Re: Telemann's "Strich"

On 20.12.2015 12:44, Robert Blackstone wrote: Dear list, I’m working on a bilingual edition of Telemann’s Singe-, Spiel- und General-Baß-Übungen, a very nice little tutorial consisting almost entirely of songs with a figured bass line and a written-out realization. In the bass lines Telemann

Re: pretty-print and localAlterations

2015-12-21 1:16 GMT+01:00 Simon Albrecht : > Hello, > > if I compile the following code: > > > \version "2.19.32" > #(use-modules (ice-9 pretty-print)) > > printKeysig = > \applyContext #(lambda (context) > (format #t "~a" (pretty-print

Re: saxophon multiphonic, how to

Hi Stefan, according to a saxophone tutor written by Jean-Marie Londeix, the three keys for the left palm are called C1, C2 and C4: % -- \markup \line { \center-column { C1 " " \scale #'(-1 . 1) \woodwind-diagram

Re: Telemann's "Strich"

Of course I just realised you don’t need the full generality of my arrow function. You can just use the draw-line function. It’s in the section ‘Graphic notation inside markup’. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Telemann's "Strich"

On 21.12.2015 01:23, Ralf Mattes wrote: Am Montag, 21. Dezember 2015 01:10 CET, Simon Albrecht schrieb: I definitely agree with Richard’s interpretation that these are figured bass extenders. The quote in your first example makes it really obvious: „Der Strich

Re: big (?) challenge: multi-segment / multi-angle OttavaBracket

Hi Harm, > you don't provide any code ;) Well, to be honest, I didn’t expect an actual [honest-to-goodness Lilypond code] fix: I thought the answer would either be “look at X snippet” or “can’t be done” or “this is issue Y”, or in the very best case scenario “one *could* create a

Re: big (?) challenge: multi-segment / multi-angle OttavaBracket

2015-12-20 23:50 GMT+01:00 Kieren MacMillan : > HOLY MOLY! This is fabulous. Glad you like it. > 1. Yes, it appears (at least, from your snippet) to do exactly what I want; I > will test it “in production", and report back ASAP. Though, I'm afraid you will

Re: big (?) challenge: multi-segment / multi-angle OttavaBracket

Hi Harm, > Though, I'm afraid you will surely notice the disadvantages soon. Well, maybe I already have… but it’s still impressive. =) > You may want to donate something to David K. who really needs it. There seems to be a problem with PayPal at the moment; as soon as it clears up, I will

pretty-print and localAlterations

Hello, if I compile the following code: \version "2.19.32" #(use-modules (ice-9 pretty-print)) printKeysig = \applyContext #(lambda (context) (format #t "~a" (pretty-print (ly:context-property context 'localAlterations \relative { es'4 \printKeysig e' }

Re: Telemann's "Strich"

Interesting! I have a generalised arrow drawing function that draws arrows of any length in any rotational position, done in Scheme. If I removed the arrowhead, do you think that would be useful? My arrows are not tapered lines, but of uniform thickness. Amusingly, recently we wanted curved

Re: Telemann's "Strich"

Am Montag, 21. Dezember 2015 01:10 CET, Simon Albrecht schrieb: > I definitely agree with Richard’s interpretation that these are figured bass > extenders. The quote in your first example makes it really obvious: „Der > Strich bedeutet, dass die rechte Hand

Re: lilypond-user Digest, Vol 157, Issue 92

Sent from my iPhone > On Dec 20, 2015, at 6:16 PM, lilypond-user-requ...@gnu.org wrote: > > Send lilypond-user mailing list submissions to >lilypond-user@gnu.org > > To subscribe or unsubscribe via the World Wide Web, visit >https://lists.gnu.org/mailman/listinfo/lilypond-user > or,

Re: big (?) challenge: multi-segment / multi-angle OttavaBracket

2015-12-19 23:43 GMT+01:00 Kieren MacMillan : > Hello all, > > The final line of the song I’m currently engraving looks like this: > > Questions: > > 1. How could I [best?] code this so that the OttavaBracket starts close to > the top of the staff at the beginning

Re: Unwanted naturals on teaching accidentals style

Hi Jacques, Thanks a lot! Worked like a charm! Totally as I wanted. You save me the day. Thanks again. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Unwanted-naturals-on-teaching-accidentals-style-tp184888p184900.html Sent from the User mailing list archive at

Re: Telemann's "Strich"

On Sun, 2015-12-20 at 12:44 +0100, Robert Blackstone wrote: > Dear list, > > > I’m working on a bilingual edition of Telemann’s Singe-, Spiel- und > General-Baß-Übungen, a very nice little tutorial consisting almost > entirely of songs with a figured bass line and a written-out > realization.

Re: make-line-stencil

Andrew Bernard writes: > The make-line-stencil function appears to be hardwired to draw lines with > rounded ends. Is there any way it can be persuaded to make lines with square > ends? > > This is the code in stencil.scm: > > (define-public (make-line-stencil width

Telemann's "Strich"

Dear list, I’m working on a bilingual edition of Telemann’s Singe-, Spiel- und General-Baß-Übungen, a very nice little tutorial consisting almost entirely of songs with a figured bass line and a written-out realization. In the bass lines Telemann sometimes adds short straight lines parallel

Re: Unwanted naturals on teaching accidentals style

Hello Francis, No such problem with 2.19.33. You can switch safely to that version in my opinion. JM > Le 20 déc. 2015 à 00:41, francisperea a écrit : > > Hi all, I'm just new to Lilypond and impressed with its capabilities. > > One of my first tries with it was a

Re: Adjusting a slur after line break

On 20.12.2015 01:50, Chris Yate wrote: On 20 December 2015 at 00:41, Simon Albrecht > wrote: On 20.12.2015 00 :45, Chris Yate wrote: I can't get /alterBroken to work properly at all on control

Re: transpose pitch by semitones

Urs Liska writes: > Am 01.12.2015 um 15:48 schrieb Gilles THIBAULT: >>> OK, this one is more straightforward... >> ...but your idea was probably the best : > > :-) > > Thank you for your input and sorry I didn't have time to reply earlier. > Maybe "best" is also a matter of

Re: Telemann's "Strich"

Hello Richard, I should have shown a bit more of Telemann's original. Telemann writes his figures above the bass staff, and only occasionally, when there is not enough space for two numbers on top of each other, the bottom will go below the staff. I think that what you saw as figures are

Re: \time command

Hi Jérôme, \time is accepted basically anywhere in a music expression. You seem to be confused by the different meaning of braces: 1) enclosing a music expression 2) grouping arguments In your case: 1) Your music (\time 4/4 c1) must be put into braces to form a music expression, otherwise they

Re: customize instrument tuning

I did it this way: (not optimal, but works) \version "2.19.20" #(set-global-staff-size 30) cMajor = { } \score { << \new Staff { \relative c'' { \cMajor } } \new FretBoards %\set Staff.stringTunings = #cuatroTuning \with { stringTunings = \stringTuning < e, as, c e as c'> }

Re: Telemann's "Strich"

On Sun, 2015-12-20 at 14:22 +0100, Robert Blackstone wrote: > Hello Richard, > > I should have shown a bit more of Telemann's original. > Telemann writes his figures above the bass staff, that's the commonest position until the 19th c (which is what LilyPond defaults to, I made Denemo tell

customize instrument tuning

Im trying to understand the the tuning parameters. I worked with a couple of years ago, but cannot remember. The example in the manual uses %Cuatro Venezolanoa - d' - f'# - b cuatroTuning = #`(,(ly:make-pitch 0 6 0) ,(ly:make-pitch 1 3 SHARP) ,(ly:make-pitch 1 0

Re: Telemann's "Strich"

On 20 Dec 2015, at 14:36 , Richard Shann wrote: > Is this piece in IMSLP? > > Richard > Yes, the whole tutorial can be found in http://imslp.org/wiki/Singe-,_Spiel-_und_Generalbass%C3%BCbungen,_TWV_25:39-85_(Telemann,_Georg_Philipp) Robert

Re: \time command

Try \score { \relative c' { \time 4/4 c1 } } On 20.12.2015 15:37, Jérôme Plût wrote: \score \relative c' { \time 4/4 c1 } ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

\time command

% -- first file \score { \time 4/4 c1 } error: syntax error, unexpected NOTENAME_PITCH % -- second file \score \relative c' { \time 4/4 c1 } error: syntax error, unexpected MUSIC_FUNCTION, expecting '{' Why does this not compile? The manual has no indication on where the \time command is

Re: \time command

Decimo tertio Kalendas Ianuarias MMXVI scripsit Noeck : > \score { { \time 4/4 c1 } } Thanks to all three of you for your exceptionnally fast and precise answers! Indeed, this helped a lot (I usually put a lot of junk between \score {... } and the actual notes, which helped with the braces, and

Re: Telemann's "Strich"

On Sun, 2015-12-20 at 13:36 +, Richard Shann wrote: > On Sun, 2015-12-20 at 14:22 +0100, Robert Blackstone wrote: > > Hello Richard, > > > > I should have shown a bit more of Telemann's original. > > Telemann writes his figures above the bass staff, > that's the commonest position until the

saxophon multiphonic, how to

Dear community, I would like to write the fingering for a multiphonic, I found on this site: https://www.baerenreiter.com/materialien/weiss_netti/saxophon/mp3/mp3_mp/alto/seite10/altomph10.html It' s the one with the number 92. Can someone tell me, how to write the fingering for this multiphonic

Re: LilyPond latest unstable

Hello Robert, You’re welcome! You can force all such .bz2 archive to be opened by the Archive Utility this way: - select the file - Cmd-I and the file’s info dialog show up - under « Open with » , chose Archive Utility in the popup menu - click on « Modify all »

Re: Unwanted naturals on teaching accidentals style

Hi Francis, Iour velkom! JM > Le 20 déc. 2015 à 12:26, francisperea a écrit : > > Hi Jacques, > > Thanks a lot! Worked like a charm! > > Totally as I wanted. You save me the day. > > Thanks again. > > > > -- > View this message in context: >

Re: saxophon multiphonic, how to

Dear Andrew, I've tried it with the following code: mphonicXCII = ^\markup { \override #'(size . 0.4) { \woodwind-diagram #'saxophone #'((cc . (one two three )) (lh . ()) (rh . ())) } } But the saxophone player told me, the output was not the right chart. Maybee a user, who can play sax can tell

Re: saxophon multiphonic, how to

Am Sonntag, den 20. Dezember 2015 um 17:47:39 Uhr (+0100) schrieb Stefan Thomas: > Dear Andrew, > I've tried it with the following code: > mphonicXCII = ^\markup { \override #'(size . 0.4) { \woodwind-diagram > #'saxophone #'((cc . (one two three )) (lh . ()) (rh . ())) } } > But the saxophone

Re: Why does \skip extend an extender

> On Nov 29, 2014, at 9:51 AM, Phil Holmes wrote: > > - Original Message - From: "Patrick or Cynthia Karl" > To: > Sent: Saturday, November 29, 2014 3:41 PM > Subject: Why does \skip extend an extender > > >> In the

Re: customize instrument tuning

Hello BB, You can write what follows, HTH. JM \version "2.19.33" #(set-global-staff-size 30) cMajor = { } myTuning = \stringTuning < e, as, c e as c'> \score { << \new Staff { \relative c'' { \cMajor } } \new FretBoards %\set Staff.stringTunings =

Re: saxophon multiphonic, how to

Hi Stefan, well, if all you need is the fingering diagram, then the section in the Notation Reference on woodwind fingerings: http://lilypond.org/doc/v2.19/Documentation/notation/woodwind-diagrams will give you all the information you need. I don't know from looking what is meant by "c12" in

Re: Why does \skip extend an extender

2015-12-20 18:35 GMT+01:00 Cynthia Karl : > >> On Nov 29, 2014, at 9:51 AM, Phil Holmes wrote: >> >> - Original Message - From: "Patrick or Cynthia Karl" >> To: >> Sent: Saturday, November 29, 2014 3:41 PM >>