if you share a sample, i can try on windows and mac
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Hi Kieren,
On Thu, Apr 9, 2015 at 9:48 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi all,
I’m looking for an \uppercase function to use in Lilypond — this one
(which I found somewhere, but can’t remember where now) doesn’t seem to
work:
\version 2.19
On Thu, Apr 9, 2015 at 10:31 AM, David Nalesnik david.nales...@gmail.com
wrote:
Note that the following will work with your simple example, though
\uppercase has to be directly before the markup:
I meant in case you do something like:
\markup \bold \italic \uppercase Test
The \uppercase
Schneidy wrote
What am I missing?
Hi Pierre,
case doesn't work with strings, so you'd need to use cond instead.
Cheers,
-Paul
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Gilles Sadowski wrote
Is there a way (i.e. a function) to automatically add a staff for a
bagpipe's drone note(s)?
Hi, Here's a start, a function to change all the pitches of a melody to a
given pitch. Not tested on real music... (Since you only want the drone
notes in midi maybe you don't
Hi David,
On Thu, Apr 9, 2015 at 9:32 AM, David B. Stocker notesetters...@gmail.com
wrote:
Hello LilyPonders,
I have a client who is working on a hymnal, and they would like for the
beginning of the lines of verses to be left justified. The best way I can
see to do this, from a visual
Sven Axelsson-3 wrote
Intersting. I have never tried to generate midi output for bagpipe
music. I suspect grace notes are not handled well. But in regards to
the dronification, all of the music, both melody and drone, should be
played legato. Is that also something that could be set up easily
Hi David,
you could just as easily write the following:
\header {
myTitle = #myOtherTitle
title = \markup {
from \italic #(string-upcase myTitle)
}
}
Yes, but at that point, why not just write
\header {
title = “MY OTHER TITLE
}
?? ;)
Here’s the concrete use-case:
1. I
Hi.
Is there a way (i.e. a function) to automatically add a
staff for a bagpipe's drone note(s)?
Up to now, I was adding a staff by hand (with a tag so it
would not appear on the printed score). But it is more
complicated than it could be since the drone does not change,
plays along the melody
Abraham,
Thanks very much. That works nicely.
All the best,
Peter
mailto:lilyp...@ptoye.com
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Kieren,
On Thu, Apr 9, 2015 at 10:37 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
You are only using part of the code which I find here:
http://www.autoindustry536.bllog.opensubscriber.com/message/lilypond-de...@gnu.org/12807136.html
Yes! That was it. Thanks for
Am 09.04.2015 um 17:30 schrieb Peter Toye:
Re: Problem with \break command Simon,
Thanks - it gets somewhere.
The
\set Timing.defaultBarType =
command with which Abraham came up gets rid of the gaps.
Yours, Simon
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Hi David,
you could just as easily write the following:
\header {
myTitle = #myOtherTitle
title = \markup {
from \italic #(string-upcase myTitle)
}
}
Yes, but at that point, why not just write
\header {
title = “MY OTHER TITLE
}
?? ;)
Here’s the concrete use-case:
Hi all,
Sorry for the noise, I have now figured it out myself: The cue clef
after the cue notes is actually not a CueClef grob, but a CueEndClef.
Once this is clear, using \once\omit Staff.CueEndClef works perfectly
fine to hide the cue end clef (example attached).
Best regards,
Reinhold
Am
Simon,
Thanks - it gets somewhere.
The reason for the extra braces was that it's a cut-down tiny version of a
more complex score with polyphony.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Thursday, April 9, 2015, 4:15:26 PM, you wrote:
Hello,
Hi Chris,
Can you give me an example of how to use the \editionEngraver or show me
where it is in the documentation?
https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/edition-engraver
Hope this helps!
Kieren.
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Kieren MacMillan, composer
www:
On Thu, Apr 9, 2015 at 11:48 AM, David Nalesnik david.nales...@gmail.com
wrote:
HTH Who knows what HTHm stands for.
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Hello,
the problem seems to be that the Bar_engraver takes part in triggering
the clef on the new line, so without it no clef is printed. I tried to
come up with a workaround, omitting the bar lines, but it has a major
drawback: it still leaves some space for the omitted bar lines, which I
On Thu, Apr 9, 2015 at 12:48 PM, tisimst tisimst.lilyp...@gmail.com wrote:
Pierre,
Following Paul's advice, here's working code (which you probably already
figured out, but just for the record). Note that you must use equal? for
comparisons since it's the only one suited for strings:
You
Where can I find the code for the \shape function mentioned in this list
about 2013?
Andrew
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Peter,
Here's what I've done that works nicely, but requires a slight manual
intervention (changes/additions in *BOLD*):
1. DON'T remove Bar_engraver because Clefs can only be printed after a bar
line (even an invisible one, like with \bar )
2. Set Timing.defaultBarType = which correctly keeps
2015-04-09 18:36 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi List, hi Schemers,
I'm currently working on finding new tools to ease drawings with the 'path'
command.
I already found some nice ones that helped me to create new drawings and
enhanced old snippets.
I'm trying to typeset some finger patterns for exercises and don't want bar
numbers or barlines. This works fine for the first line, but after a \break
command to force a new line for the next pattern the clef isn't shown.
Obviously I'm doing something wrong, but as a relative Lilypond newbie
Message: 5
Date: Thu, 09 Apr 2015 13:45:39 +0200
From: Reinhold Kainhofer reinh...@kainhofer.com
To: LilyPond User Mailinglist lilypond-user@gnu.org
Subject: Double clef when using cueDuringWithClef with a simultaneous
clefchange
Message-ID: 5523.7040...@kainhofer.com
Hi David,
You are only using part of the code which I find here:
http://www.autoindustry536.bllog.opensubscriber.com/message/lilypond-de...@gnu.org/12807136.html
Yes! That was it. Thanks for the link.
Note that the following will work with your simple example, though \uppercase
has to be
Hello LilyPonders,
I have a client who is working on a hymnal, and they would like for the
beginning of the lines of verses to be left justified. The best way I
can see to do this, from a visual standpoint, is to make the longest
syllable on the first note of each line centered like it
To superimpose two notes on top of each for a complex grace note structure, I
have done the following, using multiple voices and shifts. When I use this
technique inside my large complex score, the notes I am trying to superimpose
push each other away as north pole to north pole magnets. What
Hi List, hi Schemers,
I'm currently working on finding new tools to ease drawings with the 'path'
command.
I already found some nice ones that helped me to create new drawings and
enhanced old snippets.
That's what I've done here: http://lsr.di.unimi.it/LSR/Item?id=904
However, I'm not satisfied
Thank you all very much!!
I'll keep your precious advices in my scheme-tool-box.
@Harm: I'll take a deeper look in 'list' and its associations
@Paul: you're wright, that's exactly what I was missing.
@Abraham: I'll use your snippet!
@David: I'll use 'string=?' since I never used it before,
On 9 April 2015 at 17:27, Paul Morris p...@paulwmorris.com wrote:
Gilles Sadowski wrote
Is there a way (i.e. a function) to automatically add a staff for a
bagpipe's drone note(s)?
Hi, Here's a start, a function to change all the pitches of a melody to a
given pitch. Not tested on real
Kieren,
Thanks. I've never used GitHub. I created an account but don't see how to
download the files. When I right-click and save as, I get the html code.
Chris
On Thu, Apr 9, 2015 at 9:54 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Chris,
Can you give me an example of
Hi there,
I don't want the natural sign to be displayed. However, I don't find a
way to do so.
Many thanks!
Regards,
Jinsong
\version 2.19.18
\relative c'' {
\clef treble
% \set Staff.extraNatural = ##f
r4 g bes r g b
}
___
Pierre,
Following Paul's advice, here's working code (which you probably already
figured out, but just for the record). Note that you must use equal? for
comparisons since it's the only one suited for strings:
%-- SNIP --
#(define-markup-command (smiley-string layout props
Hi David,
David Nalesnik-2 wrote
I hope that one day this will be trouble-free!
I didn't know that things can get that complicated when diving deep into a
lily pond... ;-)
David Nalesnik-2 wrote
How did you arrive at 1?
Well, I just took some insane value to get above anything else...
On Thu, Apr 9, 2015 at 3:02 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
you could just as easily write the following:
\header {
myTitle = #myOtherTitle
title = \markup {
from \italic #(string-upcase myTitle)
}
}
Yes, but at that point, why not
Hi,
On Thu, Apr 9, 2015 at 9:10 AM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I don't want the natural sign to be displayed. However, I don't find a way
to do so.
Many thanks!
Regards,
Jinsong
\version 2.19.18
\relative c'' {
\clef treble
% \set Staff.extraNatural = ##f
r4
Hi all,
I have a piece, where the Fagotto part is written in tenor clef and
after some measures rests switches to bass clef. Now, when I use
\cueDuringWithClef to cue other instruments during those rests, the end
of the cue notes will display two clefs: one to revert the cue clef
(smaller)
At 19:16 on 09 Apr 2015, Andrew Bernard wrote:
Where can I find the code for the \shape function mentioned in this
list about 2013?
\shape is in Lilypond
Documentation/notation/modifying-shapes.html
\shapeII is in openlilylib
On Thu, Apr 9, 2015 at 9:21 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Thu, Apr 9, 2015 at 9:10 AM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I don't want the natural sign to be displayed. However, I don't find a
way to do so.
Many thanks!
Regards,
Jinsong
Hi all,
I’m looking for an \uppercase function to use in Lilypond — this one (which I
found somewhere, but can’t remember where now) doesn’t seem to work:
\version 2.19
#(define-markup-command (uppercase paper props markup-argument) (markup?)
(interpret-markup paper (prepend-alist-chain 'case
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