Re: The Power of Lilypond

Hi Urs, > If you do this I'll probably fire up Facebook again. I would specifically > stress how the information in the critical report (measure, beat information, > instrument, automatic detection of multiple entries in the same measure) is > generated directly from the score. It's done

Re: Bug? getting the stencil of the stem removes the beam

Hi, thanks a lot for looking into this and finding a better implementation! On 15.03.2018 23:33, Thomas Morley wrote: > Hi Lucas, > > all below under the condition 'if I understand correctly' ;) > > 2018-03-15 18:38 GMT+01:00 Lucas Werkmeister : >> Hi everyone, >> >> I

Re: Bug? getting the stencil of the stem removes the beam

Hi Lucas, all below under the condition 'if I understand correctly' ;) 2018-03-15 18:38 GMT+01:00 Lucas Werkmeister : > Hi everyone, > > I was trying to use the \displaceHeads function from snippet 861 [1] [2] on > an eight-note chord, but found that it completely

Re: The Power of Lilypond

Hi Urs, I'll definitely write you a post for the Scores of Beauty page. I'll start this weekend. Thanks again for all your help. I appreciate it. Craig On 15 March 2018 at 08:10, Urs Liska wrote: > Hi Craig, > > Am 14.03.2018 um 21:13 schrieb Craig Dabelstein: > > Hi

Bug? getting the stencil of the stem removes the beam

Hi everyone, I was trying to use the \displaceHeads function from snippet 861 [1] [2] on an eight-note chord, but found that it completely removes the beam for some reason. I reduced it down to the following code: \version "2.18.2" {   \tweak before-line-breaking #(lambda (grob)

Re: Edition Engraver bug?

It's strange, I tested with a project that had some "rebel ties", commented out the previous fix and used \tieDown, and the ties went in the direction I wanted them to... I'll have to look at it in more detail, but it must surely be my fault, I must have missed something. However in the example

Re: Edition Engraver bug?

Hi Stéfano, I tested with the force-rebel-tie.ly file you sent earlier in this thread. What I meant was that \tieDown still does have no effect, when there is a \voiceOne statement - maybe hidden via << \\ >>. So the first tie is not changed with the EE-mod in the demo. Do you think the

Re: Changing email address

On Thu 15 Mar 2018 at 07:12:35 (+), Mark Austin wrote: > How is this done? Subscribe with the new address (making sure you send to the foo-request address and not foo itself), submit and confirmations, wait for postings to arrive ok, then unsubscribe the old address *from the old address*

Re: Changing email address

On 3/15/2018 3:12 AM, Mark Austin wrote: How is this done? Hi Mark, I assume you mean changing your address / how it relates to this mailing list? https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list

Re: Transposing Keyless Brass Parts

For my brass parts, I use the OpenLilyLib auto-transpose snippet, and \remove Key_engraver. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Thriple flat/sharp glyphs...

Torsten Hämmerle writes: > Werner LEMBERG wrote >>> I just used \score inside a custom markup-command and set the size >>> by \layout { #(layout-set-staff-size design_size) } >>> >>> It looks as if #(layout-set-staff-size) doesn't scale down all the >>> distances. >>

Re: Thriple flat/sharp glyphs...

Werner LEMBERG wrote >> I just used \score inside a custom markup-command and set the size >> by \layout { #(layout-set-staff-size design_size) } >> >> It looks as if #(layout-set-staff-size) doesn't scale down all the >> distances. > > I think this behaviour is correct – the idea is to have

Re: Transposing Keyless Brass Parts

Glassmenagerie wrote > The Bb trumpet player would need to transpose > up 7 intervals on the fly. There is no key signature. Quite a challenge > for amateur players. > I'd like the best way to arrive at the correct notes and key signature for > the Bb trumpet. Hi, Traditionally, there are

Re: Changing email address

Mark Austin writes: > How is this done? Like with basically any mailing list, letting the full headers of any mail from it displayed will give you the links you need. -- David Kastrup ___ lilypond-user mailing list

Changing email address

How is this done? -- Mark Austin -- For Whigs admit no force but argument -- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Thriple flat/sharp glyphs...

> I just used \score inside a custom markup-command and set the size > by \layout { #(layout-set-staff-size design_size) } > > It looks as if #(layout-set-staff-size) doesn't scale down all the > distances. I think this behaviour is correct – the idea is to have staves with different sizes

Re: Transposing Keyless Brass Parts

On Wed, Mar 14, 2018 at 2:48 PM, Glassmenagerie wrote: > Here are a few measures of the 1st trumpet part in F of the 3rd dance of > the > Dvorak Slavonic Dances, Op46. The Bb trumpet player would need to > transpose > up 7 intervals on the fly. There is no key signature.