"David B. Stocker" writes:
> Question:
>
> Using the q shorthand for chords doesn't result in exact duplicates
> with regard to fret positions.
>
> In my minimal example, pasted below, I would intend for repeated
> chords to have the same fret position as the initial iteration. I
> would think th
On Wed, Jun 17, 2015 at 08:33:26PM -0500, Daniel Contreras wrote:
> A common practice in arranging for salsa or Latin music I am
> finding out is that when one is dealing with a d.s. al coda and
> things of that nature, it may require for the staff to stop at the
> double bar line, notate the ds an
Hello ponders,
Just wanted to thank you guys first of all for all your help with my questions.
What I am trying to accomplish this time is the following.
A common practice in arranging for salsa or Latin music I am finding out is
that when one is dealing with a d.s. al coda and things of that na
Question:
Using the q shorthand for chords doesn't result in exact duplicates with
regard to fret positions.
In my minimal example, pasted below, I would intend for repeated chords
to have the same fret position as the initial iteration. I would think
this would be the desired behavior to sa
Hello all,
In the following [minimal] snippet,
\version "2.19"
global = {
\time 4/4
s1
\repeat volta 1 { s1 }
}
\score {
<<
\new RhythmicStaff << \global { a1 a } >>
\new Staff << \global { c''1 c'' } >>
>>
}
I would like to have the RhythmicStaff *not* have repeat barlines,
Hi David, everybody,
> Rather, you need to put your code into an engraver. You then "consist"
> the engraver to a context. You can't get at it within your function.
OK. I need to define an engraver, that's a statement I can live with.
However, is there any documentation or definition of the ma
"Phil Burfitt" writes:
> From: "David Kastrup"
> Subject: Re: Grace notes causing inverted stems in \tabFullNotation
>
>>
>>
>>That's a rather long-standing problem, namely issue 630
>>https://code.google.com/p/lilypond/issues/detail?id=630> reported
>>more than 7 years ago but likely present fo
From: "David Kastrup"
Subject: Re: Grace notes causing inverted stems in \tabFullNotation
That's a rather long-standing problem, namely issue 630
https://code.google.com/p/lilypond/issues/detail?id=630> reported
more than 7 years ago but likely present for more than 10 years (See
http://lilyp
"Phil Burfitt" writes:
> Tiny example...
>
>
> \version "2.18.2"
>
> treble = \relative c' {
> \voiceOne
> \grace g8 g4 g g
> }
>
> bass = \relative c {
> \voiceTwo
> \grace s8 c4 c c
> }
> \score {
> \new TabStaff { \key c \major
>\time 3/4
>\tabFullNotation
><<
> \new T
Tiny example...
\version "2.18.2"
treble = \relative c' {
\voiceOne
\grace g8 g4 g g
}
bass = \relative c {
\voiceTwo
\grace s8 c4 c c
}
\score {
\new TabStaff {
\key c \major
\time 3/4
\tabFullNotation
<<
\new TabVoice { \treble }
\new TabVoice { \bass }
>
One more thing...
This one, however, requires a translator object as input. In
>> the documentation, I haven't found a proper explanation what exactly
>> constitutes a translator object.
>>
>>
A translator is either an engraver or a performer (dealing with MIDI
output).
David
Hi Amelie,
On Wed, Jun 17, 2015 at 4:52 AM, Amelie Zapf wrote:
> Hi all,
>
> > What's left now is to isolate this function and put it into the other
> > code we already have.
>
>
Rather, you need to put your code into an engraver. You then "consist" the
engraver to a context. You can't get at
Hi all,
> What's left now is to isolate this function and put it into the other
> code we already have.
I just had a go at it and am running into problems left and right. If I
call (myrootpitch (ly:context-property somecontext 'tonic)) I need a
context as input. The usual context names (like Sta
Dear Paul, all,
thanks for your great contribution of passing the tonic as an argument.
> It’s possible to create a custom engraver (with scheme) that can access this
> property and do something with it. (There’s not all that much documentation
> on this, but maybe look in the LSR for examples
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