Hohl wrote: > Am 15.07.2014 16:14, schrieb Richard Shann: > > Well, I'm not sure I follow the distinction between defined bar-types > > and not, this code > > > > \version "2.18.0" > > \defineBarLine ":" #'(":" ":" ":") > > \defineBarLine "|" #'(":" ":" ":")

Re: Barline at beginning of lines of music.

2014-07-14 20:21 GMT+02:00 James : > > Well I'm still no clearer from this thread if we do or do not need a doc > improvement. > > If so could someone create a tracker issue or give me something I can use > (or tell me the doc is OK and nothing needs improving). Well, it seems to be obvious the d

Re: Barline at beginning of lines of music.

2014-07-16 8:38 GMT+02:00 Marc Hohl : > Am 15.07.2014 16:14, schrieb Richard Shann: > >> Well, I'm not sure I follow the distinction between defined bar-types >> and not, this code >> >> \version "2.18.0" >> \defineBarLine ":" #'(":" ":" ":") >> \defineBarLine "|" #'(":" ":" ":") >> \score { >> >>