Re: Reducing the spacing between ChordNames systems

On Thu, 2014-09-11 at 19:04 -0700, Paul Morris wrote: > Richard Shann-2 wrote > > This works perfectly on my minimal example but throws up a strangeness > > on a real-world example. With 10 systems I get two pages with a strange > > gap beneath the titles. > > My guess is to try adjusting: > > m

multimeasuerrest breve too wide

The double whole rest forces the measure too wide in this example, as if making room for notes that aren't there. Any ideas how to shorten the measure up to be, at least, no longer than the other measures? << { c'4 s1.. c'4 s1.. c'4 s1.. } { \time 8/4 c'4 r r2 r1 R\breve c'4 r r2 r1 } >> _

Re: multimeasuerrest breve too wide

I found some related ugliness. If the spacers are changed to rests, the problem goes away. << { c'4 s2. c'4 s2. c'8 s2.. c'16 s2... } { R1*4 } >> Using transparent rests won't work for me because I need a beam extending over the whole top staff, like so: { c'8[ s2.. c'8 s2.. c'8] s2.. } A r

Re: multimeasuerrest breve too wide

Sublimely ugly, but this works: { c'8[ \hide Rest \repeat unfold 7 r8 c'8 \repeat unfold 7 r8 c'8] \repeat unfold 7 r8 } -- Phil Holmes - Original Message - From: Neil Thornock To: Lilypond users Sent: Friday, September 12, 2014 1:27 PM Subject: Re: multimeasuerrest breve too wide

Re: multimeasuerrest breve too wide

Thanks Phil. It does make the layout consistent, but it does so by widening all measures, and I was trying to find a way to narrow them down to avoid spilling over to so many pages. I have a different solution for now involving percent repeats, but the default layout weirdness is still disconcerti

Re: multimeasuerrest breve too wide

As a workaround you could omit the spacer like this: << { c'4*8 c' c' } { \time 8/4 c'4 r r2 r1 R\breve c'4 r r2 r1 } >> -- View this message in context: http://lilypond.1069038.n5.nabble.com/multimeasuerrest-breve-too-wide-tp166355p166359.html Sent from the User mailing list archive at

RE: multimeasuerrest breve too wide

Neil, Does the attached work? Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Neil Thornock Sent: Friday, September 12, 2014 7:36 AM To: Phil Holmes Cc: Lilypond users Subject: Re: multimeasuerrest

Re: settings to get closer to Sibelius

For the thickness of lines (barlines, stafflines, etc.) you shouldn't rely on your computer display and always compare printed output. -- View this message in context: http://lilypond.1069038.n5.nabble.com/settings-to-get-closer-to-Sibelius-tp166324p166361.html Sent from the User mailing list a

Re: Henle Music font

Hi, 2014-09-12 5:40 GMT+02:00 tisimst : > Here are some sample scans of > Henle scores I have. Which one should I base the new font off of? I know > that there are even more designs, but I'll start with these (unless no one > likes these ones :) I li

Creating new fonts with FontForgeErreur

Hi, Since Abraham has done a wonderful job with his new fonts, I wanted to come back to some font works i started years ago without success (I'm a total newbee with FontForge). And still, I'm stucked with two issues which are probably caused by some bad settings/options. Even when simply copying E

Re: Creating new fonts with FontForgeErreur

On Fri, Sep 12, 2014 at 11:10 AM, Pierre Perol-Schneider wrote: Hi, Since Abraham has done a wonderful job with his new fonts, I wanted to come back to some font works i started years ago without success (I'm a total newbee with FontForge). And still, I'm stucked with two issues which are pro

Re: fonts.openlilylib.org is live!

Guy Stalnaker-2 wrote > Abraham, > > Simply wonderful! LOVE Haydn. Seriously, it makes me happy (I know, I'm a > font geek) to see a score with that font. > > Only quibble are the stylesheets. On a kubuntu Linux install, I cannot get > them working in Frescobaldi. I added the the path to the Pref

Re: Henle Music font

Janek Warchoł wrote > Hi, > > I like the middle two samples better than remaining ones. But i don't > know whether they would be the most representative ones for Henle, so > count my vote with reduced weight :) > > cheers, > Janek Janek, Thanks for your input. Do you have access to any scores,

Re: Henle Music font

2014-09-12 20:26 GMT+02:00 tisimst : > Janek Warchoł wrote >> Hi, >> >> I like the middle two samples better than remaining ones. But i don't >> know whether they would be the most representative ones for Henle, so >> count my vote with reduced weight :) >> >> cheers, >> Janek > > Janek, > > Thank

Re: Henle Music font

On 12. September 2014 20:36:37 MESZ, "Janek Warchoł" wrote: >2014-09-12 20:26 GMT+02:00 tisimst : >> Janek Warchoł wrote >>> Hi, >>> >>> I like the middle two samples better than remaining ones. But i >don't >>> know whether they would be the most representative ones for Henle, >so >>> count m

Re: Henle Music font

On Fri, Sep 12, 2014 at 12:42 PM, Urs Liska wrote: Hi, Abraham, I invite you to visit me and investigate my engraving plate from Chopin's f minor concerto :-) Urs, You have an actual engraving plate in your possession?! Lucky! I really wish I could come and visit to see the plate in person.

Re: Henle Music font

Hi all, > I like the middle two samples better than remaining ones. Me, too. Thanks, Kieren. ___ Kieren MacMillan, composer www: email: i...@kierenmacmillan.info ___ lilypond-user mailing list l

Re: Henle Music font

-- Forwarded message -- From: Conor Cook Subject: Re: Henle Music font Date: Fri, 12 Sep 2014 14:49:57 -0500 To: Abraham Lee Oops, I didn't mean to make it private. I get the emails as a digest, which makes responding hard. The German fonts can be hard to read, eh? Well,

Re: Creating new fonts with FontForgeErreur

Hi, 2014-09-12 19:42 GMT+02:00 Abraham Lee : > There's a lot of correlated data that is used to place and space things > correctly. This data is embedded in the font files. > Ok. > I can make your font work if you want to send me the fontforge files. > Thanks but no, I prefer to understand t