Re: How can I create from my custom drum note to a pitch? (for fransposing)

2016-03-31 Thread Thomas Morley
2016-03-31 22:41 GMT+02:00 Bernard : > On 31-03-16 20:33, Thomas Morley wrote: >> >> 2016-03-31 16:34 GMT+02:00 Bernard : >>> >>> How can I create from my custom drum note to a pitch? >>> >>> Or, strongly related, how can I transpose from a custom drum note to a >>> standard piano note (pitch)? >>

Re: unfold: volta for typesetting, unfold for MIDI generation?

2016-03-31 Thread Christoph Friedrich
yes, I already suspected something like that…:-( sorry , I'm more kind of a beginner in lilypond > Am 31.03.2016 um 23:29 schrieb Simon Albrecht : > > On 31.03.2016 23:22, Christoph Friedrich wrote: >> yes, i guess. it was \included in Hennings templates and i thought i would >> need it to use

Re: unfold: volta for typesetting, unfold for MIDI generation?

2016-03-31 Thread Simon Albrecht
On 31.03.2016 23:22, Christoph Friedrich wrote: yes, i guess. it was \included in Hennings templates and i thought i would need it to use them properly. But of course you needn’t download articulate.ly separately. It is included in recent LilyPond versions (2.18 at least), so you can \includ

Re: unfold: volta for typesetting, unfold for MIDI generation?

2016-03-31 Thread Christoph Friedrich
yes, i guess. it was \included in Hennings templates and i thought i would need it to use them properly. thank you > Am 31.03.2016 um 23:16 schrieb Simon Albrecht : > > On 31.03.2016 22:46, Christoph Friedrich wrote: >> Hi >> >> would it be possible to upload articulate.ly

Re: unfold: volta for typesetting, unfold for MIDI generation?

2016-03-31 Thread Simon Albrecht
On 31.03.2016 22:46, Christoph Friedrich wrote: Hi would it be possible to upload articulate.ly ? What do you mean, this: ? Best, Simon Am 30.03.2016 um 13:12 schrieb Henning Hrab

Re: How to get swing feel from dotted notation?

2016-03-31 Thread Kieren MacMillan
Hi, > I think that attrubutes are defining the metronome settings? I do not know If > the "swing relation" 67/33 will change with the Tempo? The ratio doesn’t necessarily change with the tempo — but it definitely changes with the feel. There can be a “hard swing” [feel] or “soft swing” [feel or

Re: How do we specify the midi instrument sine wave in Lilypond

2016-03-31 Thread Martin Tarenskeen
On Thu, 31 Mar 2016, salil kashyap wrote: In the lilypond source file, yes we can specify the instrument as 'flute', but how do we let the soundsource replace the corresponding programchange number with that of a sinewave. If you have some lilypond source file where you have done that, could

Re: unfold: volta for typesetting, unfold for MIDI generation?

2016-03-31 Thread Christoph Friedrich
Hi would it be possible to upload articulate.ly ? > Am 30.03.2016 um 13:12 schrieb Henning Hraban Ramm : > > Am 2016-03-30 um 16:43 schrieb Johannes Waldmann : > >> What is the recommended way to obtain the following behaviour >> from one and the same source code: >> re

Re: How can I create from my custom drum note to a pitch? (for fransposing)

2016-03-31 Thread Bernard
On 31-03-16 20:33, Thomas Morley wrote: 2016-03-31 16:34 GMT+02:00 Bernard : How can I create from my custom drum note to a pitch? Or, strongly related, how can I transpose from a custom drum note to a standard piano note (pitch)? I've no idea what you're talking about. Hi Thomas, Thanks fo

Re: naturalize pitches

2016-03-31 Thread Peter Bjuhr
On 2016-03-30 13:49, Jaime Oliver wrote: Sometimes it preferable to change the source directly instead of using function calls. Could you explain when this is the case? This was only a general reflection. The source code is more transparent without getting filtered by functions that change

Re: How can I create from my custom drum note to a pitch? (for fransposing)

2016-03-31 Thread Thomas Morley
2016-03-31 16:34 GMT+02:00 Bernard : > How can I create from my custom drum note to a pitch? > > Or, strongly related, how can I transpose from a custom drum note to a > standard piano note (pitch)? I've no idea what you're talking about. Drum notes don't have pitches. Ergo, they can't be transpo

RE: Ties across staves

2016-03-31 Thread Mark Stephen Mrotek
Andrew, Just read your post and what came to mind was the possible use of \set tieWaitForNote = ##t and \autoBeamOff \crossStaff {% here pitches/durations} \autoBeamOn As soon as I have tried it, I shall respond again. Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu

How can I create from my custom drum note to a pitch? (for fransposing)

2016-03-31 Thread Bernard
How can I create from my custom drum note to a pitch? Or, strongly related, how can I transpose from a custom drum note to a standard piano note (pitch)? I created a custom drummode for Djembe with custom notes. This displays fine. Following is a snippet to create my custum "dba" note : #(

Re: How to get swing feel from dotted notation?

2016-03-31 Thread Colin Campbell
On 16-03-31 02:14 AM, m.tarensk...@zonnet.nl wrote: Btw: the concept of Swing notation is not Limited to Jazz Blues Pop music. In old French Baroque music there was something similar called "inegalité". Such music can also benifit from a lilypond/scheme functioneren like this. In fact, there

Re: How to get swing feel from dotted notation?

2016-03-31 Thread BB
I think that attrubutes are defining the metronome settings? I do not know If the "swing relation" 67/33 will change with the Tempo? Anyway, not wrong an option to set this relation. Fast Swing to Very Fast Swing: (252, 264, 276, 288, 304, 320, 336, ...) Up Swing: (208, 216, 224, 232, 2

\crossStaff plus Beam-positions clips low beam

2016-03-31 Thread damianlegassick
Hi allreviving an old problem here...https://code.google.com/archive/p/lilypond/issues/2849If I compile the following with -dbackend=eps the beam is not visible test.pdf Description: Adobe PDF document I’ve tried 2.19.39 as well, same problemEluze’s 2012 suggestion of adding \markup “ “ to the end

Re: Ties across staves

2016-03-31 Thread Urs Liska
Am 31.03.2016 um 13:07 schrieb Andrew Bernard: > Urs, > > A fantastic idea. I feel sure many people want this. > Indeed. We apply for four slots/projects and don't know how many we'll get. Once that is known we will have to discuss which of the four we can choose. Of course *all* are valuable ..

Re: How to get swing feel from dotted notation?

2016-03-31 Thread Kieren MacMillan
Hi all, On Mar 31, 2016, at 3:41 AM, Blöchl Bernhard wrote: > The real swing has a duration relation of about 67/33 (music scientists say) There are different swings — hard, soft, medium, etc. — and the ratios are different for each. For a Lilypond function that adjusts the MIDI performance an

Re: Ties across staves

2016-03-31 Thread Andrew Bernard
Urs, A fantastic idea. I feel sure many people want this. Andrew On 31/03/2016, 21:43, "Urs Liska" wrote: Well, the current state is that we have a student and a mentor and will request a slot for that topic in this year's Google Summer of Code. By April 22 we will know if that project is go

Re: Ties across staves

2016-03-31 Thread Simon Albrecht
Hi Andrew, that’s a really interesting look you gave to the music! :-) On 31.03.2016 12:36, Andrew Bernard wrote: There’s a group of grace notes that are tied to chord notes in the bottom staff and the top staff as well. The problem is not having a voice change staff – that’s easy – but havi

Re: Ties across staves

2016-03-31 Thread Urs Liska
Well, the current state is that we have a student and a mentor and will request a slot for that topic in this year's Google Summer of Code. By April 22 we will know if that project is going to be realized. Best Urs Am 31. März 2016 12:36:59 MESZ, schrieb Andrew Bernard : >Greetings All, > >I ap

Ties across staves

2016-03-31 Thread Andrew Bernard
Greetings All, I apologise that this is a seemingly endlessly recurring question, but I want to find out the current state of play with regard to being able to do ties across voices in different staves. Refer to the attached example for a figure that I need to set literally dozens and dozens o

Re: writing text on the staff & using numbers in music functions

2016-03-31 Thread Thomas Morley
2016-03-31 6:26 GMT+02:00 Flaming Hakama by Elaine : > \version "2.19.15" > > %{ > I first tried adding parenthesis as text to the multi-measure rest, as > described in > http://www.lilypond.org/doc/v2.18/Documentation/snippets/text#text-multi_002dmeasure-rest-markup > since it claims to center tex

Re: Fw: new important message

2016-03-31 Thread BB
Spam! I got 4 of this to earn money very quickly. On 31.03.2016 10:45, MarcM wrote: Hello! *New message, please read* http://www.onmukodo.com/wanted.php [hidden email] View

Fw: new important message

2016-03-31 Thread MarcM
Hello! New message, please read m...@mouries.net -- View this message in context: http://lilypond.1069038.n5.nabble.com/Fw-new-important-message-tp189142.html Sent from the User mailing list archive at Nabble.com.

Fw: new important message

2016-03-31 Thread MarcM
Hello! New message, please read m...@mouries.net -- View this message in context: http://lilypond.1069038.n5.nabble.com/Fw-new-important-message-tp189134.html Sent from the User mailing list archive at Nabble.com.__

Re: How to get swing feel from dotted notation?

2016-03-31 Thread m.tarensk...@zonnet.nl
Btw: the concept of Swing notation is not Limited to Jazz Blues Pop music. In old French Baroque music there was something similar called "inegalité".Such music can also benifit from a lilypond/scheme functioneren like this. Oorspronkelijk bericht Onderwerp: Re: How to get swing fee

Re: How to get swing feel from dotted notation?

2016-03-31 Thread Simon Albrecht
On 31.03.2016 09:41, Blöchl Bernhard wrote: Is'nt it possible to provide a "swing button" for 67/33 for to make the midi file swinging, but leaves the 50/50 notation in the pdf untouched? That’s all this thread is about. Stephen MacNeil already pointed out that Johannes Rohrer has come up wi

Re: How to get swing feel from dotted notation?

2016-03-31 Thread Blöchl Bernhard
Music is written to be easily readable, and the musician is trusted to adopt the correct performance practice. But midi is not a feeling musician, it is a machine. It does not know the swing concept of unequal durations. In conventional notation there is only possible 50/50 and 75/25, the equ