On Thu, May 17, 2018 at 9:05 PM, Andrew Bernard
wrote:
> The next logical (or stupid?) question is, can one snug
> the notes under the time signature, as though it occupied no space?
Intriguing. I found a lilypond-user thread from 2009 about imitating
time signatures in
Hi Aaron,
Thank you very much. The next logical (or stupid?) question is, can one
snug the notes under the time signature, as though it occupied no space?
Andrew
On 18 May 2018 at 10:57, Aaron Hill wrote:
>
>
> \version "2.19.81"
> { \override
On 18 May 2018 at 12:04, Aaron Hill wrote:
> On 2018-05-17 15:29, Carl Sorensen wrote:
>>
>> On 5/17/18, 3:51 PM, "Jonathan Chen" wrote:
>> I've just returned to using lilypond 2.18.2 after a break, and I now
>> find if I compile any of my
On 2018-05-17 17:53, Andrew Bernard wrote:
Is it possible to have time signatures show above the barline, not
inline
in the staff?
I'm aware there is a solution using a separate staff for time
signatures,
but I would rather not use that, as I do want them to sit very snug on
top
of the
Is it possible to have time signatures show above the barline, not inline
in the staff?
I'm aware there is a solution using a separate staff for time signatures,
but I would rather not use that, as I do want them to sit very snug on top
of the barline.
Andrew
On 2018-05-17 15:29, Carl Sorensen wrote:
On 5/17/18, 3:51 PM, "Jonathan Chen" wrote:
I've just returned to using lilypond 2.18.2 after a break, and I
now
find if I compile any of my existing .ly files, I get a scree of
errors, eg:
What is your operating
2018-05-17 15:47 GMT+02:00 foxfanfare :
> Kieren MacMillan wrote
>> Hi foxfanfare,
>>
>>> Is it possible to adjust the padding of a broken hairpin after a line
>>> break?
>>
>> http://lilypond.org/doc/v2.18/Documentation/notation/modifying-broken-spanners
>>
>> Hope that helps!
On 5/17/18, 3:51 PM, "Jonathan Chen" wrote:
Hi,
I've just returned to using lilypond 2.18.2 after a break, and I now
find if I compile any of my existing .ly files, I get a scree of
errors, eg:
What is your operating system? How are you running
On 18 May 2018 at 10:10, Simon Albrecht wrote:
> On 17.05.2018 23:51, Jonathan Chen wrote:
>>
>> I've just returned to using lilypond 2.18.2 after a break, and I now
>> find if I compile any of my existing .ly files, I get a scree of
>> errors,
>
>
> As always, it’s hard
On 17.05.2018 23:51, Jonathan Chen wrote:
I've just returned to using lilypond 2.18.2 after a break, and I now
find if I compile any of my existing .ly files, I get a scree of
errors,
As always, it’s hard to help if you don’t give a minimal example – often
errors become apparent while
Hi,
I've just returned to using lilypond 2.18.2 after a break, and I now
find if I compile any of my existing .ly files, I get a scree of
errors, eg:
warning: no PostScript font name for font
`/usr/local/share/fonts/100dpi/ncenB24-ISO8859-1.pcf.gz'
warning: FreeType face has no PostScript font
On 5/17/2018 3:08 PM, Carl Sorensen wrote:
*From: *Ben
*Date: *Thursday, May 17, 2018 at 8:38 AM
*To: *
*Subject: *Re: Vertical space above ossia
On 5/17/2018 10:13 AM, Walter Garcia-Fontes wrote:
But notice that there is additional space
On 2018-05-17 10:22, st...@linuxsuite.org wrote:
I posted a piece of simplified code to illustrate. This is what
the default does
isnt 'it??
https://ln.sync.com/dl/2d42a9350/ukfaa7s8-rpenm7ne-xqxv7mpk-x99vbzbw
[ . . . ]
the code below prints an extraneous bar in the
From: Ben
Date: Thursday, May 17, 2018 at 8:38 AM
To:
Subject: Re: Vertical space above ossia
On 5/17/2018 10:13 AM, Walter Garcia-Fontes wrote:
But notice that there is additional space between the 3rd line of the score and
the fourth line
> Hi Steve,
>
> Just going to chime in here, that I believe it will come out like the
> latter version you prefer by default.
>
I am finished the basic engraving for 3 guitars, but can't get the
repeats the
way they should be.
I posted a piece of simplified code to illustrate.
Hi Steve,
Just going to chime in here, that I believe it will come out like the
latter version you prefer by default.
Original is subjective here, some editor did that for some reason in the
first example. That's not really standard practice.
Have you started scoring it for guitars yet? Are
Well, I mean it appears that the same thing is scored differently.
The first entrance
has the upbeat before the repeat. If you look at this link of the first
entrance with
the downbeat a half note C flat in the third system
Hi Steve,
I'm unclear what the problem is. Seems also easy. Can you show your code?
I am also puzzled about you saying there are several ways to set the first
part. Again, I cant see how one would do it differently to how I showed.
This proves I don't know what you are referring to as your
> Hi Steve,
>
> Does this sketch help you out?
Thanks, I am aware of that solution... and there are a couple of
others...
I am trying to render this second appearance of this after the
trio. Here is a
a page. The part I am interested in has the downbeat a C flat half note
* Ben, soundsfromso...@gmail.com [17/05/18 17:04]:
> In your original post, you mentioned that you wanted the ossia closer to the
> below-staff, which the code earlier should help with.
>
> If you are talking about explicitly positioning a single staff in addition
> to that, maybe you could try
In your original post, you mentioned that you wanted the ossia closer to
the below-staff, which the code earlier should help with.
If you are talking about explicitly positioning a single staff in
addition to that, maybe you could try something from:
Sorry Ben, I answer with a photo. Actually the demand is
both, to make the ossia closer to the below staff, and to reduce the
distance with the above staff. But there is an unbreakable space above
the ossia it seems, so the most it can be done is to increase the
space between all staffs in the
* Ben, soundsfromso...@gmail.com [17/05/18 16:39]:
> On 5/17/2018 10:13 AM, Walter Garcia-Fontes wrote:
> > * Ben, soundsfromso...@gmail.com [17/05/18 15:52]:
> > > On 5/17/2018 9:34 AM, Walter Garcia-Fontes wrote:
> > > > * Ben, soundsfromso...@gmail.com [17/05/18 12:05]:
> > > > > On 5/17/2018
On 5/17/2018 10:13 AM, Walter Garcia-Fontes wrote:
* Ben, soundsfromso...@gmail.com [17/05/18 15:52]:
On 5/17/2018 9:34 AM, Walter Garcia-Fontes wrote:
* Ben, soundsfromso...@gmail.com [17/05/18 12:05]:
On 5/17/2018 2:01 AM, Walter Garcia-Fontes wrote:
I'm having trouble eliminating vertical
* Ben, soundsfromso...@gmail.com [17/05/18 15:52]:
> On 5/17/2018 9:34 AM, Walter Garcia-Fontes wrote:
> > * Ben, soundsfromso...@gmail.com [17/05/18 12:05]:
> > > On 5/17/2018 2:01 AM, Walter Garcia-Fontes wrote:
> > > > I'm having trouble eliminating vertical space above an Ossia
> > > >
On 5/17/2018 9:34 AM, Walter Garcia-Fontes wrote:
* Ben, soundsfromso...@gmail.com [17/05/18 12:05]:
On 5/17/2018 2:01 AM, Walter Garcia-Fontes wrote:
I'm having trouble eliminating vertical space above an Ossia
snippet. This is the example of the manual, augmented to extend over
multiple
Kieren MacMillan wrote
> Hi foxfanfare,
>
>> Is it possible to adjust the padding of a broken hairpin after a line
>> break?
>
> http://lilypond.org/doc/v2.18/Documentation/notation/modifying-broken-spanners
>
> Hope that helps!
> Kieren.
>
>
> Kieren
* Ben, soundsfromso...@gmail.com [17/05/18 12:05]:
> On 5/17/2018 2:01 AM, Walter Garcia-Fontes wrote:
> > I'm having trouble eliminating vertical space above an Ossia
> > snippet. This is the example of the manual, augmented to extend over
> > multiple lines:
> >
\version "2.19.32"
\new Staff
Hi Steve,
Does this sketch help you out?
Andrew
\version "2.19.81"
{
\time 3/4
\key es \major
\partial 4 bes8. ees'16 |
ees'2 g'8. es'16 |
\repeat volta 2
{
es'4 d'4. es'8 |
R1*3/4^\markup "etc"
}
\alternative
{
{
g'4 f'8 bes'8\rest bes8. es'16 |
Hi foxfanfare,
> Is it possible to adjust the padding of a broken hairpin after a line break?
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-broken-spanners
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
Hi,
Is it possible to adjust the padding of a broken hairpin after a line break?
For instance:
\new PianoStaff
<<
\relative c' {
c4 d e f
\break
g f e d
}
\new Dynamics {
\override PianoStaff.Hairpin.to-barline = ##f
\override PianoStaff.Hairpin.after-line-breaking =
You might also be interested in the thread at
http://lilypond.1069038.n5.nabble.com/Fermatas-with-tremolos-td210054.html
I see that your example had fermata signs over both notes. I personally
prefer having a single fermata sign over the centre of the tremolo.
All the best,
Peter
--
Sent
David Sumbler writes:
> On Wed, 2018-05-16 at 16:55 +0200, David Kastrup wrote:
>> David Sumbler writes:
>>
>> >
>> > At the moment I define variables for formatting title, composer
>> > etc. at
>> > the start of a score separately for each staff-size
On 5/17/2018 2:01 AM, Walter Garcia-Fontes wrote:
I'm having trouble eliminating vertical space above an Ossia
snippet. This is the example of the manual, augmented to extend over
multiple lines:
The vertical distance above the ossia I could not reduce no matter how
much I tweaked the numbers
On Wed, 2018-05-16 at 16:55 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> >
> > At the moment I define variables for formatting title, composer
> > etc. at
> > the start of a score separately for each staff-size that I use.
> >
> > A simple question: is there a
Hi all,
I've just started using \partcombine, and have noticed that, by default, it
doesn't print a rest in one part that coincides with a note of the same
duration in the other part. I want it to print both the note and the rest.
I know that I can use \partcombineApart to get around individual
Am 17.05.2018 um 08:54 schrieb Federico Bruni:
Hi all
As lyluatex does not support captions¹, so far I've used
\header{piece="Caption"} in the lilypond snippet to display a title
before the music fragment.
I'm ok with the way it looks. The problem is that sometimes this title
is put just
Hi all
As lyluatex does not support captions¹, so far I've used
\header{piece="Caption"} in the lilypond snippet to display a title
before the music fragment.
I'm ok with the way it looks. The problem is that sometimes this title
is put just before a page break, so caption and figure are
I'm having trouble eliminating vertical space above an Ossia
snippet. This is the example of the manual, augmented to extend over
multiple lines:
\version "2.19.32"
\new Staff = "main" \relative {
\repeat unfold 4 { c''4 b d c} \break
\repeat unfold 4 { c4 b d c}
<<
{ c4 b d c }
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