Hi Thomas,
> the cleanest way would be to redefine the chordNameFunction, currently
> it's 'ignatzek-chord-names'
> A lot of work though...
>
> That said, I've tried the engraver-route.
> Though, I've absolutely no clue about the nashville-system, thus have
> a thorough look at the output:
Harmo
The main answer to the original question is: yes, this is a good idea and the
general approach.
Depending on your OS and editing environment there are different options to
make your "library" globally available.
Urs
Am 19. Juni 2015 07:45:00 MESZ, schrieb tisimst :
>Technically, it doesn't m
Technically, it doesn't matter which extension you use. Both types work
with \include, but in the docs it does say that ".ily" files are supposed
to be the "included" files, so that's the one I tend to use for things like
this.
Regards,
Abraham
On Thursday, June 18, 2015, Daniel Contreras [via Li
Thomas Morley writes:
> 2015-06-18 23:37 GMT+02:00 David Kastrup :
>> Thomas Morley writes:
>>>
>>> \version "2.18.2"
>>>
>>> #(define nashville-chord-engraver
>>>(let ((root (ly:make-pitch 0 0 0)))
>>
>> That should rather be
>>
>> #(define (nashville-chord-engraver context)
>>(let ((ro
Hi everyone,
I was wondering if one puts a \paper block with desired settings for all
projects, such as margins and paper size, how does one go about including those
settings across all projects? Well, I have an idea from reading the manual.
Should I store these settings in an “.ly” file or an
2015-06-18 23:37 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>>
>> \version "2.18.2"
>>
>> #(define nashville-chord-engraver
>>(let ((root (ly:make-pitch 0 0 0)))
>
> That should rather be
>
> #(define (nashville-chord-engraver context)
>(let ((root (ly:make-pitch 0 0 0)))
> [...]
>
Thomas Morley writes:
> That said, I've tried the engraver-route.
> Though, I've absolutely no clue about the nashville-system, thus have
> a thorough look at the output:
>
> \version "2.18.2"
>
> #(define nashville-chord-engraver
>(let ((root (ly:make-pitch 0 0 0)))
That should rather be
#
2015-06-15 9:26 GMT+02:00 Amelie Zapf :
> Hi Stan, Klaus,
>
> the following snippet does Nashville numbers correctly for the key of C
> (except for the rhythmical symbols). In order to adapt this to other
> keys we'd need to hand the routine two pitches, the chord root and the
> current key, and ha
Peter Bjuhr wrote
> Great, thanks! Sometimes the smallest thing can put you in the right
> direction...
Indeed! Thanks again, Peter.
Take care,
Gilberto
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On 2015-06-18 21:12, Gilberto Agostinho wrote:
I guess you have tried all offsets!?
You guessed wrong: I actually missed the most obvious offset which is
Staff.ClusterSpanner.extra-offset (somehow I was convinced that it had to do
with noteheads and that offset wasn't working). Using \override
Hi Peter,
Peter Bjuhr wrote
> I guess you have tried all offsets!?
You guessed wrong: I actually missed the most obvious offset which is
Staff.ClusterSpanner.extra-offset (somehow I was convinced that it had to do
with noteheads and that offset wasn't working). Using \override
Staff.ClusterSpann
On 2015-06-18 20:49, Peter Bjuhr wrote:
I have no idea but I guess you have already tried using offsets!??
Perhaps that should have been: I guess you have tried all offsets!?
Best
Peter
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On 2015-06-18 17:22, Gilberto Agostinho wrote:
I need to notate a graphic score which uses some unusual notation for
dynamics: they have their own staff and they consist of polygons (similar to
dealing with volume of a track in Pro Tools, REAPER or other DAW). I
realised that to avoid creating
2015-06-17 20:07 GMT+02:00 Kieren MacMillan :
> Hello all,
>
> In the following [minimal] snippet,
>
> \version "2.19"
>
> global = {
> \time 4/4
> s1
> \repeat volta 1 { s1 }
> }
>
> \score {
> <<
> \new RhythmicStaff << \global { a1 a } >>
> \new Staff << \global { c''1 c'' } >>
>
2015-06-18 16:46 GMT+02:00 Kieren MacMillan :
> Hello David (et al.),
>
> > Is there not at least a way to use the existing bar line engraving
> > tools for doing the job?
>
> That is also my question. =)
>
This seems to work:
\version "2.19"
global = {
\time 4/4
s1
\repeat volta 1 { s1
Hi all,
I need to notate a graphic score which uses some unusual notation for
dynamics: they have their own staff and they consist of polygons (similar to
dealing with volume of a track in Pro Tools, REAPER or other DAW). I
realised that to avoid creating all these graphics using paths or even in
Hello all,
The "event-listener.ly" include file is useful to get the musical moment of
an event. I'd like to add this information to the SVG output backend.
I've been trying to modify the output-svg.scm file as well and I got good
results appending extra informations in the point-and-click tag bu
Hello David (et al.),
> Is there not at least a way to use the existing bar line engraving
> tools for doing the job?
That is also my question. =)
> there also is the question _why_ Kieren wants no repeat bar in this staff.
In the real-world score from which this minimal snippet was derived, t
Paul Morris writes:
> Hi Amy,
>
>> I'm sorry I'm such a dunce, but with the amount of documentation
>> supplied, make-engraver is extremely hard to grasp.
>
> I’d say you’re doing pretty well.
Quite better than par for the course I'd say. But then it takes some
tenacity to be playing golf in a
Hi Amy,
> On Jun 17, 2015, at 12:48 PM, Amelie Zapf wrote:
>
> OK. I need to define an engraver, that's a statement I can live with.
> However, is there any documentation or definition of the make-engraver
> function anywhere that is readable to the "informed layperson" that has
> been typesetti
On 2015-06-18 11:18, David Kastrup wrote:
70147pers...@telia.com writes:
Here is my LilyPond code so far. It does not produce the score
above. The ties and the double barline disappears.
[...]
\score {
\unfoldRepeats
{
\new Voice {
<<
\brytmall
Processing `/tmp/
Hi Kaj,
Here's how I would try it:
% --
\version "2.18.2"
\paper { ragged-right = ##t }
\defineBarLine "||-" #'("||" ".|:" ".|:") % End / Start / Middle of line
vA = \relative c' {
\repeat volta 2 { c4 c c c }
\alternative {
Am 18.06.2015 um 10:59 schrieb 70147pers...@telia.com:
Hello all LilyPond users,
I assume the score below is impossible to achieve in LilyPond, or is it?
The image is fake and produced in Gimp as an overlay from two different
results from LP.
You can manually insert ties with \laissezVibrer
ht
70147pers...@telia.com writes:
> Here is my LilyPond code so far. It does not produce the score
> above. The ties and the double barline disappears.
>
>
[...]
> \score {
> \unfoldRepeats
> {
> \new Voice {
> <<
> \brytmall
Processing `/tmp/tel.ly'
Parsing...
/tmp/tel.ly:52:
Pierre Perol-Schneider writes:
> Hi David,
>
> 2015-06-18 9:53 GMT+02:00 David Kastrup :
>
>
>> Well, that's the equivalent of snatching the engraved plates from a
>> human operator after the third time he declined a request and using a
>> paperclip to scratch the desired kind of bar into the pla
Hello all LilyPond users,
I assume the score below is impossible to achieve in LilyPond, or is it?
The image is fake and produced in Gimp as an overlay from two different
results from LP.
The piece of music consists of two parts, the first one on just one
staff, but the second on two staves
Hi David,
2015-06-18 9:53 GMT+02:00 David Kastrup :
> Well, that's the equivalent of snatching the engraved plates from a
> human operator after the third time he declined a request and using a
> paperclip to scratch the desired kind of bar into the plate.
>
My english is not good enough to per
Pierre Perol-Schneider writes:
> Hi Kieren,
>
> %%
> \version "2.19"
>
> global = {
> \time 4/4
> s1
> \repeat volta 1 { s1 }
> }
>
> \score {
> <<
> \new RhythmicStaff <<
> \global
> {
> a1
> \once \override RhythmicStaff.BarLine.stencil =
>
Hi Kieren,
%%
\version "2.19"
global = {
\time 4/4
s1
\repeat volta 1 { s1 }
}
\score {
<<
\new RhythmicStaff <<
\global
{
a1
\once \override RhythmicStaff.BarLine.stencil =
#(lambda (grob)
(ly:bar-line::print grob)
Am 18.06.2015 um 03:33 schrieb Daniel Contreras:
Hello ponders,
Just wanted to thank you guys first of all for all your help with my questions.
What I am trying to accomplish this time is the following.
A common practice in arranging for salsa or Latin music I am finding out is
that when one is
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