Hi everyone!
With this snippet, the sharp is not between brackets.
\version 2.19.1
{ \parenthesize cis'' }
Is there a way to get the note and his sharp between brackets?
Thanks!
Anton Curl
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Hi Anton,
see: http://lsr.di.unimi.it/LSR/Item?id=972
Cheers,
Pierre
2015-04-08 8:03 GMT+02:00 Anton Curl curl.an...@gmail.com:
Hi everyone!
With this snippet, the sharp is not between brackets.
\version 2.19.1
{ \parenthesize cis'' }
Is there a way to get the note and his sharp
Thanks!
I hope it'll be integrated natively in Lilypond.
Regards,
Anton Curl
On 08/04/2015 08:05, Pierre Perol-Schneider wrote:
Hi Anton,
see: http://lsr.di.unimi.it/LSR/Item?id=972
Cheers,
Pierre
2015-04-08 8:03 GMT+02:00 Anton Curl curl.an...@gmail.com
mailto:curl.an...@gmail.com:
Hi all,
what is the most viable approach to suppress all the doubled items like makuos,
dynamics etc. that are produced by the partcombiner?
TIA
Urs___
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Recently there was a discussion about this. Now I need to do it. The answers in
the discussion, whilst erudite, seem very kludgy, and not appropriate for my
score.
Why is there no simple way to shorten a hairpin in lilypond? It’s easy to use
shorten-pair to adjust tuplet bracket lengths. Why
Hi Andrew,
2015-04-08 9:03 GMT+02:00 N. Andrew Walsh n.andrew.wa...@gmail.com:
First, the music indicates what I assume to be accent or staccato marks
with a vertical line, somewhat like a pipe symbol (namely | [not to be
confused with the letters l or I]), and I don't see any particular
Hi Andrew,
I think I missed this discussion, cannot answer to your questions.
Anyway sometime I use:
\version 2.18.2
{
c'4
-\tweak bound-padding #7.0
\ c'2. c'4\!
}
Cheers,
Pierre
2015-04-08 9:02 GMT+02:00 Andrew Bernard andrew.bern...@gmail.com:
Recently there was a discussion about
As I mentioned a few days ago, I'm transcribing some 18th-century
liturgical music. I have a couple questions about representing the older
notation in a more historically-informed manner.
First, the music indicates what I assume to be accent or staccato marks
with a vertical line, somewhat like a
Am 8. April 2015 08:28:47 MESZ, schrieb Urs Liska u...@openlilylib.org:
Hi all,
what is the most viable approach to suppress all the doubled items like
makuos,
markups
dynamics etc. that are produced by the partcombiner?
TIA
Urs
On Wed, Apr 08, 2015 at 01:25:05AM -0700, PharoahS wrote:
Hi Nathan
Thank you for your answer,
I use timidity with debian
Did you listen to my code exemple? Have you a long sound or short snaps?
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At 09:35 on 08 Apr 2015, Urs Liska wrote:
Am 8. April 2015 08:28:47 MESZ, schrieb Urs Liska u...@openlilylib.org:
Hi all,
what is the most viable approach to suppress all the doubled items
like makuos,
markups
dynamics etc. that are produced by the partcombiner?
Perhaps the
Thanks for the tip, Pierre!
That's actually exactly what I meant, and covers the typesetting
considerations as well. I'll check with the publisher to see which they
prefer, and typeset accordingly.
Cheers,
A
On Wed, Apr 8, 2015 at 10:34 AM, Pierre Perol-Schneider
Hi Nathan
Thank you for your answer,
I use timidity with debian
Did you listen to my code exemple? Have you a long sound or short snaps?
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On Wed, Apr 08, 2015 at 11:59:08AM -0500, David Nalesnik wrote:
Hi Paul,
On Wed, Apr 8, 2015 at 11:50 AM, Paul Scott waterho...@ultrasw.com wrote:
Can anyone tell me how to look up what event is associated
with \ottava so I can include it in quotedCueEventTypes?
Looks like you
On Wed, Apr 8, 2015 at 1:20 AM, Anton Curl curl.an...@gmail.com wrote:
Thanks!
I hope it'll be integrated natively in Lilypond.
This is a rather old issue
https://code.google.com/p/lilypond/issues/detail?id=155
Looks like the issue was abandoned, I don't know why.
--David
Chris,
Can you post your code or attach a file so we can see what you've tried?
You can be explicit about the vertical location of the staves, but I
imagine that's not what you want to do.
- Abraham
On Tue, Apr 7, 2015 at 12:33 PM, Chris Trahan [via Lilypond]
I needed a solution as well and wrote this. I find for my needs it works
wonders.
acdy =
#(define-music-function
(parser location str)
(number?)
#{
-\markup
{
\halign #-1.2
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
}
#}
)
\relative c' {
c ^\acdy #-4 c
when i replace brushes by matched potatoes after \drums in lilypond i get
the same sound but matched potatoes appears on the pdf!
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On Wed, Apr 8, 2015 at 1:15 PM, David Nalesnik david.nales...@gmail.com
wrote:
Beats me :(
What happens if you use StreamEvent?
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Chris,
How about this? Is this more the spacing you were looking for?
[image: Inline image 1]
I did it by explicitly setting the location of the first and last system of
the interlude measures. I'm not sure if you CAN do it any other way at the
moment.
Here's the code I used (in the
Thanks Abraham.
Chris
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On Wed, Apr 08, 2015 at 01:25:30PM -0500, David Nalesnik wrote:
On Wed, Apr 8, 2015 at 1:15 PM, David Nalesnik david.nales...@gmail.com
wrote:
Beats me :(
What happens if you use StreamEvent?
I don't see that in
http://lilypond.org/doc/v2.19/Documentation/internals/music-expressions
On Wed, Apr 8, 2015 at 1:47 PM, Paul Scott waterho...@ultrasw.com wrote:
On Wed, Apr 08, 2015 at 01:25:30PM -0500, David Nalesnik wrote:
On Wed, Apr 8, 2015 at 1:15 PM, David Nalesnik david.nales...@gmail.com
wrote:
Beats me :(
What happens if you use StreamEvent?
I
Abraham,
While waiting on your reply, I experimented with the system-system-spacing
settings. I got it to work. I had originally tried that setting but must not
have been doing it right. This also moved all the systems on each page
closer together, reducing the number of pages, which is what I
Abraham,
I'm beginning to agree with you concerning \break. I'm finding that manual
line breaks need to be in one staff and one staff only in a system. It seems
to behave better when the line breaks are in the top staff of a system.
Lilypond has done some strange things when I put breaks in
Abraham,
Here's the file. It's not a tiny example, I'm afraid.
Chris
From: tisimst tisimst.lilyp...@gmail.com
To: lilypond-user@gnu.org
Cc:
Date: Wed, 8 Apr 2015 07:42:36 -0700 (MST)
Subject: Re: Staff Spacing
Chris,
Can you post your code or attach a file so we can see what you've tried?
You
It is a good idea to add new soundfonts
I will try to perform that:
https://scottlinux.com/2014/09/14/lilypond-audio-playback-in-linux-composing-music-with-lilypond/
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Dear Urs,
I'm using a tag for those items:
r8 r8 c,8(-\tag #'non-partcombine \pp | % 91
d4) cis8 | % 92
And then in the partcombine call, I filter out that tag:
\partcombine{\removeWithTag #'non-partcombine
\VChorSIMusic}{\removeWithTag #'non-partcombine \VChorSIIMusic}
However,
Can anyone tell me how to look up what event is associated
with \ottava so I can include it in quotedCueEventTypes?
TIA,
Paul Scott
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Hi Paul,
On Wed, Apr 8, 2015 at 11:50 AM, Paul Scott waterho...@ultrasw.com wrote:
Can anyone tell me how to look up what event is associated
with \ottava so I can include it in quotedCueEventTypes?
Looks like you want ottava-music. See:
On Wed, Apr 8, 2015 at 12:30 PM, Paul Scott waterho...@ultrasw.com wrote:
On Wed, Apr 08, 2015 at 11:59:08AM -0500, David Nalesnik wrote:
Hi Paul,
On Wed, Apr 8, 2015 at 11:50 AM, Paul Scott waterho...@ultrasw.com
wrote:
Can anyone tell me how to look up what event is associated
On Wed, Apr 08, 2015 at 01:53:07PM -0500, David Nalesnik wrote:
On Wed, Apr 8, 2015 at 1:47 PM, Paul Scott waterho...@ultrasw.com wrote:
On Wed, Apr 08, 2015 at 01:25:30PM -0500, David Nalesnik wrote:
On Wed, Apr 8, 2015 at 1:15 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Wed, Apr 08, 2015 at 06:18:20PM +0200, Reinhold Kainhofer wrote:
Dear Urs,
I'm using a tag for those items:
r8 r8 c,8(-\tag #'non-partcombine \pp | % 91
d4) cis8 | % 92
And then in the partcombine call, I filter out that tag:
\partcombine{\removeWithTag #'non-partcombine
Hi Chris (et al.),
I'm beginning to agree with you concerning \break. I'm finding that manual
line breaks need to be in one staff and one staff only in a system.
The \editionEngraver allows breaks to be set “outside” of any particular staff.
This is the only way I do it now, and I’ll never go
Kieren,
Can you give me an example of how to use the \editionEngraver or show me
where it is in the documentation? I searched Learning, Notation, Snippets,
and Internal but I couldn't find it. Is it in version 2.18.2?
Thanks,
Chris
On Wed, Apr 8, 2015 at 2:50 PM, Kieren MacMillan
Hi Andrew,
2015-04-08 9:02 GMT+02:00 Andrew Bernard andrew.bern...@gmail.com:
Recently there was a discussion about this. Now I need to do it. The answers
in the discussion, whilst erudite, seem very kludgy, and not appropriate for
my score.
Why is there no simple way to shorten a hairpin in
2014-12-21 21:47 GMT+01:00 Kevin Barry barr...@gmail.com:
There is no misprint in the manual. The way you used \set is also
possible, but because the line in question appears after the closing
bracket on the line before LilyPond does not include it in the variable you
named (organPart). If
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