RE:strange phenomenon from guitar bends snippet Vol 145 issue 124

2015-02-17 Thread Stephen MacNeil
it was pointed out that i posted the modifications of the old definitions.ily. I think the only changes since then have been aesthetics -- and mainly to the tab portion of which, in this case since it's gone makes no difference. anyway here is the new file with the changes. modified version of ...

Re: Peer review

2015-02-17 Thread Jay Anderson
On Tue, Feb 17, 2015 at 7:30 PM, Craig Dabelstein wrote: > I'm not sure if this is an appropriate request for the group, but I was > wondering if anybody had the time to look at a sample part I have typeset > and make any comments regarding the typesetting. There may be many things > here that an

Peer review

2015-02-17 Thread Craig Dabelstein
Hi Lilyponders, I'm not sure if this is an appropriate request for the group, but I was wondering if anybody had the time to look at a sample part I have typeset and make any comments regarding the typesetting. There may be many things here that an experienced typesetter may see that need improvem

Re: Indenting arbitrary lines

2015-02-17 Thread Kieren MacMillan
Hi David, > I think if I were doing this manually that would probably work. > Unfortunately changing my software to generate multiple score blocks > would require a lot of work that I'm not sure is justified for just > this one thing. I was lucky that I was able to insert the basic > acrostic idea

RE:strange phenomenon from guitar bends snippet Vol 145 issue 124

2015-02-17 Thread Federico Bruni
Il giorno lun 16 feb 2015 alle 20:05, Stephen MacNeil ha scritto: I noticed in a past post Vol 145 issue 124 you were trying to remove tab from the guitar bends. Anyway I don't ever use tab myself and modified the ily file so there is no tab. if you still need it or find it helpful here it is.

Re: Indenting arbitrary lines

2015-02-17 Thread David Bellows
> Could you put all the lines that are "continuations" in a single score block, > and have multiple score blocks? You could then try a negative indent for the > first line to "outdent" it. [I just realized I didn't post this to the list. Plus I'm hoping for some more responses] I think if I we

Re: Strange "d.g." notation

2015-02-17 Thread Jacques Menu
Hello Conor, Thanks to you and Karen for the enlightment! JM > Le 17 févr. 2015 à 15:01, RomanticStrings a écrit : > > From the Society of Music Theory discuss group: > > Karen Bottge commented on "Strange "d.g" notation" > > > Strange "d.g" notation > > Hi Conor, > > "d.g." means viola d

Re: Strange "d.g." notation

2015-02-17 Thread RomanticStrings
>From the Society of Music Theory discuss group: Karen Bottge commented on "Strange "d.g" notation" Strange "d.g" notation Hi Conor, "d.g." means viola di gamba (or cello), which sounds at the octave below. (It appears that "d.g." is missing from measures 70-71!). Karen Read more or reply h

Re: Staffs extending past the end of music

2015-02-17 Thread Tyler A Stank
On 02/16/2015 06:29 PM, Simon Albrecht wrote: OK. I think what you want is \RemoveEmptyStaves, to be inserted in \layout{ \context{ \Staff \RemoveEmptyStaves } } It worked! Thanks. Tyler Stank ___ lilypond-user mailing list lilypond-user@g

Re: \sustainOff\sustainOn produces inconsistent MIDI results

2015-02-17 Thread Kevin Barry
On Sun, Feb 15, 2015 at 9:58 AM, bensonby wrote: > I have the same problem too. As a quick solution, I split the note into two > with a tie, one for sustainOff and one for sustainOn. > Does that not add an extra note column (affecting layout)? ___ lily