repeat volta with partial, alternative endings and different \time in different voices

Hello again ;-) I have a somewhat special piece of music: It has a partial and a volta with alternative endings. That's no problem. But on top it has different meters in the alternatives of the different voices. When I do not combine the voices in a ChoirStaff (or StaffGroup) everything works fine

Re: repeat volta with partial, alternative endings and different \time in different voices

2015-08-10 10:23 GMT+02:00 Jonathan Scholbach : > Hello again ;-) > > I have a somewhat special piece of music: It has a partial and a volta > with alternative endings. That's no problem. But on top it has different > meters in the alternatives of the different voices. When I do not > combine the v

Lengthening ties

In the following situation, how can one lengthen the ties between the grace notes and the normal music? \version "2.19.24" \relative c'' {   c   \grace {     8   }   16 ees' aes,8 c4 c | } I was hoping they would be longer by default. Andrew ___ li

makam.ly

When using makam.ly the "normal" lilypond notation for accidentials i. e. cis gives an error. One has to use cbm for a full sharp with makam.ly. I think that is not very pleasant. And the mnemonic % c half sharp % fb half flat % fk full flat % bm full sharp is real bad. One more to make tab

Re: sharping naturals

2015-08-10 3:05 GMT+02:00 David Raleigh Arnold : > On Thu, 23 Jul 2015 11:33:50 -0500 > Brother Gabriel-Marie wrote: > >> When you use key signatures like A major or B Major you end >> up with a lot of naturals in the score for which you may >> have to manually add sharps. >> >> Is there a switch

Re: Lengthening ties

2015-08-10 12:35 GMT+02:00 Andrew Bernard : > In the following situation, how can one lengthen the ties between the grace > notes and the normal music? > > \version "2.19.24" > > \relative c'' { > c > \grace { > 8 > } > 16 ees' aes,8 c4 c | > } > > I was hoping they would be longer by d

Re: Lengthening ties

2015-08-10 13:12 GMT+02:00 Thomas Morley : > 2015-08-10 12:35 GMT+02:00 Andrew Bernard : >> In the following situation, how can one lengthen the ties between the grace >> notes and the normal music? >> >> \version "2.19.24" >> >> \relative c'' { >> c >> \grace { >> 8 >> } >> 16 ees' aes

Re: sharping naturals

Thomas Morley writes: > If I understand correctly your proposal is that > > \language "english" > > m = { ff' f' fs' } > > \m > \follow fs \m > \follow ff \m > > will be printed different. Well, it would be more likely \follow \m \follow \m here. That would be _one_ basic idea of implementa

Re: sharping naturals

2015-08-10 13:47 GMT+02:00 David Kastrup : > Thomas Morley writes: >> In my thinking that's absolute crude. Better wording would have been: strange as strange could be... >> Though, obviously there are other opinions about that. >> >> Patches are always welcome. > > But one needs to be warned t

Re: sharping naturals

When you use key signatures like A major or B Major you end up with a lot of naturals in the score for which you may have to manually add sharps. Is there a switch that will automatically sharp all the naturals? David, in a previous thread some time ago on a similar topic I think I recall that

Re: sharping naturals

Thomas Morley writes: > 2015-08-10 13:47 GMT+02:00 David Kastrup : > >> So it is pretty much established that the music-based approach comes >> with a healthy load of problems, and the input language based >> approach, while condensing most of the problems in one place, makes >> source code manag

Re: sharping naturals

> On 10 Aug 2015, at 13:05, Thomas Morley wrote: > I hesitated to post in this thread for some reasons. > > One reason was, I had no clue what it was about. I simply did not > understand the question. I think OP might have been about being used to ABC style syntax, where the key changes the v

Re: makam.ly

> On 10 Aug 2015, at 12:49, BB wrote: > > When using makam.ly the "normal" lilypond notation for accidentials i. e. cis > gives an error. One has to use cbm for a full sharp with makam.ly. It is easy to edit - just give it a name not in the LilyPod library, and keep it in the directory of th

Re: makam.ly

On 10.08.2015 15:04, Hans Åberg wrote: On 10 Aug 2015, at 12:49, BB wrote: When using makam.ly the "normal" lilypond notation for accidentials i. e. cis gives an error. One has to use cbm for a full sharp with makam.ly. It is easy to edit - just give it a name not in the LilyPod library, an

Re: makam.ly

> On 10 Aug 2015, at 15:32, BB wrote: > > On 10.08.2015 15:04, Hans Åberg wrote: >> The most advanced solution so far is to use SMuFL >> together with OpenLilyLib and Graham Breed’s regular.ly, which gives any ET. > > Tanks for this suggestion as well. The layout looks

lilypond-book

Hello all! First time question. I am writing a didactic of piano teaching in LaTeX. So there are many questions coming again, because I am a lilypond-beginner. http://www.lilypond.org/doc/v2.18/Documentation/usage/an-example-of-a-musicological-document I wanted to follow the examples of this p

Re: makam.ly

Many Thanks! I am delighted about the unbelievable possibilties of lilypond due to the contributions of lilypond users. Obviously one of Graham Breed's interest is microtonality. Great, I just found "Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-To

guile-question: 3/2 -> "1 1/2"

Hi all, I want to put out 3/2 not as 1.5 but "1½" or "1 1/2" Is there a predefined procedure in guile or do I need to define my own? Thanks, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-use

Re: lilypond-book

Hi Marek, Instead of creating a link to the lilypond-book script, could you try following the instructions here: http://lilypond.org/macos-x.html to create executables, and see if that fixes the problem. Kevin ___ lilypond-user mailing list lilypond-us

Re: Centering a stencil on another stencil

> On Aug 7, 2015, at 2:17 PM, Thomas Morley wrote: > > May I ask you to provide a code-example where the output is different? > For the given one I can't see any. Hi Harm, Sure, see below for a somewhat minimized (if not completely minimal) example. I was surprised to see that the resulting n

Re: lilypond-book

Hello Marek, I use a custom « lilyb » script defined as follows, that takes care of the subdirectory for the intermediate files generated by lilypond-book: menu@macbookprojm:~/Documents/LaTeX/PartitionsLilypond > which lilyb /Users/menu/bin/lilyb menu@macbookprojm:~/Documents/LaTeX/Partitions

Re: lilypond-book

On 10/08/15 19:24, Kevin Barry wrote: > Hi Marek, > > Instead of creating a link to the lilypond-book script, could you try > following the instructions here: > http://lilypond.org/macos-x.html > to create executables, and see if that fixes the problem. > > Kevin > Thank you Kevin! This is wo

Re: guile-question: 3/2 -> "1 1/2"

2015-08-10 19:02 GMT+02:00 Thomas Morley : > Hi all, > > I want to put out 3/2 not as 1.5 but "1½" or "1 1/2" > Is there a predefined procedure in guile or do I need to define my own? > > Thanks, > Harm It's a matter of "exactness". And when #e comes into the game the guile-manual is not verbose

Re: arabic tabs?

2015-08-09 14:31 GMT+02:00 BB : > I found two possibilities to write arabic accidentals in the Notation > reference. > 2.10.1 Common notation for non-Western music > \include "makam.ly" > with English names (c d ...), > and > 2.10.2 Arabic music > using the Italian names ( do re ...) > > Both hard

How to adjust the padding between a StemTremolo and a NoteHead?

Hi all, Consider the following tiny example: /\version "2.19.23" \relative c' { \time 6/4 4 q:8 q:16 q:32 q:64 q:128 }/ and its output: With one slash or two slashes, everything looks fine, but with three or more slashes, the

missing glissando

Lilyponders, I code a "\override Glissando.style = #'trill", but there is no glissando display on staff http://lilybin.com/05mbl7/1  output from above snippet: original score shown: ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.

Re: missing glissando

This will work: /\version "2.18.2" \language "english" { \clef bass c2._> \override Glissando.style = #'trill c4 \glissando | %m81 \clef treble 8 r2 \bar"|." %m82 }/ You forgot to put the actual "\glissando" command. Also, I swapped the order of the notes in the final chord so that the gli

Re: How to adjust the padding between a StemTremolo and a NoteHead?

Am 11.08.2015 um 01:06 schrieb Dominic: With one slash or two slashes, everything looks fine, but with three or more slashes, the gap between the top of the NoteHead and the bottom of the StemTremolo (illustrated with red lines in my image) is too narrow for my liking. I agree on that but I hav

Re: missing glissando

Dominic,  Thank you very much for catching the missing "\arpeggio" command.I have always coding the chord - the "bottom note first". I notice the advantage in this case. Can I mixed coding "top note first" with "bottom note first"?Immanuel,Ming | From: | Dominic | | Subject: | Re: missing gliss

Re: guile-question: 3/2 -> "1 1/2"

Thomas Morley writes: > 2015-08-10 19:02 GMT+02:00 Thomas Morley : >> Hi all, >> >> I want to put out 3/2 not as 1.5 but "1½" or "1 1/2" >> Is there a predefined procedure in guile or do I need to define my own? >> >> Thanks, >> Harm > > It's a matter of "exactness". > And when #e comes into th

PDF portfolio of 2.19.25 docs

A fully indexed portfolio of the 2.19.25 PDF docs is available at https://www.dropbox.com/s/jexo2dd739b1l9f/lilydoc-2.19.25.pdf?dl=0 (39Mb). Needs Adobe Reader for the indexing to work - I haven't found a 3rd party PDF viewer that can use the index in PDF portfolios. Nick ___