Hi guys,
I am engraving a chorale prelude by Georg Friedrich Kauffmann. There is a
bar where I want the alto voice to cross over to the left hand staff, see
the example below. But then the b in the alto voice clashed with both d's
in tenor- and bass voice. I'd like to move the b in the alto
Andrew Bernard:
> Lilypond is not a brand and not a trademark.
So, no one has put in for a trademark for Lilypond?
> It's open source software, and
> it does not compete in a market. Dear me. Lilypond software has no
right or
> monopoly over the English word lily.
Software can be free/libre
Am 03.05.2017 um 21:09 schrieb Menu Jacques:
The LPNR gives as example:
\relative c'' {
\repeat tremolo 8 { c16 d }
\repeat tremolo 6 { c16 d }
\repeat tremolo 2 { c16 d }
}
I found by experimenting with 2.19.55 that chords can be used in such tremolos.
Of course
Hello,
I had this problem too: "\require" has to be replaced by "\include".
Regards,
Pierre
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Hello,
With:
%%%
\version "2.19.55"
\require "lilyjazz"
\layout {
\context {
\Score \jazzOn
}
}
chordNames = \chordmode { e1:maj7 ees:maj7 }
melody = \relative c' { e1 ees }
\score {
<<
\new ChordNames { \chordNames }
\new Staff {
Hello folks,
The LPNR gives as example:
\relative c'' {
\repeat tremolo 8 { c16 d }
\repeat tremolo 6 { c16 d }
\repeat tremolo 2 { c16 d }
}
I found by experimenting with 2.19.55 that chords can be used in such tremolos.
The doc doesn’t explicitly exclude unequal
Hello folks,
As of 2.19.55 in the example below, one can « replicate » the \repeat command
needed in P_POne_Staff_One_Voice_One in both \chordmode and \lyricmode.
The same score is obtained with the \repeat only in P_POne_Staff_One_Voice_One.
Is such a « replication » good practice? Are there
Hello Rob,
I had the same problem.
I solved it by replacing the font name "LilyJAZZText" in (the bottom of the)
file "jazzchord.ly" (or "jazzchord.ily") with the following:
"lilyjazz-chord".
Now, it works fine.
Regards,
Pierre
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Il giorno mer 3 mag 2017 alle 2:10, David Wright
ha scritto:
Looking at the snippit with its more handsome arrow, I can see the
sense in Pierre's suggestion of using bowing marks; they're more
distinguishable from each other (if these markings are important).
In
Thanks!
*Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje.
Izreke 12:18*
On Wed, May 3, 2017 at 1:10 PM, Simon Albrecht
wrote:
> Am 03.05.2017 um 10:38 schrieb Stjepan Horvat:
>
>> Hi guys.
>>
>> Is there an easy way to replace musical elements like
Am 03.05.2017 um 10:38 schrieb Stjepan Horvat:
Hi guys.
Is there an easy way to replace musical elements like
noteheads (1, 4)
clef
accidentals (sharp, flat)
with svg or eps elements?
with override or tweak?
without creating new font.
It would seem your best bet is creating a style sheet,
Am 3. Mai 2017 07:19:46 MESZ schrieb Michiel Sikma :
>Hi Andrew,
>
>Thanks, sorry for not including it to begin with.
>Actually, in making that example I had another look through the snippet
>repository and found this http://lsr.di.unimi.it/LSR/Snippet?id=739 -
>which
>I'm
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