Re: \sourcefilename "foo"

Menu Jacques writes: > I found in the notation reference manual that one can use that to rename the > input file: > > • At any point in a file, any of the following lexical instructions can be > entered: > > • \version > • \include > • \sourcefilename > •

cue note fontsize inherited by uncued notes?

The output from the following snippet seems odd: \version "2.19.32" A = \relative c'' { c4 b a g c b a g% 1-2 } \addQuote "A" \A SWithCues = \relative c'' { % R1 \cueDuring #"A" #UP R1% 1 g4 a b c % 2 } { \SWithCues } The notes in

Re: cue note fontsize inherited by uncued notes?

Hello Patrick, Does: SWithCues = \relative c'' { % R1 \new Voice { \cueDuring #"A" #UP R1% 1 } g4 a b c % 2 } solve your problem? JM > Le 26 déc. 2015 à 17:00, Patrick Karl a écrit : > > The output from the following snippet

\sourcefilename "foo"

Hello folks, I found in the notation reference manual that one can use that to rename the input file: • At any point in a file, any of the following lexical instructions can be entered: • \version • \include • \sourcefilename • \sourcefileline • A single-line comment, introduced by

Re: \sourcefilename "foo"

Hello David, I had no expectations, just seemed strange that there was no other mention of it in the docs. Thanks for the explanation! JM > Le 26 déc. 2015 à 17:56, David Kastrup a écrit : > > Menu Jacques writes: > >> I found in the notation reference

lilypond-devel on MacPorts

In order to make keeping up with the development version of Lilypond easier, I'm thinking of transitioning to the MacPorts version (as then keeping it up to date would automatically be part of my normal MacPorts maintenance). However, I've noticed that the lilypond-devel port has dependencies

Re: chord tied to the next measure and then "slurred"/pulled-off

Am 26.12.2015 um 15:51 schrieb Federico Bruni: Hi LilyPonders How would you write the following music? My favorite is the first one... The second example is a bug or a limitation of doubleSlurs? Concerning the normal staff, I'd prefer 1, but in terms of tablature, I'd go for the second

Re: Unwanted barline. How to get rid of it?

Merry christmas dear all Lilyponder! Sry for my late reaction on this one - I finally got to work through all these mails and tried the example code provided by Malte: > This depends on whether you really have an upbeat (f.e. Scherzo ends > with full measure, Trio starts with upbeat) or an

using Lilypond

Hi all First post. I have downloaded Lilypond for windows 7. I went through the test that confims that Lily is working. I have been presented with the welcome notes as well as a command propt box. Where am I supposed to start typing text? The command box does not want to take any text. Looing

Re: using Lilypond

Hello Jud and Welcome to the wonderful pond! I would really recommend you to download and install Frescobaldi. http://frescobaldi.org/ Frescobaldi is an Editor/IDE for creating Lilypond files. Lilypond take on (or multiple) text files with commands for how it should create the sheet music.

chord tied to the next measure and then "slurred"/pulled-off

Hi LilyPonders How would you write the following music? My favorite is the first one... The second example is a bug or a limitation of doubleSlurs? The third is probably the worse (for tablature). \version "2.19.34" \paper { ragged-last = ##t } myMusic = \relative { \set doubleSlurs = ##t

Forcing bar number display at will

Hello folks, I find it convenient when I don’t have to play for a number of measures to decompose the multiple rests in portions corresponding to what the others play, and to have bar numbers showing up here and then to help catching up when I’ve got to blow again. What I don’t understand in

fret diagrams with marked root and roman numbers

\markup \override #'(fret-diagram-details . ( (number-type . arabic) (finger-code . in-dot))) { \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;" % percent sign is for comments % s:3 tells lilypond to make diagram 3x normal size % f:1 is to show

Re: Forcing bar number display at will

On 26/12/2015 11:26, Menu Jacques wrote: > Hello Greg, > > Yes, exactly, thanks for the trick! > > JM > >> Le 26 déc. 2015 à 11:54, Greg a écrit : >> >> On 26/12/2015 09:40, Menu Jacques wrote: >>> Hello folks, >>> >>> I find it convenient when I don’t have to play for a

Re: Boxed Measure Counter

I tried to use bar numbers but I didn't know how to force the bar numbers to be shown at the center of each measure. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Boxed-Measure-Counter-tp185073p185084.html Sent from the User mailing list archive at Nabble.com.

Re: fret diagrams with marked root and roman numbers

BB writes: > \markup > \override #'(fret-diagram-details . ( > (number-type . arabic) > (finger-code . in-dot))) { > \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;" > % percent sign is for comments > % s:3 tells lilypond to make diagram 3x normal size > % f:1 is to

Re: Forcing bar number display at will

Hello Greg, Now that’s quality service, also suggesting that layout could factorize things out! JM > Le 26 déc. 2015 à 12:38, Greg a écrit : > > On 26/12/2015 11:26, Menu Jacques wrote: >> Hello Greg, >> >> Yes, exactly, thanks for the trick! >> >> JM >> >>> Le 26

Re: Forcing bar number display at will

Hello Greg, Yes, exactly, thanks for the trick! JM > Le 26 déc. 2015 à 11:54, Greg a écrit : > > On 26/12/2015 09:40, Menu Jacques wrote: >> Hello folks, >> >> I find it convenient when I don’t have to play for a number of measures to >> decompose the multiple rests

Re: fret diagrams with marked root and roman numbers

Many Thanks! Works well, even with "R" instead of "I". Perfect! On 26.12.2015 12:57, pls wrote: BB writes: \markup \override #'(fret-diagram-details . ( (number-type . arabic) (finger-code . in-dot))) { \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;" % percent

Re: using Lilypond

On 26/12/2015 12:55, Jud wrote: > Hi all > First post. > I have downloaded Lilypond for windows 7. > I went through the test that confims that Lily is working. > I have been presented with the welcome notes as well as > a command propt box. Where am I supposed to start typing text? > The command

Re: Forcing bar number display at will

On 26/12/2015 09:40, Menu Jacques wrote: > Hello folks, > > I find it convenient when I don’t have to play for a number of measures to > decompose the multiple rests in portions corresponding to what the others > play, and to have bar numbers showing up here and then to help catching up > when

Re: using Lilypond

On 26/12/2015 13:44, judson collins wrote: > Hi Greg > Thanks > yes I realised I could edit the scale that was presented mulike editing > a web page. > So now I have done dozens of tests trying to figure what the codes are. > octaves, durations etc. > I will lok at frescobaldi tomorrow. Is there

ragged-right - turn it on and off

 Fiddle tunes usually have 2 parts, each with 8 measures. In tablature that works out to 2 lines of 3 measures and 1 line of 2 measures followed by a \break. The line with 2 measures will be stretched out to fill the page because ragged-right = ##f. This looks odd.I would like the 2 measure line

Re: cue note fontsize inherited by uncued notes?

On 12/26/15 12:49 PM, Jacques Menu wrote: Hello Patrick, Does: SWithCues = \relative c'' { % R1 \new Voice { \cueDuring #"A" #UP R1% 1 } g4 a b c % 2 } solve your problem? Yes, indeed. Can you tell me why? And why does the initial R1

Re: cue note fontsize inherited by uncued notes?

On 26/12/2015 22:14, Patrick Karl wrote: > On 12/26/15 12:49 PM, Jacques Menu wrote: >> Hello Patrick, >> >> Does: >> >> SWithCues = \relative c'' { >>% R1 >>\new Voice { >> \cueDuring #"A" #UP R1% 1 >>} >>g4 a b c % 2 >> } >> >> solve your

Re: ragged-right - turn it on and off

At 19:36 26/12/2015 -0600, Steve Fullerton wrote: Fiddle tunes usually have 2 parts, each with 8 measures. In tablature that works out to 2 lines of 3 measures and 1 line of 2 measures followed by a \break. The line with 2 measures will be stretched out to fill the page because ragged-right =