Re: Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Mojca Miklavec
Hi, Thank you very much for some very useful suggestion. I'll reply to the rest later, but I have one "objection" (I could probably have mentioned that in my first post): On 15 October 2016 at 01:22, Flaming Hakama by Elaine wrote: > >> Is there a way to make this both appear correctly and play

Re: accidentalStyle modern

2016-10-14 Thread David Wright
On Fri 14 Oct 2016 at 06:32:11 (+0200), Pierre Perol-Schneider wrote: > e.g. : > http://lilypond.1069038.n5.nabble.com/Custom-accidental-styles-td190776.html > > 2016-10-13 23:51 GMT+02:00 Simon Albrecht : > > > On 12.10.2016 18:49, sail...@mailbox.org wrote: > >> > >>

Re: lilypond-user Digest, Vol 167, Issue 48

2016-10-14 Thread Flaming Hakama by Elaine
> 5.) Is there any good "tutorial" about proper use of "D.S. al Fine" > and weird usages of those Segno signs? I've seen some, but wouldn't > mind seeing some nice reference just to make sure that I properly > understand the correct usage in all weird cases. > I'm not sure what a weird usage of

Re: Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Flaming Hakama by Elaine
> 4.) What's the proper way to write the following: > > c4 4 4 > > when c's duration is actually "2." (a single button press) and d's > duration is "2" (again a single button press)? Should one draw c2. or > three c4, connected with a tie/slur? > I think there are different approaches to

Re: Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Flaming Hakama by Elaine
> 3.) I sometimes want to write repeats as | 1,3 | 2 | 4 | > > Is there any better way than the following? > > \alternative { > { > \set Score.repeatCommands = #'((volta "1, 3")) > ... > } > { > ... > } > { > \set Score.repeatCommands = #'((volta "4") end-repeat) >

Re: Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Flaming Hakama by Elaine
> 2.) Sometimes I have a very simple repeat pattern, say, part A repeats > four times. > The only difference is that the third time "c2." gets replaced by "c2 > c4" somewhere in the middle due to an additional syllable in the > lyrics. > > a) What's the correct way to visually represent that?

Re: Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Flaming Hakama by Elaine
> From: Mojca Miklavec > Subject: Beginner's questions about long repeats & MIDI files > Hi, > > I have some simple beginner's questions about different aspects of > repeats, mostly from the perspective of creating proper MIDI files. > > 1.) Let's assume that the

Beginner's questions about long repeats & MIDI files

2016-10-14 Thread Mojca Miklavec
Hi, I have some simple beginner's questions about different aspects of repeats, mostly from the perspective of creating proper MIDI files. 1.) Let's assume that the song has one of the following patterns Intro-A1-A2-B1-B2-A1-A2-A3 Intro-A1-A2-B1-B2-A1-A2-B1-B3 A1 = part A with the first

Help for entering the basses for diatonic accordion

2016-10-14 Thread Mojca Miklavec
Hi, After getting some very useful hints on this list about creating scores for diatonic accordion, I would like to return for getting more help on entering the basses in an easier way than having to manually type the same information over and over again. A few other things from the wishlist

Re: Controlling hairpin length - revisited!

2016-10-14 Thread Thomas Morley
Hi David: 2016-10-11 15:51 GMT+02:00 David Sumbler : > The reasons for the long gap were (a) moving house in February and, > more importantly (b) feeling very discouraged by the apparent > unpredictability of hairpin lengths in Lilypond, despite all Harm's > valiant efforts.

Re: Controlling hairpin length - revisited!

2016-10-14 Thread David Sumbler
On Thu, 2016-10-13 at 23:54 +0200, Simon Albrecht wrote: > On 13.10.2016 14:41, David Sumbler wrote: > > > > On Wed, 2016-10-12 at 14:10 -0400, Kieren MacMillan wrote: > > > > > > Hi David, > > > > > > > > > > > But I realise that often what I need in order to get > > > > satisfactory > > > >