Re: Guitar Tab Quarter Tone Bends

Am 02.05.2015 um 08:39 schrieb Stephen MacNeil: I don't use tab but a friend asked how he could do it. So I came up with this. It allows you to at least print 1/4 3/4 tone bends. Anyway it's just a band aid to the problem. But hey it works. I just did a test nothing more. No real stuff... never

Guitar Tab Quarter Tone Bends

I don't use tab but a friend asked how he could do it. So I came up with this. It allows you to at least print 1/4 3/4 tone bends. Anyway it's just a band aid to the problem. But hey it works. I just did a test nothing more. No real stuff... never will I don't use tab. if you want the file i wrote

Re: Overlapping chords

D'Arcy J.M. Cain druid.net> writes: > GNU LilyPond 2.16.2 > Linux imp 3.13.0-51-generic #84-Ubuntu SMP > Ubuntu 14.04.2 LTS > > > > ef2.:maj13 c4:9.5- > > Not sure how to make it any tinier. Did you mean that you needed more > context? > 'tiny example' is jargon for a complete example that d

回复： Jianpu Notation

Hi,Paul! Here's a test script, with all transpose using \major. But somehow, the key signture displays other than "1=". David Zhang accidental_test.ly Description: Binary data accidental_test.pdf Description: Binary data ___ lilypond-user mailing l

Re: Color tweaks (edition engraver)

Hi Jim, On Mon, Apr 27, 2015 at 3:55 PM, Jim Long wrote: > On Mon, Apr 27, 2015 at 04:44:52PM +0200, Urs Liska wrote: > > > > What we have in Frescobaldi depends on what we can "catch" by either > > listening through engravers or by redefining command. So far I haven't > > found a notion of a gr

Re: Color tweaks (edition engraver)

On Fri, May 1, 2015 at 6:21 PM, David Nalesnik wrote: > Hi Kieren, > > > I suppose the way to get at context modifications is through > \applyContext. > > Nope. Well, there's \applyOutput, which works a single time-step at a time. Since all modifications are tracked by the edition-engraver, I d

Re: Color tweaks (edition engraver)

Hi Kieren, On Fri, May 1, 2015 at 6:02 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi David, > > > Would you mind trying an extremely small score with the > edition-engraver, something like (however you would set it up) > > > > \displayMusic > > { > > \override NoteHead.font-

Re: Color tweaks (edition engraver)

Hi David, > Would you mind trying an extremely small score with the edition-engraver, > something like (however you would set it up) > > \displayMusic > { > \override NoteHead.font-size = 2 > c’’ > } I used \version "2.19" \include "openlilylib-master/editorial-tools/edition-engraver/defin

Re: Color tweaks (edition engraver)

2015-05-01 23:54 GMT+02:00 David Nalesnik : > It's Friday... TGIF ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Color tweaks (edition engraver)

On Fri, May 1, 2015 at 3:49 PM, David Nalesnik wrote: > Hi Kieren and all, > > On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan < > kieren_macmil...@sympatico.ca> wrote: > >> Hi David, >> >> This looks pretty amazing so far — thanks for the great work! >> >> When I try to apply it to a score with

Re: Jianpu Notation

Paul,  Thank you for the update.  It works wonders. I like it very much.  I can live with midi generated separately and put in lots of \skip1 in lyrics.  I will ask \tag and lyrics question as a separate thread in the lists. One question:  Is this stable enough to merge with jianpu6.ly from David

Re:Suggest a condensed old style or transitional font for lyrics?

> ;-) You are right. I also continually forget to check the List in addition to personal replies. I did not intend to not respond to your response. :\ > Hey, from the blog post this looks like a nice font for lyrics. (I think Joshua didn't want to say that he doesn't _like_ the looks of Minion bu

Re: Color tweaks (edition engraver)

On Fri, May 1, 2015 at 3:49 PM, David Nalesnik wrote: > > > In other news: > > **Attached please find a version that handles tweaks and overrides. It > will also deal with \temporary, too.** > Drat...wrong file! > \version "2.19" override-color = #red tweak-color = #blue %tweak-color = #ove

Re: Color tweaks (edition engraver)

Hi Kieren and all, On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi David, > > This looks pretty amazing so far — thanks for the great work! > > When I try to apply it to a score with edition-engraver tweaks, it doesn’t > seem to colour anything tweake

Re: Color tweaks (edition engraver)

Hi David, This looks pretty amazing so far — thanks for the great work! When I try to apply it to a score with edition-engraver tweaks, it doesn’t seem to colour anything tweaked using the EE. It does seem to colour things tweaked otherwise (e.g., in the “content”). Maybe I’m doing something wr

Re: Jianpu Notation

Hi all, Attached is version 10 that fixes: 1. beam appearance (using a new stencil-flip function) 2. duration-only note entry (c'8 8 8 8) 3. key signatures appearing at the beginning of every line The key signature fix was a standard LilyPond override, so adjust as needed: http://lilypond.org/do

Re: Fedora 22

Could you post the verbose output, please? You talk about 2.19.20: is this self-compiled? -- Phil Holmes - Original Message - From: N. Andrew Walsh To: Jon Ciesla Cc: Phil Holmes ; lilypond-user mailinglist Sent: Friday, May 01, 2015 5:33 PM Subject: Re: Fedora 22 ex

Re: Suggest a condensed old style or transitional font for lyrics?

On Thu, Apr 30, 2015 at 1:08 PM, Urs Liska [via Lilypond] < ml-node+s1069038n175734...@n5.nabble.com> wrote: > > Am 30.04.2015 um 17:51 schrieb Abraham Lee: > > Old Standard TT is > nice and has most of the expected variants (roman, italic, bold,

Re: Color tweaks (edition engraver)

On Fri, May 1, 2015 at 11:15 AM, David Nalesnik wrote: > > > On Fri, May 1, 2015 at 10:56 AM, David Nalesnik > wrote: >> >> >> The code below will work much better. >> >> > Drat. Somehow we need to get the context name into the override. > Otherwise > > > \override Staff.Clef.extra-offset

Re: my favorite bug :-)

On Fri, 1 May 2015, N. Andrew Walsh wrote: Is this a similar bug to that I posted to the bug-list already? Namely, that ghostscript fails entirely (and thus lilypond fails to compile entirely) on recent versions of lilypond? As I said there, I'm using gs 3.19, on a self-compiled version of l

Re: my favorite bug :-)

see my other post in the thread about Fedora: that bug is apparently related to a problem with recent fontconfig (which had wide-ranging consequences and breakages on my gentoo system). Cheers, A On Fri, May 1, 2015 at 7:08 PM, Martin Tarenskeen wrote: > > > On Fri, 1 May 2015, N. Andrew Walsh

Re: Fedora 22

yes, this is complied from the "lilypond-" gentoo package, which just pulls from git or whatever. but OH DIP, I just dealt with another seemingly unrelated issue, and it also fixed this one. On my system, there is a problem with the latest version of fontconfig (for me, 2.11.93), and this erro

Re: Fedora 22

except, as I've said, I'm running lilypond 2.19.20 on a gentoo system with ghostscript 9.15, and I have this same problem. So this isn't limited to the versions/distros listed here. Cheers, A On Fri, May 1, 2015 at 5:27 PM, Jon Ciesla wrote: > Hi, Fedora Lilypond maintainer. It's broken on 2.

Re: Suggest a condensed old style or transitional font for lyrics?

I use ITC Century Condensed for lyrics, which looks nice next to titles etc in the default New Century Schoolbook. Not at all Minion-y, and not free, but maybe still useful. On Thu, Apr 30, 2015 at 7:02 PM, Simon Albrecht wrote: > Am 30.04.2015 um 20:57 schrieb Urs Liska: > > > > Am 30.04.2015

Re: Color tweaks (edition engraver)

On Fri, May 1, 2015 at 10:56 AM, David Nalesnik wrote: > > > The code below will work much better. > > Drat. Somehow we need to get the context name into the override. Otherwise \override Staff.Clef.extra-offset = #'(0 . 5) \clef alto will lose its extra-offset and not be marked i

Re: Suggest a condensed old style or transitional font for lyrics?

Here's Crimson Lyrics for anyone interested. I feel silly licensing it when all I did was open it and transform the glyphs, but here it is anyway. crimson-lyrics.zip -- View this message in context: http://lilypond.10690

Re: Color tweaks (edition engraver)

Hi, On Tue, Apr 28, 2015 at 10:29 AM, David Nalesnik wrote: > > > On Mon, Apr 27, 2015 at 6:13 PM, David Nalesnik > wrote: > >> Hi Joram, >> >> On Mon, Apr 27, 2015 at 5:30 PM, Noeck wrote: >> > > >> >> > >>> > There is something which has to be fixed, though. All clefs get >>> colored, >>> >

Re: Fedora 22

Hi, Fedora Lilypond maintainer. It's broken on 2.19.19, with Ghostscript 9.16 which is in f22. 9.15 works. There's a bug open agains ghostscript in Fedora. On Fri, May 1, 2015 at 8:34 AM, Phil Holmes wrote: > I understand that we now deliver LilyPond with Ghostscript 9.15, and my > windows i

Re: Overlapping chords

- Original Message - From: "D'Arcy J.M. Cain" To: "Phil Holmes" Cc: Sent: Friday, May 01, 2015 2:49 PM Subject: Re: Overlapping chords On Fri, 1 May 2015 14:35:35 +0100 "Phil Holmes" wrote: Version? Operating system? Tiny example? GNU LilyPond 2.16.2 Linux imp 3.13.0-51-generi

Re: Creating LilyPond Object Models

> On Apr 26, 2015, at 11:16 AM, Paul Morris wrote: > > In short, “listeners” respond to particular stream events: > http://lilypond.org/doc/v2.18/Documentation/internals/music-classes > while “acknowledgers” respond to particular grobs that have been “announced” > by other engravers (that create

Re: my favorite bug :-)

> However, I think that the "intermediate" file should be temporary by > mkstemp etc. If lilypond uses mkstemp generated temporary file, > this ghostscript problem will not occur. +1 Werner ___ lilypond-user mailing list lilypond-user@gnu.org ht

Re: Overlapping chords

2015-05-01 14:56 GMT+02:00 D'Arcy J.M. Cain : > I wonder if someone has a suggestion to fix this. I have a sequence in > my .ly like this: > > ef2.:maj13 c4:9.5- > > Which creates the attached output. First of all, I am not 100% sure > that the Eb chord is rendered correctly. Why can't it just r

Re: my favorite bug :-)

>> The bug would be fixed if lilypond would make ghostscript use a >> complete path to the intermediate lines.ps file for the ps to pdf >> conversion. > > Does anyone know how to convert from any path (relative and absolute path) > to absolute path in scheme (guile) ? When the following command i

Re: my favorite bug :-)

> The bug would be fixed if lilypond would make ghostscript use a > complete path to the intermediate lines.ps file for the ps to pdf > conversion. Does anyone know how to convert from any path (relative and absolute path) to absolute path in scheme (guile) ? _

Re: Overlapping chords

On Fri, 1 May 2015 14:35:35 +0100 "Phil Holmes" wrote: > Version? Operating system? Tiny example? GNU LilyPond 2.16.2 Linux imp 3.13.0-51-generic #84-Ubuntu SMP Ubuntu 14.04.2 LTS > > ef2.:maj13 c4:9.5- Not sure how to make it any tinier. Did you mean that you needed more context? bf2:min1

Re: my favorite bug :-)

On Fri, 1 May 2015 15:20:19 +0200 "N. Andrew Walsh" wrote: > Is this a similar bug to that I posted to the bug-list already? Namely, > that ghostscript fails entirely (and thus lilypond fails to compile > entirely) on recent versions of lilypond? As I said there, I'm using gs > 3.19, on a self-co

Re: Overlapping chords

Version? Operating system? Tiny example? -- Phil Holmes - Original Message - From: "D'Arcy J.M. Cain" To: Sent: Friday, May 01, 2015 1:56 PM Subject: Overlapping chords I wonder if someone has a suggestion to fix this. I have a sequence in my .ly like this: ef2.:maj13 c4:9.5-

Re: Fedora 22

I understand that we now deliver LilyPond with Ghostscript 9.15, and my windows installation shows 9.15 when I run it. Your version shows 9.16, which may be the problem. Do you know where this is being picked up from? -- Phil Holmes - Original Message - From: Scott Miller To:

Re: my favorite bug :-)

Is this a similar bug to that I posted to the bug-list already? Namely, that ghostscript fails entirely (and thus lilypond fails to compile entirely) on recent versions of lilypond? As I said there, I'm using gs 3.19, on a self-compiled version of lilypond-3.19.20. I cannot compile even a simple fo

Re: Overlapping chords

Hi D’Arcy, > Why can't it just render as "EbMaj13”? See . > In any case, the overlap is a big problem. Is there any way to force more > space there? I believe \override ChordName.extra-spacin

Overlapping chords

I wonder if someone has a suggestion to fix this. I have a sequence in my .ly like this: ef2.:maj13 c4:9.5- Which creates the attached output. First of all, I am not 100% sure that the Eb chord is rendered correctly. Why can't it just render as "EbMaj13"? In any case, the overlap is a big pro

Re: Accessing context properties (e.g. the current key) from a music function?

On Fri, May 1, 2015 at 7:48 AM, David Nalesnik wrote: test = > #(define-music-function (parser location music) (ly:music?) >(let ((k "ERROR")) > #{ > >\applyContext > >#(lambda (context) > > (set! k (ly:context-property context 'tonic)) > > (display k

Re: Accessing context properties (e.g. the current key) from a music function?

Hi Leah, On Thu, Apr 30, 2015 at 7:28 PM, Leah Velleman wrote: > To do something like you want, you really would need access to context >> properties >> > > Ok — good to know I haven't missed some simple solution. > > It seems like there ought to be some way of smuggling information out of >

Re: my favorite bug :-)

On Fri, 1 May 2015 08:28:17 -0400 "D'Arcy J.M. Cain" wrote: > > If the intermediate file would be given a unique, not already > > existing, temporary filename, not only this issue would be solved but > > Solved for some, problem for others. I don't want to have to guess > what my final manusc

Re: my favorite bug :-)

>> In this case, as an intermediate file "example.ps" is used. This is >> a problem if a file named "example.ps" already exists in my working >> directory. This file is brutally overwritten and deleted when I >> run lilypond without any warning or option to cancel, nor is a >> backup copy of the

Re: Fedora 22

Another confirmed, Fedora 22. The Fedora repo supplied lilypond 2.19.18 fails to compile anything. Here is a log: http://fpaste.org/217530/ ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: my favorite bug :-)

On 01.05.2015 (14:16), Werner LEMBERG wrote: > For the curious people, here's `lines.pdf' if ghostscript erronously > processes its own `lines.ps' demo file. Pretty! Have you tried to play it? e -- To be a kind of moral Unix, he touched the hem of Nature's shift. -- Shelley ___

Re: my favorite bug :-)

On Fri, 1 May 2015 12:48:52 +0200 (CEST) Martin Tarenskeen wrote: > In this case, as an intermediate file "example.ps" is used. This is a > problem if a file named "example.ps" already exists in my working > directory. This file is brutally overwritten and deleted when I run > lilypond without

Re: my favorite bug :-)

>> Nice! I wasn't aware that lilypond can put *that* much information >> into four note symbols :-) > > I’m feeling left out here, on my Mac! > > All I get is the first four notes of a C major scale!! For the curious people, here's `lines.pdf' if ghostscript erronously processes its own `lines.ps

Re: my favorite bug :-)

> If the intermediate file would be given a unique, not already > existing, temporary filename, not only this issue would be solved > but also the original "lines.ly -> lines.ps -> lines.pdf" issue that > started this thread would not be a problem anymore. > > I'm not a (LilyPond) developer but d

Re: my favorite bug :-)

> Lily should do PDF. Period. Right. However, noone is going to implement this right now, so we have to follow the second-best route, this is, making the creation of the intermediate PS file work correctly. Werner ___ lilypond-user mailing list

Re: my favorite bug :-)

On Fri, 1 May 2015 11:36:23 +0200 Pierre Perol-Schneider wrote: > So am I : four notes on Ubuntu 14 and W7 It depends on whether your GhostScript looks in the current directory first. Lily should do PDF. Period. -- Johan ___ lilypond-user mailing l

Re: my favorite bug :-)

On Fri, 1 May 2015 09:47:25 +0200 (CEST) Martin Tarenskeen wrote: > Did you know it is not possible/allowed to name a lilypond file > "align.ly" or "lines.ly"? Yes. It is one of the reasons I keep saying that LilyPond should eliminate PostScript (and hence GhostScript) and generate PDF directly

Re: my favorite bug :-)

On Fri, 1 May 2015, Martin Tarenskeen wrote: The bug would be fixed if lilypond would make ghostscript use a complete path to the intermediate lines.ps file for the ps to pdf conversion. The issue has brought me to another problem: LilyPond by default takes *.ly file as input and produces a

Re: my favorite bug :-)

for example create a file "lines.ly" with a minimal content \version "2.19.19" {c' d' e' f'} and compile ... I'm trying to narrow down the issue It seems that on some systems (like mine). # gs lines.ps is expanded to something like # gs /usr/share/ghostscript/9.15/lines.ps but # gs /c

Re: my favorite bug :-)

Hi All, 2015-05-01 10:41 GMT+02:00 Martin Tarenskeen : > > > On Fri, 1 May 2015, Michael Hendry wrote: > > On 1 May 2015, at 08:54, Werner LEMBERG wrote: >> >>> >>> >>> for example create a file "lines.ly" with a minimal content \version "2.19.19" {c' d' e' f'} and com

Re: my favorite bug :-)

> On 1 May 2015, at 09:41, Martin Tarenskeen wrote: > > > > On Fri, 1 May 2015, Michael Hendry wrote: > >> On 1 May 2015, at 08:54, Werner LEMBERG wrote: >>> >>> for example create a file "lines.ly" with a minimal content \version "2.19.19" {c' d' e' f'} and

Re: my favorite bug :-)

On Fri, 1 May 2015, Michael Hendry wrote: On 1 May 2015, at 08:54, Werner LEMBERG wrote: for example create a file "lines.ly" with a minimal content \version "2.19.19" {c' d' e' f'} and compile ... Nice! I wasn't aware that lilypond can put *that* much information into four note symb

Re: my favorite bug :-)

On 1 May 2015, at 08:54, Werner LEMBERG wrote: > > >> for example create a file "lines.ly" with a minimal content >> >> \version "2.19.19" >> {c' d' e' f'} >> >> and compile ... > > Nice! I wasn't aware that lilypond can put *that* much information > into four note symbols :-) > > Please su

Re: my favorite bug :-)

> for example create a file "lines.ly" with a minimal content > > \version "2.19.19" > {c' d' e' f'} > > and compile ... Nice! I wasn't aware that lilypond can put *that* much information into four note symbols :-) Please submit a bug report. Werner

my favorite bug :-)

This issue has been reported in the mailing list some time ago - I think it was David Kastrup who discovered it - but I can't find it anywhere in the buglist or in the docs. Did you know it is not possible/allowed to name a lilypond file "align.ly" or "lines.ly"? On my Fedora system I can fi

Re: Jianpu Notation

> "Negative values will flip or mirror the stencil without changing > its origin; this may result in collisions unless the scaled stencil > is realigned" > > I’ll have to give this a try. > > Would it be worth defining “flip” functions that call > ly:stencil-scale with negative, non-scaling, n

Re: Unequal spacing when changing staff

... and again with the attachments: Am 01.05.2015 um 09:04 schrieb Urs Liska: > Could you post an image of how it looks with your LilyPond version so we > know that we are talking about the same stuff? > Attached is the output of 2.19.20, and I must say I don't have any > objections against the s

Re: Unequal spacing when changing staff

Am 01.05.2015 um 09:04 schrieb Urs Liska: > Could you post an image of how it looks with your LilyPond version so we > know that we are talking about the same stuff? > Attached is the output of 2.19.20, and I must say I don't have any > objections against the spacing. My output (2.19.16) looks ex

Re: Unequal spacing when changing staff

Could you post an image of how it looks with your LilyPond version so we know that we are talking about the same stuff? Attached is the output of 2.19.20, and I must say I don't have any objections against the spacing. Urs Am 01.05.2015 um 08:54 schrieb Noeck: Hi, the following example show

Unequal spacing when changing staff

Hi, the following example shows two measures: In the first one 16 16th notes are spaced equally on the same staff (this looks good). In the second measure, the voice changes the staff frequently. Each group of four notes has still an equal horizontal spacing. But between each of the beamed groups,