Re: need help

Welcome Peter, > 1. What application do you recommend - Frescobaldi or Denemo ? > (at http://lilypond.org/easier-editing.html) This is difficult, because there are of course advocates for both, in particular the developers. My personal recommendation is Frescobaldi. In combination with the docume

Re: Two similar articulations on one note in one voice

2016-11-05 2:50 GMT+01:00 Andrew Bernard : > Can one add two tenutos, say, or two of any articulation on a note, one > above and one below? For example > > > > { > > c’’^-_- > > } > > > > That can be done if there are two different articulations involved, but when > they are the same, the second ge

Re: Organize collection of scores

Il giorno sab 5 nov 2016 alle 0:55, Noeck ha scritto: A) *folders per compilation step and file type* My currently planned approach would be to have a folder for each type, like libraries, scores, pdfs, etc. and then some shell scripts to produce the output of a particular score or all of them a

Re: Two similar articulations on one note in one voice

2016-11-05 10:29 GMT+01:00 Thomas Morley : > 2016-11-05 2:50 GMT+01:00 Andrew Bernard : >> Can one add two tenutos, say, or two of any articulation on a note, one >> above and one below? For example >> >> >> >> { >> >> c’’^-_- >> >> } >> >> >> >> That can be done if there are two different articula

Re: Organize collection of scores

Hi Federico, thanks for your reply. I also looked at Mutopia and I have to revise things: My currently planned approach is now B and A would be an alternative. Am 05.11.2016 um 10:43 schrieb Federico Bruni: > Il giorno sab 5 nov 2016 alle 0:55, Noeck ha > scritto: >> A) *folders per compilation

Re: need help

Am 04.11.2016 um 22:11 schrieb Peter Lavetti: Processing `/Users/peterlavetti/Desktop/Untitled.ly' Parsing... /Users/peterlavetti/Desktop/Untitled.ly:1: warning: no \version statement found, please add \version "2.18.2" for future compatibility Success: compilation successfully completed No

Re: need help

Noeck writes: > Welcome Peter, > >> 1. What application do you recommend - Frescobaldi or Denemo ? >> (at http://lilypond.org/easier-editing.html) > > This is difficult, because there are of course advocates for both, in > particular the developers. I don't find it difficult at all: if you want

Re: basic question regarding \drummode

Am 04.11.2016 um 23:15 schrieb Tobin Chodos: What's the best way to handle a percussion part that has a lot of pitched and un-pitched material? You could have a “pitched” Staff accept not only “pitched” Voices but also DrumVoices: \version "2.18.2" \new Staff \with { \accepts DrumVoice

Re: need help

On Sat, 2016-11-05 at 12:35 +0100, David Kastrup wrote: > Noeck writes: > > > Welcome Peter, > > > >> 1. What application do you recommend - Frescobaldi or Denemo ? > >> (at http://lilypond.org/easier-editing.html) > > > > This is difficult, because there are of course advocates for both, > in >

Re: need help

> I don't find it difficult at all If you say so, I agree. My choice is clear but I don't want to offend anyone. >> I never had problems with the latest version called 'unstable': >> http://lilypond.org/development.html > > We had some real nasties in the 40s. Maybe you did not update then. No

Re: basic question regarding \drummode

2016-11-05 12:39 GMT+01:00 Malte Meyn : > > > Am 04.11.2016 um 23:15 schrieb Tobin Chodos: >> >> What's the best way to handle a percussion part that has a lot of >> pitched and un-pitched material? > > > You could have a “pitched” Staff accept not only “pitched” Voices but also > DrumVoices: > > \

Re: basic question regarding \drummode

2016-11-05 13:46 GMT+01:00 Thomas Morley : > 2016-11-05 12:39 GMT+01:00 Malte Meyn : >> >> >> Am 04.11.2016 um 23:15 schrieb Tobin Chodos: >>> >>> What's the best way to handle a percussion part that has a lot of >>> pitched and un-pitched material? >> >> >> You could have a “pitched” Staff accept

Re: basic question regarding \drummode

Thomas Morley writes: > 2016-11-05 12:39 GMT+01:00 Malte Meyn : >> >> >> Am 04.11.2016 um 23:15 schrieb Tobin Chodos: >>> >>> What's the best way to handle a percussion part that has a lot of >>> pitched and un-pitched material? >> >> >> You could have a “pitched” Staff accept not only “pitched”

Re: More trill questions

I realized my mistake as I woke up this morning... Sorry for the idiotic question and thanks for the help! M > From: "H. S. Teoh" mailto:hst...@quickfur.ath.cx>> > Subject: Re: More trill questions > Date: November 4, 2016 at 7:19:43 PM EDT > To: lilypond-user@gnu.org

Re: Cross staff and beaming

2016-11-05 16:05 GMT+01:00 Andrew Bernard : > This is a question about cross staff stems and beaming. Referring to the > attached example, can this be done by any means in lilypond? Am I missing > something obvious? > > > > Is there perhaps any way to have beams from the bass and from the treble be

Re: basic question regarding \drummode

2016-11-05 14:11 GMT+01:00 David Kastrup : > Now here is another consideration: I wanted to use \drums here but it > created another DrumStaff. > > It turns out that the shortcuts > > \figures \chords \drums \lyrics > > all create a Bottom context _except_ for \drums. Should we change \drums

Forcing and preventing page-turns

It always seems to be a bit hit-and-miss for me when I try to arrange the pagination of instrumental parts.  Reading the manual it isn't clear to me how I can force page turns to occur *only* at the points I choose. Also, Lilypond doesn't like ending on an even-numbered page.  How can I force it n

Re: Forcing and preventing page-turns

Am 05.11.2016 um 21:20 schrieb David Sumbler: > It always seems to be a bit hit-and-miss for me when I try to arrange > the pagination of instrumental parts. Reading the manual it isn't > clear to me how I can force page turns to occur *only* at the points I > choose. \override Score.NonMusical

Re: Forcing and preventing page-turns

Am 05.11.2016 um 21:25 schrieb Urs Liska: > \override Score.NonMusicalPaperColumn.line-break-permission = ##f > > will prevent any automatic breaks. Ah, sorry, and of course \override Score.NonMusicalPaperColumn.page-break-permission = ##f and \override Score.NonMusicalPaperColumn.page-turn-per

Re: need help

>> We had some real nasties in the 40s. Maybe you did not update then. > No I did not update recently, I used 2.19.36 for a long time and 2.19.43 > only for a short test of new syntax. Now, I try to use it and experience what I've seen on this list: time: 2m45.593s _

Re: Forcing and preventing page-turns

2016-11-05 21:26 GMT+01:00 Urs Liska : > > > Am 05.11.2016 um 21:25 schrieb Urs Liska: >> \override Score.NonMusicalPaperColumn.line-break-permission = ##f >> >> will prevent any automatic breaks. > > Ah, sorry, and of course > > \override Score.NonMusicalPaperColumn.page-break-permission = ##f > a

Re: Forcing and preventing page-turns

Am 05.11.2016 um 22:38 schrieb Thomas Morley: > 2016-11-05 21:26 GMT+01:00 Urs Liska : >> >> Am 05.11.2016 um 21:25 schrieb Urs Liska: >>> \override Score.NonMusicalPaperColumn.line-break-permission = ##f >>> >>> will prevent any automatic breaks. >> Ah, sorry, and of course >> >> \override Score

Re: Forcing and preventing page-turns

2016-11-05 22:39 GMT+01:00 Urs Liska : > > > Am 05.11.2016 um 22:38 schrieb Thomas Morley: >> 2016-11-05 21:26 GMT+01:00 Urs Liska : >>> >>> Am 05.11.2016 um 21:25 schrieb Urs Liska: \override Score.NonMusicalPaperColumn.line-break-permission = ##f will prevent any automatic breaks.

Re: basic question regarding \drummode

Thomas Morley writes: > 2016-11-05 14:11 GMT+01:00 David Kastrup : > >> Now here is another consideration: I wanted to use \drums here but it >> created another DrumStaff. >> >> It turns out that the shortcuts >> >> \figures \chords \drums \lyrics >> >> all create a Bottom context _except_ fo

Re: need help

> On 5 Nov 2016, at 22:16, Noeck wrote: > >>> We had some real nasties in the 40s. Maybe you did not update then. >> No I did not update recently, I used 2.19.36 for a long time and 2.19.43 >> only for a short test of new syntax. > > Now, I try to use it and experience what I've seen on this l

Re: need help

Dear Hans, I just mentioned it to document here that David was right: I experienced (for the first time) that development versions can be unstable. So I blundered into trap with warning signs around. >> Now, I try to use it and experience what I've seen on this list: >> >> time: 2m45.593s > > Wh

Re: Making a Hairpin end close to the end of a Score

On 05.11.2016 05:01, Paul Scott wrote: On Fri, Nov 04, 2016 at 07:21:05PM -0700, Christopher Heckman wrote: On Fri, Nov 4, 2016 at 9:36 AM, Simon Albrecht wrote: On 04.11.2016 09:11, Christopher Heckman wrote: On Tue, Nov 1, 2016 at 3:08 PM, Simon Albrecht wrote: Hi Chris, [...] In that cas

Re: basic question regarding \drummode

On 05.11.2016 20:41, Thomas Morley wrote: At the current point of time, only a DrumStaff accepts a DrumVoice so this should cause very little change. The only change to be feared is that \drums \with ... { } would apply the context mod to the DrumVoice, not the DrumStaff. This will make it impo

Lilypond bug "Exited with return code-1073741819" & workaround

This simple example crashes Lilypond. You wouldn't think putting 6 broken tuplets into a measure would make Lilypond stop working, but it does. To get the error Exited with return code-1073741819 uncomment the line % \time 4918233/340340 and comment the lines immediately below \once \overrid

Re: Lilypond bug "Exited with return code-1073741819" & workaround

Am 06.11.2016 um 02:28 schrieb mclaren: > This simple example crashes Lilypond. This is not a simple example. If you think you've come across a bug please create a "tiny example" (http://lilypond.org/tiny-examples.html), "an example from which nothing can be removed" and report it to bug-lilyp.

RE: Lilypond bug "Exited with return code-1073741819" & workaround

Hello mclaren (do you have a name for us?) There's a willing community here ready to help, but we expect MWE's - minimal working examples. I think that's only fair and reasonable, and has a long tradition on this list. Please refer to this guideline: http://lilypond.org/tiny-examples.html Do yo

Mystery empty staves appear on score

Using urs Liska's recommended page break method for ametric scores, got close to a score of simultaneous Nancarrowesque notated accelerations + decelerations with proper page breaks. Mysterious empty staves appear on the pages, though. Not sure why. I can photoshop these out from the lilypond outpu

RE: Lilypond bug "Exited with return code-1073741819" & workaround

Andrew -- Thanks for the suggestion about "minimal working examples." I'm a little puzzled about how I can reduce the size of my Lilpond code. In the example above, for instance, I need at least one full measure of those broken tuplets because anything less doesn't get the numerator and denominat

Just a fun example of what Lilypond can do

No bugs, no problems with this score. Thought I'd just toss this out there to show a neat example of some things Lilypond can do that no other notation program (that I know of -- haven't used SCORE) can do. \version "2.18.2" \header { tagline = "" % removed } indent=0 \layout { % Crea

RE: Just a fun example of what Lilypond can do

Hi, If you want better control over tuplet brackets and their angles, here's some useful code. You can get the brackets horizontal with little effort using this. [Not my code, but I am unable to recall who created this to acknowledge them.] [Do tell us your name, it would be good and proper. Eve

Two different time signatures with different tuplets in 'em

The logical extension of that example I posted with the large time signature, 4918233/340340, involves two different simultaneous measures with different tuplets and different time signatures, one large, the other not. In this case, the 4918233/340340 measure (which is really a different smaller t

Re: Two different time signatures with different tuplets in 'em

On 2016-11-05 23:35, mclaren wrote: Urs Liska's and Andrew Ho's page break code works well on most examples I've worked through, but it doesn't work here. Hi mclaren, I hate to correct you, but the correct names are Hans Liska and Andrew Ho. Andrew ___