Re: fingerings added to tabs?

Am 01.12.2015 20:05, schrieb David Kastrup: Blöchl Bernhard writes: Am 01.12.2015 18:55, schrieb David Kastrup: BB writes: Exactly like the manual describes adding fingerings. It is irritating that they are not printed by default.

Re: fingerings added to tabs?

2015-12-01 22:44 GMT+01:00 Blöchl Bernhard : > I have explained distictively what I expect and illustrated by an added > example graphics. > > To avoid any confusion with fret number and fingering, check this code: > > %%% > \new

Re: aligning melisma and non-melisma lyrics across staves in the same system

Hi Kieren, 2015-12-01 16:13 GMT+01:00 Kieren MacMillan : >> The problem is how to test equality? >> For strings it's trivial > > Is that already implemented? No >> but LyricText also allows for markup. > > Is there a markup->string function? Yep, though look at

Re: aligning melisma and non-melisma lyrics across staves in the same system

Hi Kieren, 2015-12-01 21:18 GMT+01:00 Thomas Morley : [...] > Continuing coding/thinking, > Harm here the last version. Several comments inline. The syllables are compared via the length of their stencil-extents. Ofcourse this has disadvantages as said before and even

Re: fingerings added to tabs?

Thank you for the links and help. I think I caused some misunderstanding with my original question text. To demonstrate what I want I send a graphic as an attachement as an example. (I do not own the rights!) Usually with guitar as a rule it is sayed a finger per fret. So the fret numbers

Re: fingerings added to tabs?

BB writes: > Thank you for the links and help. I think I caused some > misunderstanding with my original question text. > > To demonstrate what I want I send a graphic as an attachement as an > example. (I do not own the rights!) > > Usually with guitar as a rule it

Re: fingerings added to tabs?

Thanks for the code. Just now I am on a PC with LP version 16.2 only. I am on a PC with version 19 some hours later. With version 16 I get errors with the 3 lines, red in \override Fingering.side-axis = #Y \override Fingering.outside-staff-priority = #200 \relative c' { Messages

Re: fingerings added to tabs?

Am 01.12.2015 18:55, schrieb David Kastrup: BB writes: Exactly like the manual describes adding fingerings. It is irritating that they are not printed by default. I'm not sure what the rationale for that is. I tried it this way, as the manual describes:

Re: fingerings added to tabs?

Blöchl Bernhard writes: > Am 01.12.2015 18:55, schrieb David Kastrup: >> BB writes: >> >> Exactly like the manual describes adding fingerings. >> >> It is irritating that they are not printed by default. I'm not sure >> what the rationale

brainstorming a way to temporarily flip direction of lyrics

Hello all, We can temporarily change the direction of many grobs — Scripts, TextScripts, etc. — such that the usual effect is that they flip from being (e.g.,) beneath a context (e.g., the Staff that the Voice is a child of) to being above that context. I’m wondering — brainstorming mode now

Re: brainstorming a way to temporarily flip direction of lyrics

Kieren MacMillan writes: > Hello all, > > We can temporarily change the direction of many grobs — Scripts, TextScripts, > etc. — such that the usual effect is that they flip from being (e.g.,) > beneath a context (e.g., the Staff that the Voice is a child of) to

Slap tongue for flute

Hello, the flute slap notation snippet at the following page doesn't work anymore I guess, as in my Lilypond 2.18.2 does nothing.http://www.lilypond.org/doc/v2.19/Documentation/snippets/winds Can someone help me in achieving this notehead? Luca

Re: Slap tongue for flute

Luca Danieli writes: > Hello, > the flute slap notation snippet at the following page doesn't work > anymore I guess, as in my Lilypond 2.18.2 does > nothing.http://www.lilypond.org/doc/v2.19/Documentation/snippets/winds > Can someone help me in achieving this notehead?

Re: Slap tongue for flute

2015-12-01 20:16 GMT+01:00 David Kastrup : > Luca Danieli writes: > >> Hello, >> the flute slap notation snippet at the following page doesn't work >> anymore I guess, as in my Lilypond 2.18.2 does >>

printing individual parts causes the whole score to print too

So I have the following seperate .ly file: \include "eiertanz-1.ly" \header { instrument = "Violin" } { \violinOne } Which prints the variable which points to the *Voice* violinOne defined in " eiertanz-1.ly" however the whole score prints and then the single voice is printed. How Can I

Re: printing individual parts causes the whole score to print too

On Tue, 2015-12-01 at 00:38 -0800, Ryan Michael wrote: > So I have the following seperate .ly file: > > > \include "eiertanz-1.ly" > > > \header { > instrument = "Violin" > } > > > { > \violinOne > } > > > Which prints the variable which points to the Voice violinOne defined > in

accidentals for just intonation

Hi List, this is a somewhat specialist request, and more of a long-term project, but I'm hoping you nice people can help me with something I'd like to do with Lily someday. If you've been watching the OpenLilyLib repository, you'll see that Urs has been working on a set of tools for rendering

Re: accidentals for just intonation

Am 01.12.2015 um 10:10 schrieb N. Andrew Walsh: > Hi List, > > this is a somewhat specialist request, and more of a long-term > project, but I'm hoping you nice people can help me with something I'd > like to do with Lily someday. > > If you've been watching the OpenLilyLib repository, you'll

Re: printing individual parts causes the whole score to print too

On 1 December 2015 at 09:38, Ryan Michael wrote: > > So I have the following seperate .ly file: > > \include "eiertanz-1.ly" > > \header { > instrument = "Violin" > } > > { > \violinOne > } > > Which prints the variable which points to the Voice violinOne defined > in

Re: accidentals for just intonation

I have quite an interest in intonation, and my degree dissertation was based on the study of musician's reaction to just and equal tempered music, and was created using LilyPond. However, I'm not clear why you believe that accidentals in non-equal temperaments require different signs (I think

Re: accidentals for just intonation

Right then. Let me include a few files to show what I mean. The basic principle is this: the fraction that makes up a ratio in just intonation can be broken down to its prime factors, as I said in the previous message. In just intonation, this is what matters for determining harmonic

Re: accidentals for just intonation

Am 01.12.2015 um 10:45 schrieb Phil Holmes: > I have quite an interest in intonation, and my degree dissertation was > based on the study of musician's reaction to just and equal tempered > music, and was created using LilyPond. However, I'm not clear why you > believe that accidentals in

Re: accidentals for just intonation

Well, this is a much longer and different discussion, but in short: I don't intend these for non-equal temperaments, but rather music in an open system of justly-tuned ratios. So, for example, you might certainly wish to define your basic scale that way (a major scale thus being 1/1, 9/8, 5/4,

Re: accidentals for just intonation

Let me give another example of what I mean, just so you have an idea. I'm in a singing ensemble that performs music in just intonation. We have a soprano who is *terrifyingly* good at it. One of the things she does is sing a scale comprising the following harmonic ratios relative to the tonic:

Re: accidentals for just intonation

Am 01.12.2015 um 10:47 schrieb N. Andrew Walsh: > So, the just-intonation accidental engraver would be able to break > down the ratio given for a pitch into its prime factors (or expect > that they are already thus formatted), and then place the paths on the > accidental in the correct

Re: accidentals for just intonation

"N. Andrew Walsh" writes: > There's something I'd very much like to do with this, largely out of > my own (admittedly rather opinionated) view on the best means of > producing accidentals for just intonation. It seems like with notational systems that everyone has an

Re: accidentals for just intonation

"Phil Holmes" writes: > I have quite an interest in intonation, and my degree dissertation was > based on the study of musician's reaction to just and equal tempered > music, and was created using LilyPond. However, I'm not clear why you > believe that accidentals in

Re: transpose pitch by semitones

Gilles THIBAULT writes: >> OK, this one is more straightforward... > ...but your idea was probably the best : > > > #(define (semitones->pitch semitone) >(let ((index (modulo semitone 12)) > (octave (quotient semitone 12))) > (apply

Re: aligning melisma and non-melisma lyrics across staves in the same system

Hi Harm, > Yes, parts of it works already. Look at the attached image. > In first bar the lyrics are aligned correctly I'd say. Agreed. > Though not in 3rd bar. "three" is offsetted as well, it shouldn’t. Agreed. > The problem is how to test equality? > For strings it's trivial Is that

Re: Kneed beams and changes of staff

Hi Gilberto, > I would need one of those automagical ways Even if you weren’t dealing with algorithmic music, an automagic way would be much better… > What surprises me about the default look is how confusing it actually is! True! If you look at the following [even simpler] snippet, it’s

Re: transpose pitch by semitones

Urs Liska writes: > Am 01.12.2015 um 15:48 schrieb Gilles THIBAULT: >>> OK, this one is more straightforward... >> ...but your idea was probably the best : > > :-) > > Thank you for your input and sorry I didn't have time to reply earlier. > Maybe "best" is also a matter of

Re: Kneed beams and changes of staff

Hi Kieren, Kieren MacMillan wrote > There are almost certainly other [more automagic] ways… > But have you looked at stemLeftBeamCount and stemRightBeamCount? I have looked at them, but unfortunately I would need one of those automagical ways (I am dealing with algorithmic music and I manually

fingerings added to tabs?

How can I add fingerings to tabs? (Not found in the manual) Regards ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Kneed beams and changes of staff

arg… Here’s the snippet: %%% SNIPPET BEGINS \version "2.19" \language "english" examples = { \tuplet 5/4 { c''32[ 32 64 64 32 32] } \tuplet 5/4 { e'''32[ 32 64 g64 32 32] } } \score { \examples } %%% SNIPPET ENDS On Dec 1, 2015, at 10:34 AM, Kieren MacMillan

Re: Kneed beams and changes of staff

Hi Kieren, Kieren MacMillan wrote > True! If you look at the following [even simpler] snippet, it’s clear that > things are fine when un-kneed, but go wonky when kneed. Your example shows the problem very clearly indeed. > I’m in no way certain (a) what the current algorithm actually is/does,

RE: Kneed beams and changes of staff

Gilberto, A rather tedious, yet precise method, is: \once \set stemRightBeamCount = #x \once \set stemLeftBeamCount = #x Mark -Original Message- From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Gilberto

RE: Kneed beams and changes of staff

Hi Mark, Mark Stephen Mrotek wrote > A rather tedious, yet precise method, is: > > \once \set stemRightBeamCount = #x > \once \set stemLeftBeamCount = #x This is what Kieren already recommended me in this thread, but it's unfortunately not really possible in my case (and even if I could, I

Re: accidentals for just intonation

On 2015-12-01 11:27, David Kastrup wrote: [...] Which explains why my default manner of tuning a guitar, namely just tuning each string to sound as I think it should in relation to the sequence of previous strings, has a good chance to end up more playable than the followup work of a "serious"

Re: transpose pitch by semitones

> OK, this one is more straightforward... ...but your idea was probably the best : #(define (semitones->pitch semitone) (let ((index (modulo semitone 12)) (octave (quotient semitone 12))) (apply ly:make-pitch (cons octave (list-ref '((0 0)

Re: accidentals for just intonation

> On Dec 1, 2015, at 5:38 AM, Urs Liska wrote: > > You have a rather small number of individual components (vertical, > horizontal and diagonal elements) that can all represented by a > postscript path. A function should be able to determine from the input > ratio which of

Kneed beams and changes of staff

Hi all, Does anyone here know how can I achieve the look of the red beams in the image below? (the black beams are the LilyPond's default, and the red I drawn on a graphics application): It makes so much easier to read subdivisions

Re: transpose pitch by semitones

Am 01.12.2015 um 15:48 schrieb Gilles THIBAULT: >> OK, this one is more straightforward... > ...but your idea was probably the best : :-) Thank you for your input and sorry I didn't have time to reply earlier. Maybe "best" is also a matter of use case here, but I have the impression that in

Re: Kneed beams and changes of staff

Hi Gilberto, > Does anyone here know how can I achieve the look of the red beams There are almost certainly other [more automagic] ways… But have you looked at stemLeftBeamCount and stemRightBeamCount? Hope this helps! Kieren. Kieren MacMillan, composer ‣

Re: accidentals for just intonation

These sorts of conflicts in tuning arise, as Urs pointed out, from using one note to designate two different harmonic contexts. The whole field of temperament is largely an effort to reconcile them, with varying solutions in various time periods, depending on what kind of sound was preferred (for

Re: transpose pitch by semitones

> I made this function some times ago, but don't know if is enough > straightforward :-) OK, this one is more straightforward... %% sharp #(define (semitones->pitch n) (let ((a (quotient n 12)) (b 0) (c (modulo n 12))) (cond ;; 2 semitones in a tone

Re: fingerings added to tabs?

Hello BB, \version "2.19.15" RH = #rightHandFinger upper = \relative c' { \set fingeringOrientations = #'(left) \set strokeFingerOrientations = #'(up) \set stringNumberOrientations = #'(down) \override StringNumber.transparent = ##t 8 } lower = \relative c { \set

Re: fingerings added to tabs?

BB writes: > How can I add fingerings to tabs? > (Not found in the manual) They are in mine. References for fretted strings .. Music for