Hi,
Am Donnerstag, den 16. April 2015 um 19:43:38 Uhr (+0200) schrieb Urs
Liska:
... I'd like to know what might be the biggest score anyone has
successfully created with LilyPond.
the biggest score so far for me is a piece for big orchestra, 6
soloists, live-electronics and fixed media from
Hi everyone!
Traditionally, vocal scores are written without beams, except for melisma.
But modern scores tend to keep beams everywhere and put slurs to indicate
melisma.
Is it possible to have both output with one source, without complicating
the typesetting?
I have this in mind :
vocal =
Am Freitag, den 17. April 2015 um 11:05:00 Uhr (+0200) schrieb Calixte Faure:
Hi everyone!
Traditionally, vocal scores are written without beams, except for melisma.
But modern scores tend to keep beams everywhere and put slurs to indicate
melisma.
Is it possible to have both output with
Am 17.04.2015 um 11:15 schrieb Orm Finnendahl:
Am Freitag, den 17. April 2015 um 11:05:00 Uhr (+0200) schrieb Calixte Faure:
Hi everyone!
Traditionally, vocal scores are written without beams, except for melisma.
But modern scores tend to keep beams everywhere and put slurs to indicate
Dear Davide,
Am 17.04.2015 um 09:40 schrieb Davide Liessi:
How can I achieve the desired result, i.e. a melisma with lyric extender
line followed by a note with no syllable and no extender line?
How about this:
\relative { c' d r f }
\addlyrics { a __ _ }
Cheers,
Joram
Dear Joram,
Il 17/04/15 09.52, Noeck ha scritto:
\relative { c' d r f }
\addlyrics { a __ _ }
thanks, this does what I want.
I didn't try with before posting my question, but I did try with .
Why are the following staves different?
\version 2.19.15
\relative { c' d r f }
\addlyrics
Hi.
Please consider the following example.
\version 2.19.15
\relative { c' d e f }
\addlyrics { a __ _ \skip 1 a }
\relative { c' d e f }
\addlyrics { a __ _ a a }
\relative { c' d r f }
\addlyrics { a __ _ \skip 1 }
\relative { c' d r f }
\addlyrics { a __ _ a }
I would
Hi Trevor,
No clue what's going on here...
Here's a workaround (to be addapted to your needs):
\version 2.19.17
\language english
repeatTieExtend =
#(define-music-function (parser location arg-repeat-tie-extend) (number?)
#{
-\tweak X-extent #(cons (* (+ arg-repeat-tie-extend 4) -1) 0)
Hi Calixte,
How about (after: http://lsr.di.unimi.it/LSR/Item?id=782) :
\version 2.18.2
%% \version 2.19.18
#(define ((time-parenthesized-time up down upp downp) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (up
Hi Urs,
I’m self-employed and always in need of paid projects, and I love to work with
LilyPond since more than 10 years.
But usually I do only lead sheets or songbooks - you know what I can or cannot
do, and that I can learn quickly under (your) good advise. ;)
Greetlings, Hraban
Hello Peter,
as a last resort there’s
http://lilypond.org/doc/v2.18/Documentation/notation/explicit-breaks,
but that means hard-coding, of course, which loses flexibility.
HTH, Simon
Am 17.04.2015 um 00:15 schrieb Peter Bašista:
Hi LilyPond users,
I would like to ask a question about the
Hi Tobias,
Well, difficult to say without a tiny example.
Maybe go for the v.2.19.18
Cheers,
Pierre
2015-04-14 20:14 GMT+02:00 Tobias Hagedorn tobias.haged...@gmx.net:
I need some help with „compoundMeter“
When i compile my Staff in the lilypondversion 2.19.15, then the
compoundMeter is shown
Hi Pierre,
Perfect, thanks a lot!
Cheers,
Calixte.
2015-04-17 10:36 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Calixte,
How about (after: http://lsr.di.unimi.it/LSR/Item?id=782) :
\version 2.18.2
%% \version 2.19.18
#(define ((time-parenthesized-time up down
Hi Simon,
I will definitely try that, thanks for the tip. But I agree it is more like
a hard-coding workaround than an actual solution.
Peter
On Apr 17, 2015 9:42 AM, Simon Albrecht simon.albre...@mail.de wrote:
Hello Peter,
as a last resort there’s
Hi Tobias,
do you really require the \compoundMeter or is it simply the way you
chose to define the beat structure of the measure?
How about this:
\version 2.19.15
\score {
\relative {
\time 11/16
\set Timing.beatStructure = #'(2 3 3 3)
c'16 d e c d e c d e f e
}
\layout {
Just one more of the fundamental questions I took home from the
Musikmesse ...
The question can be asked somewhat less pretentious then in this
message's subject line, but I think it actually boils down to no less
than that.
You know that I have again been at the Frankfurt Musikmesse this
Peter, you wrote Thursday, April 16, 2015 11:15 PM
I would like to ask a question about the vertical spacing in a rather
long score ...
I believe the attached sample can be typeset on 4 pages. But LilyPond
by default uses 6 pages
But ... I believe ...
LilyPond should be clever
Dear List,
Please find hereunder the snippet I'd like to upload on the LSR - with bad
workarounds!!
Two major issues:
1. 'warning: rest `rests.8' not found': LP print the grob but cannot affect
any dimension to it
2. I cannot find any working 'Flag.stencil', probably also - or part of -
because
On Apr 17, 2015, at 5:05 AM, Calixte Faure calixte.fa...@gmail.com wrote:
and a magic command (say \beamToSlur) would switch [ ] to ( ).
Hi Calixte, Here’s a music function for this. Seems to do the trick, but
untested on actual music.
HTH,
-Paul
%
\version 2.18.2
Hi.
On Fri, 17 Apr 2015 15:03:19 +0200, Urs Liska wrote:
Just one more of the fundamental questions I took home from the
Musikmesse ...
The question can be asked somewhat less pretentious then in this
message's subject line, but I think it actually boils down to no less
than that.
To whom
Hi,
2015-04-16 3:36 GMT+02:00 Trevor Bača trevorb...@gmail.com:
Hi,
Using the \shape command to length repeat ties works great between notes.
But weird behavior seems to arise with lengthened repeat ties between
chords:
### BEGIN ###
\version 2.19.17
\language english
\new Staff
Hi Calixte,
someone has made a cool snippet for that:
http://lsr.di.unimi.it/LSR/Item?id=968
He's simply re-defining the [ ] commands.
A little modification to fill your needs:
% -
[ =
- #(make-music
'SlurEvent
'span-direction
Hi Urs,
First off, thank you so much for your continuing efforts on behalf of Lilypond.
They are really important, and no doubt time- and energy-consuming for you,
with little promise of immediate benefit to you personally. The ‘Pond
appreciates you!
why should a publishing house use
Hi Calixte,
it should be possible to create an engraver that solves this. The
following things to keep in mind for that:
You can set the properties, which trigger melismas
\set melismaBusyProperties = #'(melismaBusy slurMelismaBusy
tieMelismaBusy beamMelismaBusy)
If slurMelismaBusy and
Hi Trevor,
Thank you for the suggestions! I am definitely going to try that.
Peter
On Apr 17, 2015 12:13 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Peter, you wrote Thursday, April 16, 2015 11:15 PM
I would like to ask a question about the vertical spacing in a rather
long score
Hi Urs (et al.),
In any projects not all contributors have to be proficient with all aspects,
particularly not with beautifying the final output.
Agreed.
Nevertheless people should be able to provide their input without requiring
too much hand-holding and without producing an
Thanks for the compliment Ming!
Cheers,
Pierre
2015-04-16 17:33 GMT+02:00 MING TSANG tsan...@rogers.com:
Wow, very nice and I like it. Thank you Pierre!
Immanuel,
Ming
On Thursday, April 16, 2015 2:56 AM, lilypond-user-requ...@gnu.org
lilypond-user-requ...@gnu.org wrote:
5.
Hi all,
Thanks for all this solutions!
Of course using a script with sed would do the work, but like Urs, I prefer
keeping input file unmodified.
Therefore the snippet solution of Klaus is not the best, because we can’t
use variables properly: the [ and ] redefinition has to be before any
Am 17.04.2015 um 16:10 schrieb Kieren MacMillan:
Hi Urs (et al.),
In any projects not all contributors have to be proficient with all aspects,
particularly not with beautifying the final output.
Agreed.
Yes, and that is an important point when you are promoting the feature
of clustering
Hi Tobias,
it is recommended to always reply to the list, because others might be
interested in the follow-up messages or (in this case) to let others
know that the question is answered.
Cheers,
Joram
Am 17.04.2015 um 13:03 schrieb Tobias Hagedorn:
Thank you very much! That’s what i wanted to
On Apr 17, 2015, at 12:57 PM, David Nalesnik david.nales...@gmail.com wrote:
Nice function! I think you also need to set types to reflect the change to a
slur.
Good catch! Looks like there’s also a ‘spanner-id property on slurs, so I
added that too for good measure. Also a little code
On Fri, Apr 17, 2015 at 10:51:41AM +0200, Orm Finnendahl wrote:
[...]
The only really painful part was the partcombiner which seems very
buggy, but was indispensable as I needed to save as much vertical
space as possible.
Yeah, I've run into quite a number of \partcombine myself. Most of it
Hello!
I am a Java developer and music amateur from China who is familiar with both
5-staff notation and Jianpu (aka numberic) notation used for all pitched
Chinese instruments. I have seen post discussed about displaying Jianpu
notation in Lilypond years ago, and would like to help
On Fri, Apr 17, 2015 at 10:06 AM, Calixte Faure calixte.fa...@gmail.com
wrote:
Hi all,
Thanks for all this solutions!
Of course using a script with sed would do the work, but like Urs, I
prefer keeping input file unmodified.
Therefore the snippet solution of Klaus is not the best, because
On Fri, Apr 17, 2015 at 11:44:57AM -0700, H. S. Teoh wrote:
On Fri, Apr 17, 2015 at 10:51:41AM +0200, Orm Finnendahl wrote:
[...]
The only really painful part was the partcombiner which seems very
buggy, but was indispensable as I needed to save as much vertical
space as possible.
Yeah,
note-articulation-dynamic-slur-beam-tie
note-articulation-beam-slur-dynamic-tie please
;) just kidding – but coding style has to come with coding-style discussions
___
lilypond-user mailing list
lilypond-user@gnu.org
On Thu, Apr 16, 2015 at 1:43 PM, Urs Liska u...@openlilylib.org wrote:
I'd like to know what might be the biggest score anyone has successfully
created with LilyPond.
Not exactly a single score, but I've been working on a
transcription/transposition of the Bartok violin duets for my personal
Am 17.04.2015 um 20:44 schrieb H. S. Teoh:
On Fri, Apr 17, 2015 at 10:51:41AM +0200, Orm Finnendahl wrote:
[...]
The only really painful part was the partcombiner which seems very
buggy, but was indispensable as I needed to save as much vertical
space as possible.
Yeah, I've run into quite a
Am 17.04.2015 um 21:05 schrieb Noeck:
note-articulation-dynamic-slur-beam-tie
note-articulation-beam-slur-dynamic-tie please
;) just kidding – but coding style has to come with coding-style discussions
Yes, of course.
And we decided not to be too strict about it for the project. But by
Hi David,
I've absolutely no clue what kind of music you're talking about.
I've seen than Ming (pretty active on the list) has already started some
discussion about it.
In any case I'd follow you just by curiosity!
Cheers,
Pierre
2015-04-17 8:53 GMT+02:00 Super-User david...@qq.com:
Hello!
On Fri, Apr 17, 2015 at 09:12:50PM +0200, Urs Liska wrote:
Am 17.04.2015 um 20:44 schrieb H. S. Teoh:
[...]
More annoying is the fact that \partcombine often gets confused when
the two voices have very divergent rhythms -- crescendo hairpins
don't merge, dynamics get printed twice,
I have
Phil Holmes wrote Thursday, April 16, 2015 3:43 PM
From: Trevor Daniels t.dani...@treda.co.uk
Sent: Thursday, April 16, 2015 3:28 PM
Phil Holmes wrote Thursday, April 16, 2015 2:00 PM
The performance of LilyPond 2.19.18 on Windows is _much_ better than
previous versions. Some examples:
Hello David,
On Apr 17, 2015, at 2:53 AM, Super-User david...@qq.com wrote:
Recently, I have tried to implement a small subset of Jianpu on Lilypond, in
ugly programming style, as attached in this email. I would like to hear more
from the Lilypond community about how to implement the Jianpu
Hi Andrew,
thank you for your thoughts.
Am 18. April 2015 03:56:59 MESZ, schrieb Andrew Bernard
andrew.bern...@gmail.com:
Urs,
With a distributed group project it seems to me that people must know
git in order to cooperate successfully, but I tend to find git is hard
for people to learn if
Hi Phil,
The point I am making is that you need to reboot the machine between version
runs, to equalize matters such as disk block caching. If you run 2.19.16 and
then 2.19.18 the latter may be using cached data from the former, such as
shared DLL’s already loaded and so on.
Now that you have
Urs,
With a distributed group project it seems to me that people must know git in
order to cooperate successfully, but I tend to find git is hard for people to
learn if they are not software developers and accustomed to such things. The
lack of knowledge of git caused large difficulties on a
*sigh* Most of the time, LilyPond is amazing. Other times...
I have an old document, a lead sheet, following basically the form an excerpt
[A]. This prints out as I would expect: a single staff with melody, lyrics
below and chord names above the staff.
I have a new document, following almost
Super-User david290 at qq.com writes:
I am a Java developer and music amateur from China who is familiar
with both 5-staff notation and Jianpu (aka numberic) notation used for
all pitched Chinese instruments. I have seen post discussed about
displaying Jianpu notation in Lilypond years ago,
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