On 2018-12-15 12:46 pm, Aaron Hill wrote:
On 2018-12-14 9:58 pm, Rick Kimpel wrote:
>> All,
>> In handbell music, there is an articulation for playing the bell with
>> a mallet while it is on the table. It looks like a "stopped" symbol
>> near the note head, with a "staccato" articulation just
I cannot use LilyPond for large scores it takes hours to compile. Nowhere in
the documentation does it teach me how to merge. Can someone please show me
how to make a seamless score from these multiple "segments" name? Every time
I compile I get broken scores and not one piece together. Do I need
N. Andrew Walsh wrote
> Hi List,
>
> I'm trying to use the \featherDurations command on a brief passage:
>
> \relative c' {
> a,,^\markup { \italic "subito meno mosso" }\( b cis dis eis8\)
> \override Beam.grow-direction = #LEFT
> \featherDurations #(ly:make-moment 2/1)
> { a,32[\( b cis dis
Hi Johan,
> The ChordPro reference implementation currently supports
> * chords above lyrics
> * chords under lyrics
> * chords within lyrics
> * chords at the right
> And then there are chord diagrams...
> E.g. https://www.chordpro.org/chordpro/images/style_modern3.pdf
Very nice!
I am hoping my
On Sat, 15 Dec 2018 09:19:25 -0500, Kieren MacMillan
wrote:
> Yes! It would be very interesting to eventually include multiple
> different formats in the framework.
The ChordPro reference implementation currently supports
* chords above lyrics
* chords under lyrics
* chords within lyrics
*
Hi Johan,
> For a lead sheet it is crucial that the chord is placed exactly on top of
> the syllable. Since the chords are wider than the syllables, it would
> become something similar to
> http://www.squirrel.nl/pub/xfer/uploads/3CSdG2lqsGIQZwZdizzYr3Eg.png
Exactly.
> Some seem to like an
Hi Harm,
> isn't it the challenge to transform a score with chords/notes/lyrics there
> into a leadsheat?
Yes.
> Then you may have hyphenated text in such a score which should be
> transformed into one word in the text of a leadsheet.
Yes… *but only after chord-spacing is complete*!
> In the
On Sat, 15 Dec 2018 10:08:05 +0100, Thomas Morley
wrote:
> In the last meaure of second line the chords could be done like
> E/E E/BE/Gis E/E
> Af -- fen -- ban -- de
> (No ligature, every syllable with it's own chord-symbol)
>
> In a leadsheet I'd then expect
> E/E E/B E/Gis E/E
>
Am Fr., 14. Dez. 2018 um 17:12 Uhr schrieb Luca Danieli :
>
> Hi Thomas,
>
> your analysis has been very good.
> I have almost solved the issue.
> I just don't know what's the glyph name for the SEMI-SHARP and SEMI-FLAT
>
> In the following code, I should add the ones for SEMI-SHARP and SEMI-FLAT.
Am Fr., 14. Dez. 2018 um 17:57 Uhr schrieb Kieren MacMillan
:
>
> Hi Harm,
>
> > Any idea how to tackle:
> > (1) ligatures
> > \lyricmode { f -- i }
>
> Can you give me a real world situation — in a "regular" score (i.e., with
> notes) — in which you would want both a ligature *and* chords on
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