Egbert,
If you are using 2.16.2, the \tuplet command doesn't work. It is new as of
2.18. You'll need to use the \times function instead, which takes the same
arguments, but inverted:
\tuplet n/m = \times m/n
Regards,
Abraham
Sent from my iPhone
> On Mar 21, 2015, at 10:42 PM, eggiebertus [vi
David,
Yes!!! Yes! Yes! Yes! Yes! Yes!
Seriously, that totally made my day. You are my hero. Scheme is not my native
language ;-), but I am learning slowly. I did determine the need for that
check, but was unsure how to do it. I think I have everything I need to make
this sweet font work beaut
On Sat, Mar 21, 2015 at 10:06 PM, David Nalesnik
wrote:
> Hi Abraham,
>
> On Sat, Mar 21, 2015 at 9:13 PM, tisimst
> wrote:
>
>> David,
>>
>>
[...]
> This works perfectly when there are NO rests, but I get this error when
>> there is a rest in the NoteColumn:
>>
>> In procedure ly:grob-array->
Hi Abraham,
On Sat, Mar 21, 2015 at 9:13 PM, tisimst wrote:
> David,
>
> You are a genius! I've almost got it, but I'm not sure how to handle
> rests. Here's my current function:
>
> #(define (flipnotes grob)
>(let ((notes (ly:grob-array->list (ly:grob-object grob 'note-heads
> (for
David,
You are a genius! I've almost got it, but I'm not sure how to handle
rests. Here's my current function:
> #(define (flipnotes grob)
>(let ((notes (ly:grob-array->list (ly:grob-object grob
> 'note-heads
> (for-each
>(lambda (note)
> (let* ((pitch (ly:event-pr
D'oh! Thanks for catching my proofreading error.
On Sun, Mar 22, 2015 at 12:20:46AM +0100, Noeck wrote:
> > PATH=${PATH}:/Applications/LilyPond.app/Contents/Resources/bin/musicxml2ly
>
> The folder should be in the path, not the executable:
>
> PATH=${PATH}:/Applications/LilyPond.app/Contents/
On March 22, 2015 12:00:05 AM "Trevor Daniels" wrote:
> I think it must be that the variable implicitly creates a separate voice,
and the beatStructure applies only within the voice.
No, that's not the reason. The reason is that there is a separate
beatStructure for each value of the time s
> On 22 Mar 2015, at 00:28, David Bellows wrote:
> Here is example.ly
>
> \version "2.19.17"
> {
> c' e' g' e'
> }
>
> And lily.lua for Lua 5.3
>
> os.execute("lilypond example.ly &> lily.txt")
>
> And then from the command line:
>
> lua lily.lua
> for some reason when running that comman
On Sat, 21 Mar 2015 23:47:35 +0100
Kaj <70147pers...@telia.com> wrote:
> Or: How do I extract the first, second and third voice from the chord
> score to use as input to the midi?
I once wrote a small tool (perl module) to split a polyphone MIDI into
separate voices.
https://metacpan.org/pod/MI
OK, I know this might be way too specific a question for this list but
I'm hoping.
Here is example.ly
\version "2.19.17"
{
c' e' g' e'
}
And lily.lua for Lua 5.3
os.execute("lilypond example.ly &> lily.txt")
And then from the command line:
lua lily.lua
I'm trying to suppress any of Lilypon
Hi,
On Sat, Mar 21, 2015 at 4:32 PM, tisimst wrote:
> You and me both, Pierre. I've tried for hours to find something that works
> automatically. I've managed to use a single notehead for both up- and
> down-stem notes, thanks to everyone's help here, but I still have one
> problem relating to c
\version "2.18.2"
Soprano = { g'8 a' g' a' g' a' c' d' }
Alto = { e'8 f' g' a' g' a' e' f' }
Baritone = { c'8 d' e' f' g' a' g' a' }
\new Voice {
\override NoteHead.X-offset = #0
<<
{ \Soprano }
{ \Alto }
{ \Baritone }
>>
}
Pierre
2015-03-22 0:20 GMT+01:00 Pierre Perol-Schneid
> PATH=${PATH}:/Applications/LilyPond.app/Contents/Resources/bin/musicxml2ly
The folder should be in the path, not the executable:
PATH=${PATH}:/Applications/LilyPond.app/Contents/Resources/bin
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https
Hi Kaj,
Your code's not compiling.
Anyway, I think:
\override NoteHead.X-offset = #0
is what you're looking for.
Cheers,
Pierre
2015-03-21 23:47 GMT+01:00 Kaj <70147pers...@telia.com>:
> Hello everybody,
>
> I have a piece of music for three choir voices (Soprano Alto Baritone). It
> is w
Hello everybody,
I have a piece of music for three choir voices (Soprano Alto Baritone).
It is written almost solely as chords with one, two or three voices.
With one voice, everybody is singing that one, with two the sopranos
sing the "top" notes and the others sing the lower voice. My wish i
You and me both, Pierre. I've tried for hours to find something that works
automatically. I've managed to use a single notehead for both up- and down-stem
notes, thanks to everyone's help here, but I still have one problem relating to
chords.
If a notehead, in a chord stack, is forced out of t
Thanks Thomas and Joram,
Both of your solutions work well. I’ll look at each further to find the best
fit for me.
Best,
Holland
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Very instructive discussion.
So I feel sorry to come back to some poor basic questions...
And back again to these new glyphs :
\version "2.19.16"
%#(set-global-staff-size 25)
#(define-markup-command (flip layout props arg) (markup?)
(interpret-markup layout props
(markup #:concat (#:null
On Fri, Mar 20, 2015 at 12:20:56AM +0100, Martin Tarenskeen wrote:
>
> I am not a Mac user. But first thing I thought was: doesn't a Mac have a
> PATH variable like Linux and Windows have, where the long path to
> ./bin can be added before having to type such long commands?
Also, like most
2015-03-21 17:24 GMT+01:00 David Nalesnik :
>
>
> On Fri, Mar 20, 2015 at 1:52 PM, David Nalesnik
> wrote:
>>
>>
>> Probably this file will prove more useful as a hacking tool. It will show
>> you how the different pointer properties are populated.
>>
>
> This is better written:
>
> --David
>
Hi
2015-03-21 14:32 GMT+01:00 Marc Hohl :
> Am 21.03.2015 um 00:40 schrieb Thomas Morley:
>
>> 2015-03-21 0:09 GMT+01:00 Thomas Morley :
>>
>>>
>>> The 'arpeggio-property was deleted somewhere during 2.17. and I never
>>> managed to get back the info whether a NoteColumn has an arpeggio,
>>
>>
>> Btw,
Colin Tennyson wrote:
> > Can you possibly direct me to more information about this?
Frederico Bruni wrote:
> I think that you should google "language negotiation apache" :-)
http://httpd.apache.org/docs/2.2/content-negotiation.html
So now I know why the Lilypond website appends the two-letter
- Original Message -
From: "Colin Tennyson"
To:
Sent: Saturday, March 21, 2015 5:38 PM
Subject: Re: Narrow down search of Lilypond documentation to English
Subject: Re: Narrow down search of Lilypond documentation to English
Phil Holmes wrote:
At the bottom of _all_ the LilyPond ma
Subject: Re: Narrow down search of Lilypond documentation to English
Phil Holmes wrote:
> At the bottom of _all_ the LilyPond manual pages, there's a link
> explaining
> automatic language selection.
err.. Phil,
I think you have overlooked something essential: the subject of this thread.
Thi
> You should be able to set the language here:
> http://www.google.com/advanced_search
> Unfortunately, there's no language: operator to use directly in the
> main search.
Indeed there isn't.
But here's the rub:
http://googlewebmastercentral.blogspot.nl/2010/03/working-with-multilingual-websi
Is it possible to reduce the chordmode volume while keeping it in &
displaying the chords in the PDF?
Failing which is it possible to maintain the PDF output while
silencing the midi output and/of change the instrument. Piano stops me
listening constructively.
Steve
_
On Sat, Mar 21, 2015 at 8:38 AM, John McWilliam wrote:
> Bagpipe music has it's own conventions where each section or part of a tune
> is enclosed in either repeat bars or what I call double bars (\bar ".|" and
> \bar "|."). The end of a part usually coincides with a line break. I have a
> problem
James,
Look at
http://lilypond.org/doc/v2.18/Documentation/notation/beams
for some examples (they are down the page a bit).
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
James Hark
On Fri, Mar 20, 2015 at 1:52 PM, David Nalesnik
wrote:
>
>
> Probably this file will prove more useful as a hacking tool. It will show
> you how the different pointer properties are populated.
>
>
This is better written:
--David
\version "2.19.16"
#(define (grob-interface::info iface)
(hashq
Il giorno sab 21 mar 2015 alle 16:39, Colin Tennyson
ha scritto:
If you click on "Search tools", just below the search bar of
google, a
dropdown menu appears where you can choose to display only pages in
your
language.
Here's an odd thing: it seems that Google displays differently to
dif
- Original Message -
From: "Colin Tennyson"
To:
Sent: Saturday, March 21, 2015 3:39 PM
Subject: Re: Narrow down search of Lilypond documentation to English
That is new to me. I consider myself to be a heavy internet browsing user,
a
heavy Google user; I have not come across this befo
James Harkins wrote Saturday, March 21, 2015 6:20 AM
>I just got slightly confused trying to use beatStructure, and a small edit to
>the manual might help.
>
> \version "2.18.2"
> \language "english"
>
> five = {
> \set Timing.beatStructure = #'(3 2)
> \time 5/8
> }
>
> seven = {
> \set T
On Sat, Mar 21, 2015 at 10:26 AM, David Nalesnik
wrote:
> Hi Harm,
>
> On Sat, Mar 21, 2015 at 8:37 AM, David Nalesnik
> wrote:
>
>> Hi Harm,
>>
>> On Fri, Mar 20, 2015 at 6:09 PM, Thomas Morley
>> wrote:
>>
>>> 2015-03-20 18:03 GMT+01:00 David Nalesnik :
>>>
>>
>>> Btw, the IR stating:
>>>
>>>
> If you click on "Search tools", just below the search bar of google, a
> dropdown menu appears where you can choose to display only pages in your
> language.
Here's an odd thing: it seems that Google displays differently to different
users.
In my case Google offers me three (drop down menu) Sear
Bagpipe music has it's own conventions where each section or part of a tune
is enclosed in either repeat bars or what I call double bars (\bar ".|" and
\bar "|."). The end of a part usually coincides with a line break. I have a
problem with this and find that adjacent barlines with a break in betwe
Hi Harm,
On Sat, Mar 21, 2015 at 8:37 AM, David Nalesnik
wrote:
> Hi Harm,
>
> On Fri, Mar 20, 2015 at 6:09 PM, Thomas Morley
> wrote:
>
>> 2015-03-20 18:03 GMT+01:00 David Nalesnik :
>>
>
>> Btw, the IR stating:
>>
>> conditional-elements (array of grobs)
>> Internal use only.
>>
>> is a j
2015-03-21 15:38 GMT+01:00 Colin Tennyson :
> As we know, this has huge consequences for the searchability of the site:
> To search the Lilypond 2.18 documentation for entries with the string
> "barnumbercheck" I enter in the Google search field:
>
> barnumbercheck site:/lilypond.org/doc/v2.18/Doc
For Lilypond the reference documentation is the one in english. Besides that
translated versions of the documenation are available (in various states of
completeness).
The Lilypond website uses a naming system:
Example:
English version:
http://lilypond.org/doc/v2.18/Documentation/notation/lilypond
Hi Harm,
On Fri, Mar 20, 2015 at 6:09 PM, Thomas Morley
wrote:
> 2015-03-20 18:03 GMT+01:00 David Nalesnik :
> >
> > Hi again,
> >
> > On Fri, Mar 20, 2015 at 9:21 AM, David Nalesnik <
> david.nales...@gmail.com> wrote:
> >>
> >>
> >>
> >> Finding the path from one object to another is usually j
Am 21.03.2015 um 00:40 schrieb Thomas Morley:
2015-03-21 0:09 GMT+01:00 Thomas Morley :
The 'arpeggio-property was deleted somewhere during 2.17. and I never
managed to get back the info whether a NoteColumn has an arpeggio,
Btw, I tried again to find the commit on the tracker which removed
2015-03-21 0:24 GMT+01:00 Thomas Morley :
> 2015-03-20 17:21 GMT+01:00 holl...@hollandhopson.com
> :
>> I’m working on some banjo tablature and I’d like to change the stem length
>> for beamed stems when 2 non-adjacent strings are played together. I can use
>> \override-s to lengthen and shift th
Hi, Michael--
i've done a fair amount of meterless music for my Church. Over time, i've developed a little template, that i've attached. Any formatting is in the first variable, called, "global." Since the key is not necessary, just pay attention to the three override commands. Anothe
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