Hi Sandro,
> I'm producing lead sheets with lyrics, melody and chords
> and would like to extract from them som blank sheets with
> just lyrics and chords so that players can take their notes
> onto (for solos or arrangements).
Maybe there’s something helpful in
Hi,
I'm trying with a custom \hide command, defined as follows:
hide = {
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override TupletBracket #'bracket-visibility = ##f
\override TupletNumber #'stencil = ##f
\override Accidental
I'm producing lead sheets with lyrics, melody and chords
and would like to extract from them som blank sheets with
just lyrics and chords so that players can take their notes
onto (for solos or arrangements).
My first attempt has been with using \hideNotes but that one
still keeps some elements
Hello Schneidy and noeck,
Thanks, both answers are very helpful and work beautifully :)
cu
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Markus Grunwald
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Dear Markus,
there are probably other solutions that center the coda glyphs and the
dash more elegantly, but this works. \line combines several markup-parts
into one line:
\relative c''
{
c c ^\markup{
\center-column {
"D.S." "Nach der 2. Str."
\line {
\musicglyph
Hi Markus,
How about:
\version "2.18.2"
\relative c''
{
c c ^\markup
\override #'(baseline-skip . 2) % <= possibly
\center-column {
"D.S." "Nach der 2. Str."
\line\vcenter { \musicglyph #"scripts.coda" - \musicglyph
#"scripts.coda" }
}
c
}
Cheers,
Pierre
--
Sent from:
Hello,
Consider this example:
\version "2.18.2"
\relative c''
{
c c ^\markup{\center-column {"D.S." "Nach der 2. Str." "Coda - Coda"}} c
}
It's /almost/ what I want, except that I'd like to have the glyph
\musicglyph #"scripts.coda" instead of the "Coda" string. I don't know
how to put
On 2019-04-03 1:01 am, Michael Gerdau wrote:
in the Snippet Repository there is under number 650
(http://lsr.di.unimi.it/LSR/Snippet?id=650) a rather neat snippet
showing splitting and converging arrows for voices. However with
increasing frequency I'm encountering timesignature changes where
On 2019-04-02 11:15 pm, Gianmaria Lari wrote:
The following "test" function adds parallel thirds to the notes of a
melody:
\version "2.21.0"
scale = {c d e f g a b}
test =
#(define-music-function (music) (ly:music?)
#{
\partCombine $music \modalTranspose c e \scale $music
#})
Il giorno mer 3 apr 2019 alle 0:30, Stig Brautaset
ha scritto:
I've got this score:
\version "2.19.82"
\new TabStaff { q }
It results in the following tab, which is not what I want:
:---
:To-
:A--4---
:B--4-4-
:---2-2-
:---
Is there any way to retain the fingering from
Hi List,
in the Snippet Repository there is under number 650
(http://lsr.di.unimi.it/LSR/Snippet?id=650) a rather neat snippet showing
splitting and converging arrows for voices. However with increasing frequency
I'm encountering timesignature changes where these splits occur. In those cases
At 07:15 on 03 Apr 2019, Gianmaria Lari wrote:
> The following "test" function adds parallel thirds to the notes of a
> melody:
>
> \version "2.21.0"
> scale = {c d e f g a b}
> test =
> #(define-music-function (music) (ly:music?)
>#{
> \partCombine $music \modalTranspose c e \scale
On 4/3/19, Gianmaria Lari wrote:
> I don't have lilypond programming experience and I would like to know:
> - if there are hidden mistakes
No, that’s quite clean actually!
> - if it is better to write the function in a different way
I think in this case, simpler is better.
> - how I could
The following "test" function adds parallel thirds to the notes of a melody:
\version "2.21.0"
scale = {c d e f g a b}
test =
#(define-music-function (music) (ly:music?)
#{
\partCombine $music \modalTranspose c e \scale $music
#})
\test {\voiceOne a b c'}
I don't have lilypond
>> Can you suggest a (possibly read-only) property or properties that
>> could be easily added to either the `Clef' or `NoteColumn' grob on
>> the C++ side, and which would considerably simplify the code?
>
> upcoming new features notwithstanding, could you point me to the
> latest version of
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