Daniel Rosen writes:
> I've been scouring the list archives for the past half hour trying to
> find out where the new issue tracker is (now that the Google Code one
> has been frozen). Can anyone point me in the right direction?
http://lists.gnu.org/archive/html/bug-lilypond/>
Search for [ISSUE
Joel Ebel writes:
> On Tue, Aug 25, 2015 at 10:26 PM, Joel Ebel wrote:
>> On Tue, Aug 25, 2015 at 9:53 PM, David Kastrup wrote:
>>> The following appears to work here. Of course it begs the question
>>> whether we should provide a context definition like that, possibly with
>>> a better name,
I've been scouring the list archives for the past half hour trying to find out
where the new issue tracker is (now that the Google Code one has been frozen).
Can anyone point me in the right direction?
Thanks,
Dan
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On Tue, Aug 25, 2015 at 10:26 PM, Joel Ebel wrote:
> On Tue, Aug 25, 2015 at 9:53 PM, David Kastrup wrote:
>> The following appears to work here. Of course it begs the question
>> whether we should provide a context definition like that, possibly with
>> a better name, in LilyPond by default.
I
Hi Trevor,
thanks, that works cleanly. In the meantime I found that it would
actually better if syllables were only allowed to overlap on the right.
It’s uncommon and seems odd/more difficult to read to have the syllable
stick into span bar _at the left_.
But that’s a more involved task, of c
Simon, you wrote Monday, August 24, 2015 8:27 PM
> following 19th century practice, I am using StaffGroup for choir scores.
> When there are longer syllables at the end of a measure, they avoid to
> overlap with the span bar, which costs horizontal space. I’d prefer this
> to be turned off, b
Am 26. August 2015 15:38:17 MESZ, schrieb Martin Tarenskeen
:
>
>
>On Wed, 26 Aug 2015, David Kastrup wrote:
>
In the APL course I took years ago, the teacher said: « Exercice
>for the
>
>>> I recall that crucial to APL was its interactive environment. We had
>
>> Still have a COMPASS manua
On Wed, Aug 26, 2015 at 12:40 PM, Mátyás Seress wrote:
> Hi all,
>
> how can I set barlines completely manually throughout a whole sheet music?
If you have no time signatures, remove Time_signature_engraver and use
\cadenzaOn. You can place bars with \bar "|".
Regards,
Nathan
__
Hi all,
how can I set barlines completely manually throughout a whole sheet music?
I tried these:
\override Staff.TimeSignature #'stencil = ##f
\new Staff \with { \hide BarLine } {
\new Staff \with {\remove "Time_signature_engraver" \omit BarLine}{
\omit Score.BarLine
\undo \omit Score.BarLine
- Original Message -
From: "David Kastrup"
To: "Andrew Bernard"
Cc: "LilyPond User Group"
Sent: Wednesday, August 26, 2015 4:23 PM
Subject: Re: OT: Beauty of programming languages
Andrew Bernard writes:
imj-muz...@bluewin.ch> wrote:
1€ question for the young : whom does EWD stan
"Mark Stephen Mrotek" writes:
> lilypond-user-bounces+carsonmark=ca.rr@gnu.org wrote:
>> Of David Kastrup
>> Sent: Wednesday, August 26, 2015 8:24 AM
>> To: Andrew Bernard
>> Cc: LilyPond User Group
>> Subject: Re: OT: Beauty of programming languages
>>
>> Andrew Bernard writes:
>>
>>> >>
David,
With a great deal of respect and admiration, I return to you a quote you once
sent to me:
Wrangling down that attacking Rottweiler was actually not all that hard. It
boils down to the same grips and holds we used to employ for killing lions when
I was young.
Sincerely,
Mark
-Ori
Andrew Bernard writes:
> imj-muz...@bluewin.ch> wrote:
>>
>>>1€ question for the young : whom does EWD stand for, and did he bring
>>> to computer science?
>
> Writing by hand with a fountain pen. Look it up folks!
Seriously? My dad did all of his Theoretical Physics stuff including
the script
For example, 2.19.25, given :
fagottThemaAndanteConVariazioni = \relative f {
\clef "bass"
\key g \major
\time 2/4
\tempo "Thema andante con variazioni"
\set Score.skipBars = ##t
% page 43
\repeat volta 2 {
\partial 8*1
d8\p |
\barNumberCheck #1
g4 a |
b4 c |
David Sumbler writes:
> On Wed, 2015-08-26 at 14:10 +0200, David Kastrup wrote:
>> David Sumbler writes:
>> > But suppose that the repeat should start in the middle of bar 1 and end
>> > in the middle of bar 2. This is easily done when setting the parts
>> > separately; but can it be done with
So I owe you 1€: what is you IBAN?
JM
> Le 26 août 2015 à 15:50, Martin Tarenskeen a écrit :
>
>
>
> On Wed, 26 Aug 2015, Andrew Bernard wrote:
>
>> Writing by hand with a fountain pen. Look it up folks!
>
> I looked it up:
>
> https://en.wikipedia.org/wiki/Edsger_W._Dijkstra
>
>>> 1€ que
Hello David,
Wouldn’t all that be much simpler without \parallelMusic, with just one
variable per staff contents?
JM
> Le 26 août 2015 à 16:02, David Sumbler a écrit :
>
> On Wed, 2015-08-26 at 14:10 +0200, David Kastrup wrote:
>> David Sumbler writes:
>>
>>> is it
>>> possible to have rep
On Wed, 2015-08-26 at 14:10 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> > is it
> > possible to have repeats starting and ending within a bar when using
> > \parallelMusic?
> >
> > \version "2.18.0"
> >
> > \parallelMusic #'(Vone Vtwo) {
> > %bar 1
> > \repeat volta 2 {
> > d'
On Wed, 26 Aug 2015, Andrew Bernard wrote:
Writing by hand with a fountain pen. Look it up folks!
I looked it up:
https://en.wikipedia.org/wiki/Edsger_W._Dijkstra
1€ question for the young : whom does EWD stand for, and did he bring to
computer science?
--
MT__
On Wed, 26 Aug 2015, David Kastrup wrote:
In the APL course I took years ago, the teacher said: « Exercice for the
I recall that crucial to APL was its interactive environment. We had
Still have a COMPASS manual around. Put it up to Ebay at minimum
starting price, but no takers.
:-)
Writing by hand with a fountain pen. Look it up folks!
Andrew
On 26/08/2015 23:30, "Jacques Menu"
wrote:
>1€ question for the young : whom does EWD stand for, and did he bring to
>computer science?
>
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I am older and know the answer. Am I eligible?
Andrew
On 26/08/2015 23:30, "Jacques Menu"
wrote:
>1€ question for the young : whom does EWD stand for, and did he bring to
>computer science?
>
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Jacques Menu writes:
> 1€ question for the young : whom does EWD stand for, and did he bring
> to computer science?
5 forks.
--
David Kastrup
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1€ question for the young : whom does EWD stand for, and did he bring to
computer science?
JM
> Le 26 août 2015 à 13:12, David Kastrup a écrit :
>
> Johan Vromans writes:
>
>> On Tue, 25 Aug 2015 18:41:54 +0200
>> Jacques Menu wrote:
>>
>>> In the APL course I took years ago, the teacher s
David Sumbler writes:
> This solution works fine for the piece I am currently setting. However,
> it raises a question for which I may some day need an answer: is it
> possible to have repeats starting and ending within a bar when using
> \parallelMusic?
>
> Here is a modified version of the abo
On Tue, 2015-08-25 at 18:34 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> > Is there a way of using "\repeat volta 2" and similar when using
> > the \parallelMusic command? The following does not work:
> >
> >
> > \version "2.18.0"
> >
> > \parallelMusic #'(Vone Vtwo) {
> > %bar 1
> >
Johan Vromans writes:
> On Tue, 25 Aug 2015 18:41:54 +0200
> Jacques Menu wrote:
>
>> In the APL course I took years ago, the teacher said: « Exercice for the
>> next two weeks : find out what this sample program (25 symbols
>> altogether) does. A guy says two weeks later: « It does this and tha
On Tue, 25 Aug 2015 18:41:54 +0200
Jacques Menu wrote:
> In the APL course I took years ago, the teacher said: « Exercice for the
> next two weeks : find out what this sample program (25 symbols
> altogether) does. A guy says two weeks later: « It does this and that…
> but it took me two and a ha
Am 26.08.2015 um 01:31 schrieb David Nalesnik:
Simon,
On Tue, Aug 25, 2015 at 5:40 PM, Simon Albrecht
mailto:simon.albre...@mail.de>> wrote:
Am 26.08.2015 um 00:04 schrieb Simon Albrecht:
Hello,
with my current project I wanted to avoid making too many
manual adj
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