On Sun, 26 Apr 2015 05:52:04 + (UTC)
Keith OHara k-ohara5...@oco.net wrote:
I wish the manual did not use the implicit \relative c'' {}
(sometimes \relative c' {} ) enclosing the examples. As soon as
the input gets complicated, \relative becomes difficult to figure out.
I've always
Michael Hendry hendry.michael at gmail.com writes:
I routinely put the bar checks at the _beginnings_ of the bars, thus...
| a4 b c d
| a8 b c d e f g a
| a16 b c d e f g a b c d e f g a b
That works very nicely.
When I had a measure that took more than one line of
On Sun, 26 Apr 2015 07:16:42 -0700
H. S. Teoh hst...@quickfur.ath.cx wrote:
Am I the only one who puts bar checks at *both* the beginning and end of
a bar?
| a4 b c d |
| e f g a |
I do this very often, in particular with chords.
Now I happen to have a nice tool that can
On 26 Apr 2015, at 15:16, H. S. Teoh hst...@quickfur.ath.cx wrote:
On Sun, Apr 26, 2015 at 06:15:13AM +, Keith OHara wrote:
Michael Hendry hendry.michael at gmail.com writes:
I routinely put the bar checks at the _beginnings_ of the bars,
thus...
| a4 b c d
| a8 b c d e f
Hi Paul,
I don't know if that's in any way related to our talk yesterday or if it
has exclusively been triggered by Carl starting it. But this is very
much a skeleton of what I was talking about!
It would be absolutely great if you could pour that into a tutorial on
the basics of writing
Hi, Paul!
I agree better merge after your refactoring to new approach.
Looking forward to see your new version.
David Zhang
-- 原始邮件 --
发件人: Paul Morrisp...@paulwmorris.com;
发送时间: 2015年4月26日(星期天) 晚上11:38
收件人: Super-Userdavid...@qq.com; Urs
2 questions
1. if i draw a line how can i make it so it always moves to the upper/lower
portion onto a specific part of the staff regardless of were it starts c or
c' or c'' etc
2. i modified HorizontalBracket and bendafter so how do I make that
line/curve follow the distance of the
Hi David and Ming,
On Apr 25, 2015, at 10:51 PM, Super-User david...@qq.com wrote:
May I suggest having this project hosted on Github also?
The facilities on Github enables better managements of issues, goal, test
cases, and of course, the codebase itself, especially code merges.
In
Simon,
Actually Lilypond does check the bar checks and notifies if an incorrect
number of beats (as stated in the \time) are in a measure.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Simon
On 2015-04-26 15:13, Simon Albrecht wrote:
If this is so easy for frescobaldi to have this converter
relative2absolute, and so usefull to have input files in absolute, why
not implant
(implement)
a commandline option to lily that would convert the
relative blocks founds to absolute?
Hi,
Am I the only one who puts bar checks at *both* the beginning and end of a
bar?
| a4 b c d |
| e f g a |
You’re the only one I’ve ever heard of doing so. =)
Exactly ½ of your bar checks are redundant, of course.
Cheers,
Kieren.
Kieren
Johan, What is this tool for chord charts?I'm working on this kind of thing, haven't found a good way to do this.Sent from XFINITY Connect Mobile App-- Original Message --From: Johan VromansTo: lilypond-user@gnu.orgSent: April 26, 2015 at 11:49 AMSubject: Re: Do we really offer the
Am 26.04.2015 um 18:10 schrieb Michael Hendry:
On 26 Apr 2015, at 15:16, H. S. Teoh hst...@quickfur.ath.cx
mailto:hst...@quickfur.ath.cx wrote:
On Sun, Apr 26, 2015 at 06:15:13AM +, Keith OHara wrote:
Michael Hendry hendry.michael at gmail.com http://gmail.com
writes:
I routinely put
On Sun, Apr 26, 2015 at 10:23:26AM -0400, Kieren MacMillan wrote:
Hi,
Am I the only one who puts bar checks at *both* the beginning and end of a
bar?
| a4 b c d |
| e f g a |
You’re the only one I’ve ever heard of doing so. =)
Exactly ½ of your bar checks are
Thanks Carl, Johannes, and David for working on this overview.
On Apr 23, 2015, at 4:25 AM, Johannes Rohrer s...@johannesrohrer.de wrote:
Translators selectively (based on assigned Event Classes) accept
Events from the stream that were sorted into their context and process
them. Typically,
Il 26/04/15 09.58, Johan Vromans ha scritto:
I've always considered \relative as an operation that should be
applied as
close to the actual notes as possible. This gives the least suprises, if
any.
\relative c'' {
\new PianoStaff
\new Staff { \time 2/4 c4 e | g g, | }
On Sun, Apr 26, 2015 at 06:15:13AM +, Keith OHara wrote:
Michael Hendry hendry.michael at gmail.com writes:
I routinely put the bar checks at the _beginnings_ of the bars,
thus...
| a4 b c d
| a8 b c d e f g a
| a16 b c d e f g a b c d e f g a b
That works
That’s really insightful. Thank you!
Regards, Simon
Am 26.04.2015 um 17:16 schrieb Paul Morris:
Thanks Carl, Johannes, and David for working on this overview.
On Apr 23, 2015, at 4:25 AM, Johannes Rohrer s...@johannesrohrer.de wrote:
Translators selectively (based on assigned Event Classes)
On Sun, 26 Apr 2015 16:09:11 + (UTC)
dl.mcnam...@comcast.net wrote:
Johan,
What is this tool for chord charts?
I'm working on this kind of thing, haven't found a good way to do this.
http://johan.vromans.org/software/sw_playtab.html
Please note that the information on the site is
Hi all,
Why would you want to check each bar twice?
These bar checks are mostly for humans to ease reading of the code, not for
machine interpreting.
Does it double the time required?
And if so, what total amount of processing time is actually added (say, per 100
bar checks)?
Cheers,
On Sun, 26 Apr 2015 09:58:33 +0200, Johan Vromans wrote:
On Sun, 26 Apr 2015 05:52:04 + (UTC)
Keith OHara k-ohara5...@oco.net wrote:
I wish the manual did not use the implicit \relative c'' {}
(sometimes \relative c' {} ) enclosing the examples. As soon as
the input gets complicated,
Am 26.04.2015 um 14:37 schrieb Ali Cuota:
Hello,
If this is so easy for frescobaldi to have this converter
relative2absolute, and so usefull to have input files in absolute, why
not implant
(implement)
a commandline option to lily that would convert the
relative blocks founds to absolute?
Hello,
If this is so easy for frescobaldi to have this converter
relative2absolute, and so usefull to have input files in absolute, why
not implant a commandline option to lily that would convert the
relatibe blocks founds to absolute?
Francois
2015-04-26 5:12 GMT-05:00, Gilles
Dear Johan,
Il 26/04/15 09.58, Johan Vromans ha scritto:
I've always considered \relative as an operation that should be applied as
close to the actual notes as possible. This gives the least suprises, if
any.
\relative c'' {
\new PianoStaff
\new Staff { \time 2/4 c4 e | g g, |
Am 26.04.2015 um 03:44 schrieb Cynthia Karl:
Message: 2
Date: Sun, 26 Apr 2015 10:09:13 +1000
From: Andrew Bernard andrew.bern...@gmail.com
To: lilypond-user@gnu.org
Subject: Re: odd behavior with acciaccatura in 1st position
Message-ID: etPan.553c2ca9.6b8b4567.185c@darkenergy.local
Paul,
Thank you very much.
Immanuel,Ming.
On Saturday, April 25, 2015 6:18 PM, Paul Morris p...@paulwmorris.com
wrote:
Hello,
On Apr 24, 2015, at 12:43 AM, Paul Morris p...@paulwmorris.com wrote:
I just spotted \time 3/4 or 4/4, jianpu display 6 - . , I think it should
be 6 -
David,
I agree as suggested even though I am not a developer. I need to learn github
-- is it hard to learn?
Paul's jianpu6b.ly does not contain David's jianpu6.ly and I have no knowledge
to merge both into one.
Thank you.
Immanuel,Ming.
On Saturday, April 25, 2015 10:51 PM, Super-User
it looks like you shortened \transpose not \relative but i like it I may
use it thanks
Stephen
octave =
#(define-music-function
(parser location octaves music)
(integer? ly:music?)
(_i Raise or lower @var{music} by a nubmer of @var{octaves}.)
(make-music 'TransposedMusic
'element
Hi Wol,
Basically, what I want is \StaffOff ...text... \StaffOn. So, thinking
treble clef, the text would be centred on the b line. Markup, however,
seems to want to be above or below the staff, and that's it. How do I force
it IN the staff, or am I using the wrong technique
Hi Wol,
Thanks. It's all coming together.
“Teach a man to fish…” =)
Looks like I'll have to use this piece as the basis for a little tutorial or
something :-)
I’d be happy to help you with that.
But I warn you: if I *am* involved in turning this into an “official” tutorial,
the structure
Simple problem, I can't find the solution ... :-)
Basically, what I want is \StaffOff ...text... \StaffOn. So,
thinking treble clef, the text would be centred on the b line. Markup,
however, seems to want to be above or below the staff, and that's it.
How do I force it IN the staff, or am
Am 26.04.2015 um 23:53 schrieb Michael Hendry:
On 26 Apr 2015, at 15:36, H. S. Teoh hst...@quickfur.ath.cx
mailto:hst...@quickfur.ath.cx wrote:
On Sun, Apr 26, 2015 at 10:23:26AM -0400, Kieren MacMillan wrote:
Hi,
Am I the only one who puts bar checks at *both* the beginning and
end of a
Am 27.04.2015 um 01:12 schrieb Simon Albrecht:
Am 26.04.2015 um 23:53 schrieb Michael Hendry:
On 26 Apr 2015, at 15:36, H. S. Teoh hst...@quickfur.ath.cx
mailto:hst...@quickfur.ath.cx wrote:
On Sun, Apr 26, 2015 at 10:23:26AM -0400, Kieren MacMillan wrote:
Hi,
Am I the only one who puts
Hi Wol,
i think turning off outside-staff-priority only affects outside the staff
and will not bring it in the staff.
use..
\relative c'' {
% first number is right left second is up down
\override TextScript.extra-offset = #'(0 . -4)
c d c d c1^hello r2 c2
}
HTH
stephen
2015-04-27 0:14 GMT+02:00 Anthonys Lists antli...@youngman.org.uk:
Simple problem, I can't find the solution ... :-)
Basically, what I want is \StaffOff ...text... \StaffOn. So, thinking
treble clef, the text would be centred on the b line. Markup, however,
seems to want to be above or
On Sun, Apr 26, 2015 at 12:47:02PM -0400, Kieren MacMillan wrote:
Hi all,
Why would you want to check each bar twice?
These bar checks are mostly for humans to ease reading of the code,
not for machine interpreting.
Does it double the time required?
And if so, what total amount of
On 26/04/2015 22:02, Anthonys Lists wrote:
And, I'm not quite sure of what it was before, but having changed
Take 2nd to D.S. to a rehearsal mark as you suggest, what do I get?
STAIRCASING MARKUP AGAIN as it collides with the volta spanner! The
text is supposed to be to the left of the
On 25/04/2015 00:35, Thomas Morley wrote:
Oh - and how do I get Score.VoltaBracket.shorten-pair to affect only the
*second* bracket? Do I stick it between the two alternatives? I know when I
tried something like that last time, it wouldn't even compile ...
\alternative {
{ R2*2 }
{ \once
On 26 Apr 2015, at 15:36, H. S. Teoh hst...@quickfur.ath.cx wrote:
On Sun, Apr 26, 2015 at 10:23:26AM -0400, Kieren MacMillan wrote:
Hi,
Am I the only one who puts bar checks at *both* the beginning and end of a
bar?
| a4 b c d |
| e f g a |
You’re the only one I’ve ever
On 25/04/2015 01:28, Kieren MacMillan wrote:
Hi Wol,
Hi Kieren, Thomas
So I'm now having another go, and it's just blown up again !!! :-(
It seems to me that there is too much addressing one issue, when my big
problem is conflicting solutions! In other words, the solution to one problem
On 26/04/2015 22:02, Anthonys Lists wrote:
As you suggested, I changed Allegretto con moto to a metronome mark
(that's \tempo, right?) Instant result? STAIRCASING MARKUP AGAIN :-(
wtf do I adjust now? The documentation is great at telling you HOW to
change things, but not WHAT to change. I
On Sun, Apr 26, 2015 at 12:45 PM, Noeck noeck.marb...@gmx.de wrote:
Hi,
can I change the height of a start bar brace, like in
\version 2.19.16
\new PianoStaff
\new Staff { R1 }
\new Staff { R1 }
I would like to reduce the vertical size a little bit.
For some reason this
Anthony, you wrote Sunday, April 26, 2015 10:14 PM
FOUND IT. I found the magic incantation for Google, which led me to the
internals reference. Which is on the documentation page ...
Sound like you haven't read Chapter 4 in the Learning Manual, which explains
what the Internals Reference is
Hi Mark,
Actually Lilypond does check the bar checks and notifies if an incorrect
number of beats (as stated in the \time) are in a measure.
I believe Simon knows that, and that he’s simply pointing out that the “extra”
(i.e., second and redundant) bar check in the OP’s code is only needed
Hello all,
In the snippet http://lsr.di.unimi.it/LSR/Snippet?id=383, the instrument
names are centered [beautifully!] based on the total indent value.
How would one make the instruments be centered in a block only the width of the
longest instrument name (plus maybe a little padding), with the
On 26/04/2015 17:08, Urs Liska wrote:
Hi Paul,
I don't know if that's in any way related to our talk yesterday or if
it has exclusively been triggered by Carl starting it. But this is
very much a skeleton of what I was talking about!
It would be absolutely great if you could pour that into a
On Sun, Apr 26, 2015 at 11:08 AM, Urs Liska u...@openlilylib.org wrote:
Am 26.04.2015 um 17:16 schrieb Paul Morris:
but engravers can have both listeners and acknowledgers, and more than
one of each.
You can also use an end-acknowledger to catch the end of a spanner.
It’s probably
Hi,
can I change the height of a start bar brace, like in
\version 2.19.16
\new PianoStaff
\new Staff { R1 }
\new Staff { R1 }
I would like to reduce the vertical size a little bit.
Cheers,
Joram
___
lilypond-user mailing list
Message: 3
Date: Sun, 26 Apr 2015 23:14:32 +0100
From: Anthonys Lists antli...@youngman.org.uk
To: lilypond user list lilypond-user@gnu.org
Subject: Putting text IN the staff
Message-ID: 553d634...@youngman.org.uk
Content-Type: text/plain; charset=utf-8; format=flowed
Simple problem, I
Hi Carl,
In what way are measures missing? Half the world calls them ‘bars’ by the way -
that’s what they are under in the index. Are you simply referring to
terminology in the documentation?
Andrew
On 27 April 2015 at 14:17:26, Carl Sorensen (c_soren...@byu.edu) wrote:
Hi all,
I'm
Hi all,
I'm still trying to get a list of musical concepts that you commonly use
to talk about music that are either missing or hard to find in LilyPond.
So far we have a set of two:
Instruments
Measures
Are there any others that you can think of?
Thanks,
Carl
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