Hi,
Thank you very much for some very useful suggestion. I'll reply to the
rest later, but I have one "objection" (I could probably have
mentioned that in my first post):
On 15 October 2016 at 01:22, Flaming Hakama by Elaine wrote:
>
>> Is there a way to make this both appear correctly and play
On Fri 14 Oct 2016 at 06:32:11 (+0200), Pierre Perol-Schneider wrote:
> e.g. :
> http://lilypond.1069038.n5.nabble.com/Custom-accidental-styles-td190776.html
>
> 2016-10-13 23:51 GMT+02:00 Simon Albrecht :
>
> > On 12.10.2016 18:49, sail...@mailbox.org wrote:
> >>
> >>
> 5.) Is there any good "tutorial" about proper use of "D.S. al Fine"
> and weird usages of those Segno signs? I've seen some, but wouldn't
> mind seeing some nice reference just to make sure that I properly
> understand the correct usage in all weird cases.
>
I'm not sure what a weird usage of
> 4.) What's the proper way to write the following:
>
> c4 4 4
>
> when c's duration is actually "2." (a single button press) and d's
> duration is "2" (again a single button press)? Should one draw c2. or
> three c4, connected with a tie/slur?
>
I think there are different approaches to
> 3.) I sometimes want to write repeats as | 1,3 | 2 | 4 |
>
> Is there any better way than the following?
>
> \alternative {
> {
> \set Score.repeatCommands = #'((volta "1, 3"))
> ...
> }
> {
> ...
> }
> {
> \set Score.repeatCommands = #'((volta "4") end-repeat)
>
> 2.) Sometimes I have a very simple repeat pattern, say, part A repeats
> four times.
> The only difference is that the third time "c2." gets replaced by "c2
> c4" somewhere in the middle due to an additional syllable in the
> lyrics.
>
> a) What's the correct way to visually represent that?
> From: Mojca Miklavec
> Subject: Beginner's questions about long repeats & MIDI files
> Hi,
>
> I have some simple beginner's questions about different aspects of
> repeats, mostly from the perspective of creating proper MIDI files.
>
> 1.) Let's assume that the
Hi,
I have some simple beginner's questions about different aspects of
repeats, mostly from the perspective of creating proper MIDI files.
1.) Let's assume that the song has one of the following patterns
Intro-A1-A2-B1-B2-A1-A2-A3
Intro-A1-A2-B1-B2-A1-A2-B1-B3
A1 = part A with the first
Hi,
After getting some very useful hints on this list about creating
scores for diatonic accordion, I would like to return for getting more
help on entering the basses in an easier way than having to manually
type the same information over and over again.
A few other things from the wishlist
Hi David:
2016-10-11 15:51 GMT+02:00 David Sumbler :
> The reasons for the long gap were (a) moving house in February and,
> more importantly (b) feeling very discouraged by the apparent
> unpredictability of hairpin lengths in Lilypond, despite all Harm's
> valiant efforts.
On Thu, 2016-10-13 at 23:54 +0200, Simon Albrecht wrote:
> On 13.10.2016 14:41, David Sumbler wrote:
> >
> > On Wed, 2016-10-12 at 14:10 -0400, Kieren MacMillan wrote:
> > >
> > > Hi David,
> > >
> > > >
> > > > But I realise that often what I need in order to get
> > > > satisfactory
> > > >
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