Hi Pierre, Federico,
thanks!
--
Orm
Am Dienstag, den 02. Dezember 2014 um 08:58:47 Uhr (+0100) schrieb Pierre
Perol-Schneider:
Oups, space's missing.
So, again, try
fis-3 \2 -\tweak X-offset #-.5 \RH #3
2014-12-02 7:21 GMT+01:00 Pierre Perol-Schneider
Add to the LSR : http://lsr.di.unimi.it/LSR/Item?id=960
Waiting for your comments.
Cheers,
Pierre
2014-12-02 7:25 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hum, interesting Klaus!
I'll take a closer look today.
Cheers,
Pierre
Wow - that's amazing. Having contributed to the LSR feels good :)
Thanks for adding and code optimizing.
Cheers,
Klaus
Am 02.12.2014 um 09:41 schrieb Pierre Perol-Schneider
Add to the LSR : http://lsr.di.unimi.it/LSR/Item?id=960
Waiting for your comments.
Cheers,
Pierre
On Tue, 2 Dec 2014 11:05:20 +0100
Ben Big Noise benbigno...@gmx.de wrote:
Wow - that's amazing. Having contributed to the LSR feels good :)
This is *very* nice. Kudos to Klaus and Pierre!
-- Johan
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Dear people,
In the next score i encountered two problems. The arpeggio travels to the left
when fingerorientations left or right is used.
Also the b4. appears as a b4 when using the \harmonic.
Thank you kindly in advantage.
Peter
Example:
\version 2.18.2
global = {
\key g \major
\time
Am 02.12.2014 11:29, schrieb Johan Vromans:
On Tue, 2 Dec 2014 11:05:20 +0100
Ben Big Noise benbigno...@gmx.de wrote:
Wow - that's amazing. Having contributed to the LSR feels good :)
This is *very* nice. Kudos to Klaus and Pierre!
-- Johan
Yes, from me too. I have immediately tagged
I'm trying to represent a harp technique where two
adjacent notes are struck at the same time and the
lower of the two is immediately dampened.
I tried to create a chord with only the first (lower)
note marked as staccato, but the output showed
the staccato dot over the second, higher note
On Tue, 02 Dec 2014 11:43:41 +0100
Urs Liska u...@openlilylib.org wrote:
Yes, from me too. I have immediately tagged this as to be investigated
for our editorial tools collection.
One of the first purposes that came to my mind was marking (colour coding)
changes in a score, automatically,
Am 02.12.2014 12:52, schrieb Ian Mackinnon:
I'm trying to represent a harp technique where two
adjacent notes are struck at the same time and the
lower of the two is immediately dampened.
I tried to create a chord with only the first (lower)
note marked as staccato, but the output showed
the
Am 02.12.2014 13:01, schrieb Johan Vromans:
On Tue, 02 Dec 2014 11:43:41 +0100
Urs Liska u...@openlilylib.org wrote:
Yes, from me too. I have immediately tagged this as to be investigated
for our editorial tools collection.
One of the first purposes that came to my mind was marking (colour
Hi Ian,
Try :
\version 2.18.2
{
bes -\tweak Y-offset #-4.5 \staccato c % dot shows over c.
\relative c''
bes -\tweak X-offset #-.7 \staccato c % dot shows over c.
}
HTH,
Pierre
2014-12-02 12:52 GMT+01:00 Ian Mackinnon imackin...@gmail.com:
I'm trying to represent a harp technique
Thanks Urs and Peter, that's exactly what I was after!
Urs Liska ul at openlilylib.org writes:
You have to know that what you describe just is no regular notation (I
can't imagine differently articulated notes in a chord at all), so you
have to expect a slightly irregular solution.
I've
Am 02.12.2014 13:16, schrieb Ian Mackinnon:
Thanks Urs and Peter, that's exactly what I was after!
Urs Liska ul at openlilylib.org writes:
You have to know that what you describe just is no regular notation (I
can't imagine differently articulated notes in a chord at all), so you
have to
Am 02.12.2014 13:18, schrieb Urs Liska:
Am 02.12.2014 13:16, schrieb Ian Mackinnon:
Thanks Urs and Peter, that's exactly what I was after!
Urs Liska ul at openlilylib.org writes:
You have to know that what you describe just is no regular notation (I
can't imagine differently articulated
lualatex is a good engine as it has native utf8 support. I don't think that
you do need lua, TeX is enough
That would be great of course.
Just recently I discovered that there are packages to use Python from within
LaTeX. I think I'll have a look at that too. Not only is that a language I
Hi!
I have question. How to write manuals for organ in Lilypond?
Thank You, Marco Oros.
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Marco,
There is no default convenient function for that that exists. You must
use text markup, usually with some fantastically large offsets. Or you
can use the naming of staffs. All of this is of course the manual.
Helpful I know. But the following will be useful.
\tweak #'X-offset #-2 -\tweak
I have suceeded in producing a desired result although I don't think it is of
general use. The code could be more elegant but it
works.
\version 2.18.2
% OS Vista and Frescobaldi
#(define s 0)
#(define (naturalize-pitch p tonic)
(define sharp-list '((0 . 0) (1 . 0) (2 . 1) (3 . 0) (4 . 0) (5 .
Hi Peter,
I have suceeded in producing a desired result although I don't think it is of
general use. The code could be more elegant but it works.
Does your function do anything different from the “standard” pitch naturalizer
(i.e., http://lsr.di.unimi.it/LSR/Snippet?id=266)?
Cheers,
Kieren.
Hi Peter,
On Tue, Dec 2, 2014 at 11:38 AM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
naturalizeMusic =
#(define-music-function (parser location m)
(ly:music?)
(naturalize m))
\version 2.18.2
% Bach Minuet from Partita No1
#(set-global-staff-size 23)
\header { title =
Hi Marco,
How to write manuals for organ in Lilypond?
I’m unsure what you are asking. Do you need to know how to create a three-staff
setup (or something similar)? Or do you want to know how to indicate “I”, “II”,
etc. for which manual is to be played at a given time?
Cheers,
Kieren.
Peter Terpstra wrote:
Also the b4. appears as a b4 when using the \harmonic.
\set harmonicDots = ##t
resolves this issue.
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Dear lilypond users,
My apologies in advance if the answer to this is already out there and I
just didn't find it.
I would like to be able to access the lilypond docs in emacs using the
.info files. So I downloaded the docs tarball and extracted it, and then
made an entry in the init file to
2014-12-02 11:43 GMT+01:00 Peter Terpstra peter.terpst...@gmail.com:
Dear people,
In the next score i encountered two problems. The arpeggio travels to the
left when fingerorientations left or right is used.
Seems to be:
https://code.google.com/p/lilypond/issues/detail?id=556
You may want
Greetings Kevin,
After much experimentation in the past, this is how I solved the
problem. First, as root user, I used dired to enter the
/usr/lilypond/usr/share/info directory, where all the LilyPond info
files were placed. Then I created symbolic links for all the info
files to the directory
Dear Hwaen Ch'uqi,
Thank you for your reply. All I had to do was fill the dir file with the
same contents as yours and everything works now.
Perhaps someone should patch this file? Or show me how to do it.
Kevin
On 2 Dec 2014 22:42, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Greetings Kevin,
Oh, it seems that I screwed up while testing. My original example was
tuned an octave too low and note naming was one octave off to
compensate. Fixed.
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On 03/12/2014 09:15, Thomas Morley wrote:
2014-12-02 11:43 GMT+01:00 Peter Terpstra peter.terpst...@gmail.com:
Dear people,
In the next score i encountered two problems. The arpeggio travels to the left
when fingerorientations left or right is used.
Seems to be:
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