Re: output one bar at a time (midi and png)

Beautiful, thank you. Is there a way to make the MIDI output go to a separate file for each page of output? On Fri, 18 Jan 2019 at 10:16, Valentin Villenave wrote: > On 1/18/19, Ted Walther wrote: > > Is there some simple way I can have lilypond put each bar (and its > > corresponding midi) in

Re: Appoggiatura before barline

On 1/18/19, Thomas Morley wrote: > you could try to use David K's cheat: Neat! I’ve added it to the LSR, and also tagged it as doc: http://lsr.di.unimi.it/LSR/Item?id=1083 V. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/m

Re: select a note in a chord

On 1/18/19, David Kastrup wrote: > Music functions share the same namespace as all other Scheme functions > and variables OK, perhaps a better name would be \dropNote then (much like \hideNotes etc.). Anyway, I like these functions (thanks to both of you guys) and I wonder if they could be made

Re: Italic/Bold Text Font Not Showing

It seems to be working if the font is downloaded from Font Squirrel . I suppose the font configuration has changed in most recent updated on Github and Google. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html __

Italic/Bold Text Font Not Showing

When Spectral font is set as roman text font, the italics and bold are not showing; the regular roman is. The font works just fine on Linux machine, but not on Windows. In fact, I used to be able to use Spectral font on an o

Re: Coloring notes played on black piano key AND coloring accidental and key signature notes with different colors

I don't see any answer, so here are my two cents. Here you can find snippet, that colors note heads depending on their pitch and name: http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Pitches#Color ing-notes-depending-on-their-pitch All you need to do is modify the list associating pitches

Re: Appoggiatura before barline

Hi Harm, Thanks. I tend to adjust rest positions manually anyway, so that's not an issue for me personally. With a bar full of notes it also usually looks pretty good. Andrew On Sat, 19 Jan 2019 at 12:20, Thomas Morley wrote: > > Spacing is a little off. The R1 is not really centered: > > ___

Ligatures, lyrics, and other arcana

Hi, again. I'm getting out of my depth here but is it possible to set lyrics to mensural ligatures? I can't seem to get the following to work. Also, following the example [1] I don't seem to be able to get the ligature-flexa to work (2.19.82/OSX). I've tried quite a few flexa-widths but nothing s

Re: Maxima...

Bockett wrote: > > I'm not sure there is a modern version of a maxima, as there > is of a breve or a long. > Sure. According to Groves it was pretty much dead by the end of the 17th C. > > Lilypond provides a perfectly reasonable way to notate > a maxima for any foreseeable purpose. That sho

Re: Appoggiatura before barline

Am Sa., 19. Jan. 2019 um 02:03 Uhr schrieb Andrew Bernard : > > Hi Harm, > > I have been using this heavily thanks to David K for a very long time. > Although it may be a cheat, it works just fine. I see no drawbacks. What is > the downside here? Hi Andrew, Spacing is a little off. The R1 is no

Re: Appoggiatura before barline

I should add that this works for grace notes also, which is actually what I use the technique for. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Appoggiatura before barline

Hi Harm, I have been using this heavily thanks to David K for a very long time. Although it may be a cheat, it works just fine. I see no drawbacks. What is the downside here? Andrew On Sat, 19 Jan 2019 at 07:15, Thomas Morley wrote: > > you could try to use David K's cheat: > > { > R1 > %

Re: Maxima...

Hi Mark, Having given the matter a little more thought: I'm not sure there *is* a modern version of a maxima, as there is of a breve or a long. A good reason for the lacuna is that there isn't much--or any--need for one, save for historical or pedagogical reasons. I don't have quick access to a

Re: Maxima...

Bockett wrote: > > But you're right--If I delete > \override NoteHead #'style = #'neomensural > I don't get anything for the maxima note. > Right. This seems incorrect behavior. Having a hole just doesn't seem the right thing to do... For reference: --- chant = \relative c { \clef bass

Re: Maxima...

The r\maxima is documented in paragraph 1.2.2 of the Notation Guide. It works for me, see below. It is, of course, not right in perfect mode, with three breves to the long, in which case each long rest should fill three spaces. \score { \relative c'' { \set Score.timing = ##f \s

Re: Maxima...

Whoops--mistake on what I sent. Replace the line f'1. f2 \[ e\breve c\breve d\breve c\maxima \] with f'1. f2 e\breve c\breve d\breve c\maxima to get the maxima rest with the maxima notehead later. By the way, I much prefer the Petrucci style note heads for breves, longs, and max

Re: How to define some context statements

Am Fr., 18. Jan. 2019 um 11:01 Uhr schrieb Werner Arnhold : > > Dear list, > > I often need to have Midi output with different volume or instruments in > some voices. Here an example: > > \version "2.18.2" > > global = { > \key c \major > \time 4/4 > } > > soprannoten = \relative c'' { > g e

Maxima...

Hi, all. In the project I'm working on, I've hit a need for a maxima (hooray!). Okay, it is -real- music, more pedagogic, but what the heck! It's a maxima! However, oddly (to me), the standard noteheads support a maxima rest, but not a maxima note. To get the notes, I need to slip into the B

Re: Appoggiatura before barline

Am Fr., 18. Jan. 2019 um 19:14 Uhr schrieb Urs Liska : > > Is there any convenient and semantically acceptable way of engraving an > appoggiatura (or other grace notes) *before* the barline? I know that > usually one is pointed to \afterGrace to achieve something like that but > that seems semantic

Re: output one bar at a time (midi and png)

On 1/18/19, Ted Walther wrote: > Is there some simple way I can have lilypond put each bar (and its > corresponding midi) into separate files? Then I can use standard software > to join them together. You could do that… or LilyPond can do it for you: http://lilypond.org/doc/v2.19/Documentation/n

Appoggiatura before barline

Is there any convenient and semantically acceptable way of engraving an appoggiatura (or other grace notes) *before* the barline? I know that usually one is pointed to \afterGrace to achieve something like that but that seems semantically problematic. I produced the attached image using a bunch

Re: Powerchord

On 1/18/19, Oliver Nicolson wrote: > Fantastic, thank you so much. Greetings, Perhaps you’d be interested to know that everything Kieren mentioned may be done just using the \powerChords shortcut… And besides, in the next LilyPond release this won’t even be required, as c:5 will always display a

Re: Tie minimum length

David Kastrup writes: > Andrew Bernard writes: [...] >> Is this a mistake in the manual for the name? > > Yes and no. > > dak@lola:/usr/local/tmp/lilypond$ git grep min-length > Documentation/included/font-table.ly: (define (min-length lst n) > Documentation/included/font-table.ly:(1+ (m

Re: Tie minimum length

Andrew, you wrote 18/01/2019 14:19:08 Subject: Tie minimum length The NR for 2.19.82 in section 3.2.128 'tie interface' states: I think you mean the IR. min-length If the tie is shorter than this amount (in staff-spaces) an increasingly large length penalty is incurred. But if I use thi

Re: Tie minimum length

Andrew Bernard writes: > The NR for 2.19.82 in section 3.2.128 'tie interface' states: > > min-length > If the tie is shorter than this amount (in staff-spaces) an increasingly > large length penalty is incurred. > > But if I use this an error is thrown. Using minimum-length works fine. > > warni

Re: Powerchord

Fantastic, thank you so much. And sorry everyone for the spam - I thought my email/list config was wrong and my mails were not getting through. On Fri, 18 Jan 2019, 14:37 Kieren MacMillan Hi Oliver, > > > Is there any way in lilypond to display a chord name of the form "C5", > which commonly den

Re: Powerchord

Hi Oliver, > Is there any way in lilypond to display a chord name of the form "C5", which > commonly denotes a power chord without the 3rd? Here’s one way: %%% SNIPPET BEGINS \version "2.19.80" customChordExceptions = { -\markup { "5" } } newChordExceptionList = #(append (sequential-

Powerchord

Hi, Is there any way in lilypond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/

output one bar at a time (midi and png)

I have some pieces that take a minute or two to play. I'd like to make them into youtube videos so people can see the notes and lyrics while hearing the midi file. Is there some simple way I can have lilypond put each bar (and its corresponding midi) into separate files? Then I can use standard

Power chord display name

Hi, Is there any way in lilypond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/

Power chord symbols

Hi, Is there any way in lily pond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Power chord chord symbol

Hi, Is there any way in lilypond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/

Tie minimum length

The NR for 2.19.82 in section 3.2.128 'tie interface' states: min-length If the tie is shorter than this amount (in staff-spaces) an increasingly large length penalty is incurred. But if I use this an error is thrown. Using minimum-length works fine. warning: cannot find property type-check for

Re: select a note in a chord

Davide Bonetti writes: > Great! > Everything very interesting. > In this case, drop is a lilypond music function, so I assume it will > not interfere with slri (but I don't know what slri is) (srfi srfi-1), not slri, sorry for messing this up. It is a standard module of Scheme for list processi

Re: select a note in a chord

Great! Everything very interesting. In this case, drop is a lilypond music function, so I assume it will not interfere with slri (but I don't know what slri is) Cheers D. Il 18 gennaio 2019 01:21:31 CET, David Kastrup ha scritto: >David Kastrup writes: > >> Valentin Villenave writes: >> >

Re: edition-engraver and \cadenzaOn

Hi Jan-Peter, Am 18.01.19 um 14:09 schrieb Jan-Peter Voigt: Hi Urs, happy new year! thanks and dito! This is on my agenda for quite some time. It will be possible and I have an idea how to make it possible, but ... I try to push the priority a little bit. That would be great. It's jus

Re: edition-engraver and \cadenzaOn

Hi Urs, happy new year! This is on my agenda for quite some time. It will be possible and I have an idea how to make it possible, but ... I try to push the priority a little bit. Jan-Peter Am 18.01.19 um 14:04 schrieb Urs Liska: > Hey all, > > it seems that after \cadenzaOn all events have the

edition-engraver and \cadenzaOn

Hey all, it seems that after \cadenzaOn all events have the same "zero" moment - which makes sense, given that \cadenzOn completely suppresses all Timing consideration. So is there *any* chance to addres specific notes or slurs or whatever that occur at some point in the cadenza? Urs ___

Re: Springs and rods

Andrew Bernard wrote 18/01/2019 04:33:12 Subject: Springs and rods Yet another annoying question about documentation from me. After figuring out how to make a glissando longer, and discovering this in the NR under the spanner interface: minimum-length (dimension, in staff space) Try to ma

How to define some context statements

Dear list, I often need to have Midi output with different volume or instruments in some voices. Here an example: \version "2.18.2" global = { \key c \major \time 4/4 } soprannoten = \relative c'' { g e e2 f4 d d2 } altnoten = \relative c'' { c2 g g2 b4 f } \score { \new ChoirStaff