Re: Potential improvements to the homepage?

There are certainly many options to explore, many of them quite simple. At any rate, over the next few days I'll take a crack at something and see what people think. Should future discussions about this belong in the dev mailing list? Apologies if this is the wrong place... On Mon, Aug 22, 2016

Re: Potential improvements to the homepage?

On Sunday, August 21, 2016, Urs Liska wrote: > > > Am 21. August 2016 20:58:57 MESZ, schrieb Abraham Lee < > tisimst.lilyp...@gmail.com >: > >On Sunday, August 21, 2016, Andrew Yoon > wrote: > > > >> My thoughts exactly.

RE: that acciaccatura issue (minimal example)

David, Thank you for your reasoned reply. Your comments indicate you understand my conundrum. If I use a model from the learning manual (2.18) and something does not work, I do not know what to eliminate. In the past some of my inquiries have garnered more than one solution. I do not know

RE: that acciaccatura issue (minimal example)

> Simon, > > Since I am not a power user as some on this list are, please indicate what > I > should leave out. > The indication of a Piano Staff? > The key and time signatures? > The indication of two explicit voices in the "upper" staff? > The inclusion of the "\grace s8" in two of the other

RE: that acciaccatura issue

Simon, That you for your courteous response. The problem is all mine. I do not know the intricacies of Lilypond and therefore am unable to distinguish what code can be eliminated to create a "minimal." I recall my time in fourth semester calculus. The textbook would present a solution, usually

Re: that acciaccatura issue

On 21.08.2016 23:53, Mark Stephen Mrotek wrote: The time and knowledge that you spent on my inquiry indicates a real, and appreciated, desire to assist. Several times in the past I have sought aid from this list. Every "trouble" was quickly and clearly resolved. Never have I experienced such a

RE: that acciaccatura issue

Thomas Morley, Thank you for your extensive and detailed reply. The time and knowledge that you spent on my inquiry indicates a real, and appreciated, desire to assist. Several times in the past I have sought aid from this list. Every "trouble" was quickly and clearly resolved. Never have I

Re: Potential improvements to the homepage?

Am 21. August 2016 20:58:57 MESZ, schrieb Abraham Lee : >On Sunday, August 21, 2016, Andrew Yoon wrote: > >> My thoughts exactly. I don't think any drastic change would be called >for, >> I suspect virtually everything that would be productive

Re: that acciaccatura issue

2016-08-21 19:59 GMT+02:00 Mark Stephen Mrotek : > Simon, > > Since I am not a power user as some on this list are, please indicate what I > should leave out. > The indication of a Piano Staff? > The key and time signatures? > The indication of two explicit voices in the

Re: Keep alive together - call for use cases

On 08/21/2016 06:26 PM, Mark Knoop wrote: I've just submitted an additional patch which I think addresses the uses raised by Mats, Kieren and Abraham. See attached ly and pdf files. Comments, particularly on usability, appreciated. Looks good! The possibility to group staves seems intuitive.

Re: Potential improvements to the homepage?

On Sunday, August 21, 2016, Andrew Yoon wrote: > My thoughts exactly. I don't think any drastic change would be called for, > I suspect virtually everything that would be productive could be handled > purely in CSS. Maybe something more in line with the design of >

RE: that acciaccatura issue

David, Thank you for your information. Had you looked at my snippet (attached again) you would have seen that I used "\grace s8" in the other two voices. The problem still exists. Thank you for your kind attention. Mark -Original Message-- From: David Kastrup [mailto:d...@gnu.org] Sent:

RE: that acciaccatura issue

Simon, Since I am not a power user as some on this list are, please indicate what I should leave out. The indication of a Piano Staff? The key and time signatures? The indication of two explicit voices in the "upper" staff? The inclusion of the "\grace s8" in two of the other voices? The pitches

Re: that acciaccatura issue

On 21.08.2016 19:18, Mark Stephen Mrotek wrote: A minimal example was attached. No it wasn’t. There were lots of stuff in it that have nothing to do with the problem. Please (re)read carefully, and do as it says. Yours, Simon

RE: that acciaccatura issue

Simon, Thank you for your reply and admonition. A minimal example was attached. I have change the "acciaccatura" in the second voice and in the lower staff. You can see in the attached snippet that the problem still exists. Thank you for your kind attention. Mark -Original Message-

Re: that acciaccatura issue

"Mark Stephen Mrotek" writes: > Hello, > > > > When an acciaccatura (or grace) is attached to the first pitch of one of > several voices, the other voices must also have one of the same duration - > usually with a "s" pitch. > > How do I attach an acciaccatura to a rest?

Re: that acciaccatura issue

Hi Mark, _always_ make a minimal example in such a case. If you had done so, you might have realised that the problem is the \key statement outside the explicit voices: % << \new Staff << %\key bes \major \new Voice { \key bes \major \acciaccatura a'8

Re: Potential improvements to the homepage?

Werner LEMBERG writes: >>> Because the Web site looks like it has been left to decay since the >>> time when that design style was current, viewers are inclined to >>> think the software may be in a similar condition. >> >> +1 >> >> That’s definitely one reason — maybe the main

Re: Potential improvements to the homepage?

msk...@ansuz.sooke.bc.ca writes: > On Sun, 21 Aug 2016, David Kastrup wrote: >> Uh, how does "dated appearance" (acl of animated content and flashiness, >> color schemes of last season?) equate to "not very reassuring welcome"? > > Because the Web site looks like it has been left to decay since

that acciaccatura issue

Hello, When an acciaccatura (or grace) is attached to the first pitch of one of several voices, the other voices must also have one of the same duration - usually with a "s" pitch. How do I attach an acciaccatura to a rest? (Please see attached snippet.) Thank you for your kind attention.

Re: Keep alive together - call for use cases

At 21:13 on 19 Aug 2016, David Kastrup wrote: >Mark Knoop writes: >> Hi Mats, >> >> How does the attached look to you? Note I have moved the >> Keep_alive_together_engraver to the GrandStaff level so that the vln >> I and vln II groups can work independently. The problem now is

Re: Potential improvements to the homepage?

>> Because the Web site looks like it has been left to decay since the >> time when that design style was current, viewers are inclined to >> think the software may be in a similar condition. > > +1 > > That’s definitely one reason — maybe the main one — but there are > many others, of course. >

Re: Keep alive together - call for use cases

On 08/19/2016 08:16 PM, Mark Knoop wrote: At 18:02 on 19 Aug 2016, Mats Bengtsson wrote: >I recently typeset a concerto grosso from the baroque period, where >the solo and tutti parts are identical during long sections and then >they differ for some bars, every here and there. When entering

Re: Potential improvements to the homepage?

Hi all, >> Uh, how does "dated appearance" (acl of animated content and flashiness, >> color schemes of last season?) equate to "not very reassuring welcome"? > > Because the Web site looks like it has been left to decay since the time > when that design style was current, viewers are inclined

Re: Potential improvements to the homepage?

My thoughts exactly. I don't think any drastic change would be called for, I suspect virtually everything that would be productive could be handled purely in CSS. Maybe something more in line with the design of http://lilypondblog.org/ ? But then again, I'm no designer. On Sun, Aug 21, 2016 at

Re: Potential improvements to the homepage?

On Sun, 21 Aug 2016, David Kastrup wrote: > Uh, how does "dated appearance" (acl of animated content and flashiness, > color schemes of last season?) equate to "not very reassuring welcome"? Because the Web site looks like it has been left to decay since the time when that design style was

Re: Potential improvements to the homepage?

Andrew Yoon writes: > Hi everyone - long-time lilyponder, first time poster here - > > I'm wondering if there might be room to discuss some improvements to > the lilypond.org homepage -- in my personal experience in the past its > typical GNU-style dated appearance was a

Re: Potential improvements to the homepage?

Am 21.08.2016 um 15:41 schrieb Andrew Bernard: Hello Andrew and welcome (from another Haskell user!). I agree with you. The website is looking tired and faded. But I think it is somehow generated programmatically from the lilypond builds, and not based on a content management system. I suspect

Re: Potential improvements to the homepage?

Hello Andrew and welcome (from another Haskell user!). I agree with you. The website is looking tired and faded. But I think it is somehow generated programmatically from the lilypond builds, and not based on a content management system. I suspect this makes it difficult to give it a fresh new

Potential improvements to the homepage?

Hi everyone - long-time lilyponder, first time poster here - I'm wondering if there might be room to discuss some improvements to the lilypond.org homepage -- in my personal experience in the past its typical GNU-style dated appearance was a little off-putting, and I suspect for many other

Re: Centering Chord Diagrams

Hi Patrick, 2016-08-21 5:17 GMT+02:00 Patrick Millier : > Hi, > > > I'm leaning Lilypond and cannot find this one ... I got some chord diagrams > at the beginning of my score and would like to center them. Please try to ask more specific. To center something may mean:

Re: Arpeggio and spacing question.

2016-08-21 3:19 GMT+02:00 Hwaen Ch'uqi : > Greetings All, > > The following code results in the second arpeggio sign running into > the preceding D-flat in the left hand. As there is very little room to > move the arpeggio to the right before running into the following >

Re: intentionally blank cover page ?

Hwaen, Jean, thanks so much for your kind efforts, both of which worked like a treat. I was somewhat embarrassed to post such a question, but am very grateful for the help. Regards Paul On Sun, Aug 21, 2016 at 4:28 PM, Hwaen Ch'uqi wrote: > Greetings Paul, > > When I wish

Re: intentionally blank cover page ?

Greetings Paul, When I wish to affect a blank page, I use \markup \null So your first bookpart would look like this: \bookpart { \markup \null \pageBreak \header{} { MUSIC } } %End first bookpart I hope this helps! Hwaen Ch'uqi On 8/21/16, B~M wrote: > Dear All,

Re: intentionally blank cover page ?

Le dimanche 21 août 2016 à 14:58 +1000, B~M a écrit : > Dear All, I have a simple little problem.  > I have two viola suites, each two pages long. I would like to print > these two pieces > double sided, but with an intentionally blank first page so there is > only one page turn  > from the first