Re: vertical justification of fret-diagram

Hi Klaus, Happy New Year. Thank you very much to give a easy way to typesetting the fret-diagram. It works as what I expect. Best, Jinsong On 2014/12/30 16:13, Klaus Blum wrote: Hi Jinsong, if you like to define all fret diagrams as markup, you can place them in an lyric line above the staf

Re: Just a thank you

Güntzel Schmidt writes: > Hi everyone, > > I'm new to Lilypond, that's why I haven't contributed to this list, > yet. I just wanted to say thank you to all those who do. By reading > (and trying to understand) your posts I learn a lot, esp what Lilypond > can do. Thanks for letting me participat

Seeking piano template: Dynamics, pedals, articulate, and MIDI

I’ve seen snippets and templates for all the parts of this, but I have not found an example that puts everything together: Is there somewhere a template, or a short example, for a piano score with all of these: * tempo markings * treble staff * dynamics * bass staff * pedal dynamics formatted in

automatic vertical rests centering in single-staff polyphony

Hello, I found long ago a way to center rests in single-staff polyphony. But I dont find it anymore, neither in doc or google (or did I use wrong words for searching). To be more explicit, lilypond gives naturally the first rests of the attachment (beat 2), and I try to obtain automatically the s

Re: vertical justification of fret-diagram

Hi Jinsong, if you like to define all fret diagrams as markup, you can place them in an lyric line above the staff: % - \version "2.19.15" fret-ees = \markup { \fret-diagram #"s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;" } << \new Lyrics { \l

Re: Rallentando and accelerando in MIDI

On Tue, 2014-12-30 at 22:04 +0100, Simon Albrecht wrote: > Am 30.12.2014 13:16, schrieb David Sumbler: > > Further to my query (below) yesterday about varying ralls and accels in > > midi, how do I actually get these to work at all? > > > > At the moment the articulate script is working correctly i

makefile problems

Hi all, Does anyone have experience with using makefiles? I've adapted the example from the usage documentation but I keep getting errors, such as *** No rule to make target `score' Any help or tips would be greatly appreciated. Craig - piece = symphony2 - CPU_CORES=`cat /proc/cpuinfo

vertical justification of fret-diagram

Hi there, In the following snippet, I want to vertical justification of the three fret-diagram. \version "2.19.15" fret-ees = \markup { \fret-diagram #"s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;" } \relative c'' { \key ees \major bes8 ^\fret-ees ees bes ees, g4 ^\fret-ees f ^\fret-ees

Re: Lilypond generates a chord from nowhere

Simon Albrecht mail.de> writes: > Using tags should be more efficient, see > . > HTH, Simon Simon, I considered using two different definitions of the chords as Robert suggested, but when I trie

Re: Lilypond generates a chord from nowhere

Am 30.12.2014 22:08, schrieb Robert Schmaus: __ In religion, faith is a virtue. In science, faith is a vice. -- Jerry Coyne On 30 Dec 2014, at 20:33, Stan Mulder wrote: Basically, I think the chord in both instances (with or without the slash notes) should be exactly the same fingerings

Re: Lilypond generates a chord from nowhere

__ In religion, faith is a virtue. In science, faith is a vice. -- Jerry Coyne > On 30 Dec 2014, at 20:33, Stan Mulder wrote: > > Basically, I think the chord in both instances (with or without the slash > notes) should be exactly the same fingerings. How can I correct this? There might

Re: Rallentando and accelerando in MIDI

Am 30.12.2014 13:16, schrieb David Sumbler: Further to my query (below) yesterday about varying ralls and accels in midi, how do I actually get these to work at all? At the moment the articulate script is working correctly in executing trills, slurs etc. But it ignores my "rit." markings and su

Re: adding stems to clusters

Thanks Piaras, I'll try them out. I forgot to attach the xenakis example. Here it is, best, J On Dec 30, 2014, at 10:36 AM, Piaras Hoban wrote: > Dear List, > > I sent the following to Jaime E Oliver so I wanted to post it here also. > > It's my code for special glissandi. > > It's still

Lilypond generates a chord from nowhere

I have a fretboard problem. I have defined a new fretboard for a plectrum banjo. Everything is working properly when I specify a chord, except when I specify a SLASH chord, i.e., a chord with a designation for the bass player. So for example, if I specify a G half-diminished chord, all is well. Bu

RE: Staff error

Mark Stephen Mrotek wrote > Putting each in a separate \score block compiles. I do not know if that is > the only, or best solution. They do, but that's certainly not the only NOR best solution. The real reason it gives you an error is because \score expects a single compound expression for the

RE: Staff error

Chris, Putting each in a separate \score block compiles. I do not know if that is the only, or best solution. Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Chris Trahan Sent: Tuesday, December 30

Staff error

I'm trying to write a choral score that has parts, then an interlude, then more parts, etc. When I code it like the following, I get what I'm looking for. \version "2.18.2" \language "english" % Verse 1 \new ChoirStaff << \new Staff { \relative c'' { c d e f } } \new Staff { \relat

Re: strange phenomenon from guitar bends snippet

2014-12-30 16:43 GMT+01:00 : > It's working here. > Nothing special done yet. > > Except that commenting out all the lines with > "\once \override Tab*" gets rid of the spurious TabStaffs in the > output. > You should comment these two lines only in bend.ly: %%% music functions bendOn = #(defi

Re: strange phenomenon from guitar bends snippet

It's working here. Nothing special done yet. Except that commenting out all the lines with "\once \override Tab*" gets rid of the spurious TabStaffs in the output. regards, Joe On Tue, 30 Dec 2014 00:19:02 +0100 Federico Bruni wrote: > 2014-12-29 16:24 GMT+01:00 Federico Bruni : > > > I thi

Re: adding stems to clusters

Dear List, I sent the following to Jaime E Oliver so I wanted to post it here also. It's my code for special glissandi. It's still personal code so naturally it can't be guaranteed to work for all use cases; all I can is that it works well for my needs. With a view to making these functions mor

Re: strange phenomenon from guitar bends snippet

2014-12-29 23:20 GMT+01:00 Federico Bruni : > Il giorno lun 29 dic 2014 alle 19:11, Thomas Morley > ha scritto: > > Look at the output from: m = 4\arpeggio mus = { \override > Voice.Arpeggio.color = #red \override TabVoice.Arpeggio.color = #red \m } > \new TabStaff \new TabVoice \mus \new Staff \n

Re: Rallentando and accelerando in MIDI

Further to my query (below) yesterday about varying ralls and accels in midi, how do I actually get these to work at all? At the moment the articulate script is working correctly in executing trills, slurs etc. But it ignores my "rit." markings and suchlike. I have tried entering these using "\m

Re: adding stems to clusters

2014-12-30 3:43 GMT+01:00 Jaime E Oliver : > Dear David, all, > > Thanks for your responses. > > Ideally I want to make a graphic notation for overpressure bowing similar to > the xenakis excerpt attached. > > I was thinking of adding stems to a cluster-band as a hopefully day > solution, but I see

Re: adding stems to clusters

2014-12-30 3:43 GMT+01:00 Jaime E Oliver : > Dear David, all, > > Thanks for your responses. > > Ideally I want to make a graphic notation for overpressure bowing similar to > the xenakis excerpt attached. No attachment. I'd be interested in how it looks. Cheers, Harm _

Re: strange phenomenon from guitar bends snippet

2014-12-30 1:38 GMT+01:00 : > I'll use your snippet next time when working on the music. > I assume you want me to check the behaviour over a line break. > Anything else? > > Anything you notice. Please report any problem in this list, since I'm only the maintainer of the files on github. > Your

Re: fastest, easiest way of including fret diagram markups above music?

2014-12-30 5:56 GMT+01:00 Ryan Clarin : > Thank you for the welcome and reply. I want to include every fret diagram > at every chord change, the kids simply do better reading a long when they > can see the actual Fret diagram marked up above the music at every change > vs having to look above on t