Re: Custom / Fine tuning vertical space between piano staff lines

On Jun 16, 2016, at 8:28 PM, Harald Christiansen wrote: > > I need to add some supplemental white space between piano staff lines (to > avoid a crowded look and near clashes). Harald, I think you were on the right track with staffgroup spacing, but sometimes

Re: Cues recursion

David, Matteo, On Sun, Jun 19, 2016 at 9:53 PM, David Wright wrote: > On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote: >> I’m preparing parts for a quite complex score, and I’m using the ‘’\add >> quote” command for cues. > > Why aren't you using cues

Re: Cues recursion

On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote: > I’m preparing parts for a quite complex score, and I’m using the ‘’\add > quote” command for cues. Why aren't you using cues rather than quotes? > Everything is fine until I have to quote a part that contains a cue of the > same

Re: Custom / Fine tuning vertical space between piano staff lines

Thanks Simon, Unfortunately the page you are referring to, points to (hard) anchoring linked relative to page, while I want flexible/relative space anchored to the staff above, i.e. some padding. Something like the 'glue' concept in TeX, the \vspace in LaTeX. On Fri, Jun 17, 2016 at 10:27 PM,

Re: Custom / Fine tuning vertical space between piano staff lines

Hi Joram, Unfortunately "\once \override NoteHead.minimum-Y-extent = #'(-20 . 0)" gives me a horrible result: - the note stem is extended - it increases the space between the piano staves (i.e. between the G clef staff and the F staff clef) which I don't want. And yes I want to add padding

Re: Introduction Bracket glyphs

Breanne, On Sun, Jun 19, 2016 at 12:22 AM, Breanne Szilagyi [via Lilypond] < ml-node+s1069038n191742...@n5.nabble.com> wrote: > Good Evening, > > I am arranging a hymn for organ and need to indicate the recommended > measures to use for an introduction. I am looking for square brackets: the >

Re: Introduction Bracket glyphs

On Sat, 2016-06-18 at 23:19 -0700, Breanne Szilagyi wrote: > Good Evening, > > > I am arranging a hymn for organ and need to indicate the recommended > measures to use for an introduction. I am looking for square > brackets: the first bracket is the top and left sides of a square and > the

Re: Custom / Fine tuning vertical space between piano staff lines

> #(ly:set-option 'debug-skylines #t) Thanks, Simon and Harm! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Custom / Fine tuning vertical space between piano staff lines

2016-06-19 13:36 GMT+02:00 Noeck : > I could not find the setting which I suppose is similar to > \papger { annotate-spacing = ##t } > such that you can directly use the normal lilypond and see the skylines. > Maybe someone can point me to it... > > Cheers, > Joram In-file

Re: Custom / Fine tuning vertical space between piano staff lines

On 19.06.2016 13:36, Noeck wrote: I could not find the setting which I suppose is similar to \paper { annotate-spacing = ##t } such that you can directly use the normal lilypond and see the skylines. Maybe someone can point me to it... #(ly:set-option 'debug-skylines #t) HTH, Simon

Re: Custom / Fine tuning vertical space between piano staff lines

Hi Harald, while a custom positioning of one or two staves seems like a reasonable way to go, your question sounds a bit different: >> I need to add some supplemental white space between piano staff lines >> (to avoid a crowded look and near clashes). LilyPond already tries to avoid clashes and

Re: Introduction Bracket glyphs

2016-06-19 11:58 GMT+02:00 Malte Meyn : > If so the complicated tempo should be omitted and instead of > -\tweak color #white > one should write > -\tweak dash-period 0 > for a cleaner solution. OK 2016-06-19 12:16 GMT+02:00 Thomas Morley

Re: Introduction Bracket glyphs

Hi All, When I read this: 2016-06-19 8:19 GMT+02:00 Breanne Szilagyi : ... > And I want to place them above the system. > ... I choose not to use rehearsal marks (just in case - but I might missunderstood something). Cheers, Pierre

Re: Introduction Bracket glyphs

Am 19.06.2016 um 12:13 schrieb Malte Meyn: > > > Am 19.06.2016 um 12:06 schrieb Urs Liska: >> It >> doesn't have the opening bracket without letter, but that could be >> easily achieved (either by adding it to the font or by flipping the >> existing glyph). Unfortunately, IIRC Arnold will be one

Re: Introduction Bracket glyphs

Am 19.06.2016 um 12:13 schrieb Malte Meyn: Why not add the four characters (start Hauptstimme, start Nebenstimme, start Stimme (bracket only), end *stimme) to Feta? See also http://www.smufl.org/version/latest/range/analytics/ for more related characters (Choralmelodie, Hauptrhythmus and

Re: Introduction Bracket glyphs

Hi all, 2016-06-19 11:55 GMT+02:00 Andrew Bernard : > Hi Pierre, > > You beat me to it. :-) I would agree with the shape of this solution. Having > searched the LSR for something similar, don’t you think it would make a good > candidate for the LSR in fact? These types

Re: Introduction Bracket glyphs

Am 19.06.2016 um 12:06 schrieb Urs Liska: It doesn't have the opening bracket without letter, but that could be easily achieved (either by adding it to the font or by flipping the existing glyph). Unfortunately, IIRC Arnold will be one of the first fonts that won't be released under a free

Re: Introduction Bracket glyphs

Malte Meyn writes: > Am 19.06.2016 um 11:55 schrieb Andrew Bernard: >> Having searched the LSR for something similar, don’t you think it would >> make a good candidate for the LSR in fact? > > There is something similar at the LSR: > http://lsr.di.unimi.it/LSR/Item?id=843

Re: Introduction Bracket glyphs

Am 19.06.2016 um 12:02 schrieb Malte Meyn: > > > Am 19.06.2016 um 11:55 schrieb Andrew Bernard: >> Having searched the LSR for something similar, don’t you think it would >> make a good candidate for the LSR in fact? > > There is something similar at the LSR: >

Re: Introduction Bracket glyphs

Am 19.06.2016 um 11:55 schrieb Andrew Bernard: Having searched the LSR for something similar, don’t you think it would make a good candidate for the LSR in fact? There is something similar at the LSR: http://lsr.di.unimi.it/LSR/Item?id=843 This is for Schönberg’s “Hauptstimme” and

Re: Introduction Bracket glyphs

Am 19.06.2016 um 11:55 schrieb Andrew Bernard: You beat me to it. :-) I would agree with the shape of this solution. Having searched the LSR for something similar, don’t you think it would make a good candidate for the LSR in fact? These types of brackets are very useful in general. If so

Re: Introduction Bracket glyphs

Hi Pierre, You beat me to it. :-) I would agree with the shape of this solution. Having searched the LSR for something similar, don’t you think it would make a good candidate for the LSR in fact? These types of brackets are very useful in general. To the OP, I am sorry this is such a complex

Re: Introduction Bracket glyphs

Hi Breanne, Welcome to the list. How about : % \version "2.18.2" %% Bracket defs: startBracket = -\tweak color #white -\tweak bound-details #`((left (text . ,#{ \markup \with-dimensions #'(0 . 0) #'(0 . 0)

Introduction Bracket glyphs

Good Evening, I am arranging a hymn for organ and need to indicate the recommended measures to use for an introduction. I am looking for square brackets: the first bracket is the top and left sides of a square and the second bracket is the top and right sides. And I want to place them above the