Re: Understanding how \tag works in \relative pitched music

So it's an Order of Operations issue. Pitches entered using \relative are first converted to absolute then the selection using \tag conditional. Which suggests that \tag used with \relative will never work. Thanks. On Aug 4, 2017 10:45 PM, "David Wright" wrote: > On

Re: Understanding how \tag works in \relative pitched music

On Fri 04 Aug 2017 at 15:41:34 (-0500), Guy Stalnaker wrote: > All, > > Why is this output being created? I would expect to get exactly the same > pitches on all three staffs, but since not, my expectations are obviously > wrong. > > %% SNIPPET %% > ​straightMusic = \relative c' { > a2

Re: Understanding how \tag works in \relative pitched music

Maybe someone more well-versed with the inner workings of lilypond might correct me here, but as I understand it, the pitches depend on the sequence of notes in the input, regardless of any tags that might be attached to some of them. Conversely, when \keepWithTag (or any of the related commands)

Re: making all grobs breakable (for easier polymetric scores)

Hi Malte, > \set Staff.barAlways = ##t > \set Staff.defaultBarType = "" > > This sets a "" barline after every rhythmical event that occurs in the score > (not only the current staff). You then need to set the “real” barlines by > hand, something like: > > \new Staff << > { \time 3/2 c''1 2

Re: making all grobs breakable (for easier polymetric scores)

Am 04.08.2017 um 19:33 schrieb Kieren MacMillan: Is there any way to avoid this? I'd like to say, in effect, "during this passage, every (e.g.) eighth note should be considered a breakable point for the purposes of layout calculations". \set Staff.barAlways = ##t \set Staff.defaultBarType

Understanding how \tag works in \relative pitched music

All, Why is this output being created? I would expect to get exactly the same pitches on all three staffs, but since not, my expectations are obviously wrong. %% SNIPPET %% ​straightMusic = \relative c' { a2 _\markup { no tag, relative pitch } cis4 e | fis1 | } clarinetOneMusic = \relative

making all grobs breakable (for easier polymetric scores)

Hi all, In the attached snippet, I must adjust the [non-visual] duration of the whole note and manually add an explicit \bar "" command in order to break the line where I want it. Is there any way to avoid this? I'd like to say, in effect, "during this passage, every (e.g.) eighth note should

Re: trying to solve "cyclic chain in pure-Y-offset callbacks" error in custom (ScoreMarks) context

d 2017-08-03 19:05 GMT+02:00 Kieren MacMillan : > Hello all, > > In the snippet included below, I'm using a custom ScoreMarks context to show > MetronomeMarks (plus, in the real world, RehearsalMarks and other things) > above the system. The problem is, in order

Re: trying to solve "cyclic chain in pure-Y-offset callbacks" error in custom (ScoreMarks) context

Hi Harm, > if I understand correctly, consisting "Staff_collecting_engraver" is part of > the Problem. Thanks! This solves the problem, with no obvious negative side-effects. > This makes sense only if ScoreMarks would be of type staff, which it isn't > currently. > More, your setting of