Trevor,
Thank you for the information. Knowing my coding was correct is a happy thing.
Pierre’s suggestion worked perfectly.
Mark
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Saturday, September 27, 2014 3:40 PM
To: Mark Stephen Mrotek; 'Pierre Perol-Schneider'
Cc: 'lilyp
Mark
There there several long-standing and tricky-to-fix problems concerning grace
notes; your example trips over one of them. See
https://code.google.com/p/lilypond/issues/detail?id=630
Pierre suggestion to explicitly specify the voice is a work-around for your
particular case.
Trevor
---
This is good to know, thanks Robin!
-Paul
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Jay Vara wrote
> test =
> #(define-scheme-function
> (parser location raga)
> (string?)
> (format #t "Inside function raga = ~a ~%" raga)
> ((eval-string raga))
Try changing the last line of your function to this:
(eval-string raga))
I think that should do what you want
I am trying to define a function test that takes a string and returns
the value of the variable the string represents. For example, if aaa =
25, then bbb = \test "aaa" would be the same as bbb = \aaa.
If I use the eval-string command directly, it is working fine. When I
try to put it in a func
Excellent. That's what I'll do. Thanks.
Knute Snortum
(via Gmail)
On Sat, Sep 27, 2014 at 10:58 AM, Janek Warchoł
wrote:
> 2014-09-27 19:44 GMT+02:00 Knute Snortum :
> > This question may be a matter of style, or there may be a command I'm
> > missing.
> >
> > I have a piano piece that start
2014-09-27 19:44 GMT+02:00 Knute Snortum :
> This question may be a matter of style, or there may be a command I'm
> missing.
>
> I have a piano piece that starts with the right hand in one voice for a long
> stretch (about 20 bars). It then breaks into mostly two voices.
>
> One way to do this is
This question may be a matter of style, or there may be a command I'm
missing.
I have a piano piece that starts with the right hand in one voice for a
long stretch (about 20 bars). It then breaks into mostly two voices.
One way to do this is to use temporary voices. The disadvantage is long
pas
Hi Vincenzo,
yes, I think I've understood. I meant, you can modify my file with the
engravers to your liking or you can start from scratch.
Here are two suggestions :
1) Using annotations (balloonGrobText - what a name) to objects in a
pseudo-realistic context
2) As a table of symbols. The exampl
Pierre,
Thank you for the two solutions. The first suits my “thinking” better
My assumption (incorrect?) was that in the << \\ >> context the first { } was
voice one and therefore stem up, and the second { } was voice two and therefore
stem down.
Is this not always the case?
Mark
Fr
Hi Noeck, you've got closer to my idea. Your pf file is too much crowded, I'm
thinking of something like the link I've posted before,
http://www.visualdictionaryonline.com/arts-architecture/music/musical-notation/clefs.php
, where it's possible to look to a notation symbol and to know what's its
na
Hi Vincenzo,
this is something I was thinking about 2 years ago leading me to the
visual index below. But let’s start with the official documentation.
This part of the LilyPond documentation:
http://lilypond.org/doc/v2.18/Documentation/music-glossary/index.html
does a fairly good job for the tran
I see, I misunderstood. More like the opposite approach to LilyPonds glossary
then.
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Thanks Tao, but I'm talking of something completely different: a VISUAL
MULTILINGUAL dictionary of the musical symbols / notation. If you look at
the link I've posted you will see an example; but it's a web app (I would
like a pdf file) and only in English. It'not an instrument for looking at a
sym
Thanks Knute for your answer, and for your offer, bur if someone who doesn't
speak English (like me) wants to put a question in this forum, first he
shoul know what is the name for the thing he's questioning for. And in
general it could be necessary to know what is the name for a GRAPHIC SYMBOL
(th
2014-09-27 16:19 GMT+02:00 TaoCG :
> There is a music glossary as part of the LilyPond references which, I
> believe, is what you're looking for, though many entries are incomplete
> yet.
>
> http://lilypond.org/doc/v2.18/Documentation/music-glossary/index.html
>
he's looking for a "graphic gloss
There is a music glossary as part of the LilyPond references which, I
believe, is what you're looking for, though many entries are incomplete yet.
http://lilypond.org/doc/v2.18/Documentation/music-glossary/index.html
Regards,
Tao
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This sounds interesting to me, but -- like many Americans -- I only speak
English. I could help getting the basic terms started. I have friends who
know German, Dutch, Spanish, and French that could help. And there's
always Google Translate. If you want to contact me directly, my email is
knute
Robin
>
> This also seems to do what you want:
> > xyz = #(eval-string "abc")
>
That makes it even easier to follow. Thanks, Jay
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>
> Robin
>
> > The following seems to read out the value of abc:
> > > xyz = #(eval (string->symbol "abc") (interaction-environment))
> >
>
> Wow, that works! Thanks.
Working with the idea from Robin, I was able to convert a string to a
symbol and evaluate it. I tried to make this into
On Sep 26, 2014, at 08:20 , Simon Albrecht wrote:
> Am 26.09.2014 um 04:10 schrieb Dan Eble:
>> I have a hymnal in which many songs have time signatures with symbols
>> "cc" and "¢¢" [doubled cut-time symbol]. I can't find any information on
>> these online. Does anyone know what they actually
Hi all, when asking questions here I had often the problem on "how to say" a
term that maybe (or not!) I just knew in Italian. I've found an interesting
site that COULD answer the question:
http://www.visualdictionaryonline.com/arts-architecture/music.php . But it's
only in English (I've bought the
- Original Message -
From: "Son_V"
To:
Sent: Saturday, September 27, 2014 1:38 PM
Subject: Multi line text with a common text
Sorry for the unclear subject. I found a score I've put on LilyPond
(Messaus
- Dies est laetitiae); the original score had three lines of text, but at
beat
Sorry for the unclear subject. I found a score I've put on LilyPond (Messaus
- Dies est laetitiae); the original score had three lines of text, but at
beat 7 there is just ONE common text. The original score had a curly bracket
after the three lines and the "common text" aligned with the centre of
At least Viennese, right? Plus, they're only perfect in tempus, but have minor
prolation (duple subdivision; besides, they aren't Medieval mensural music
anyways).
> On Sep 26, 2014, at 9:30 PM, Shane Brandes wrote:
>
> Waltzes are only sort of in 3/4 time. If you play them properly.
>
>
Jay Vara wrote:
Wow, that works!
This also seems to do what you want:
> xyz = #(eval-string "abc")
Cheers,
Robin
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See "Known issues and warnings" in the grace notes section of the NR: "The use
of grace notes within voice contexts confuses the way the voice is typeset"
--
Phil Holmes
- Original Message -
From: Mark Stephen Mrotek
To: lilypond-user@gnu.org
Sent: Friday, September 26, 2014
On 27/09/2014 16:39, gingr...@internode.on.net wrote:
Hi,
I've managed to make some real progress getting my head around
Lillypond, and I'd have to say that the output quality is awesome
compared to what I'd previously been using.
I've spent a few hours looking, tried a lot of things and stil
Hi Mark,
2014-09-26 22:40 GMT+02:00 Mark Stephen Mrotek :
> What must I do to get the upper version have the same stem alignment as
> the lower?
>
Try :
\version "2.18.0"
\relative c' {
\time 2/4
<<
\stemUp
{
\grace b''8( e,4. ) a8 |
\grace a8( gis4\trill ) gis8 r
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