>
> -- Forwarded message --
> From: Aaron Hill
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Sat, 08 Feb 2020 20:25:24 -0800
> Subject: lilybin.com domain expired
> Who owns this?
>
>
> -- Aaron Hill
>
In case they are not already reading this list, I just CC'd this question
On 2020-02-08 1:36 pm, Thomas Morley wrote:
#(define (box-stencil stencil thickness padding color)
"Add a box around @var{stencil}, producing a new stencil."
(let* ((x-ext (interval-widen (ly:stencil-extent stencil 0) padding))
(y-ext (interval-widen (ly:stencil-extent stencil 1)
Who owns this?
-- Aaron Hill
Yes, \bendAfter is just what I was looking for. Thank you very much!
On Sat, Feb 8, 2020 at 5:52 PM Thomas Morley
wrote:
> Am Sa., 8. Feb. 2020 um 23:47 Uhr schrieb John Burt :
> >
> > I'm sorry to say that I don't even know the proper term for what I am
> trying to do. I am setting some
>
> I'm sorry to say that I don't even know the proper term for what I am
> trying to do. I am setting some Georgian folksongs. Sometimes they end with
> a descending glide on the last note (like an engine running down). On the
> handwritten sheet music I have been using this is represented as a
John,
How about a zig-zag glissando?
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines
(Scroll down a little)
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of John Burt
Sent: Saturday, February 08, 2020
Thomas,
How about a zig-zag glissando?
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Thomas Morley
Sent: Saturday, February 08, 2020
Hi David (et al.),
> I don't think grace notes are usually synchronized optically.
According to our recent "live-from-London" keynote speaker… ;)
… you are correct — in fact, in one example, she shows how grace groups [of
different "sizes"] on two different staves can be compressed [to the
Am Sa., 8. Feb. 2020 um 23:47 Uhr schrieb John Burt :
>
> I'm sorry to say that I don't even know the proper term for what I am trying
> to do. I am setting some Georgian folksongs. Sometimes they end with a
> descending glide on the last note (like an engine running down). On the
> handwritten
Han-Wen Nienhuys writes:
> Unfortunately, it's not obvious where to insert the skips. Consider this
>
> staff1 : grace 16th, whole note
>
> staff2 : X, whole note
>
> now, if X is a \clef, you probably want to insert the skip after the X, but
> if X is a \once \override for the NoteHead,
I'm sorry to say that I don't even know the proper term for what I am
trying to do. I am setting some Georgian folksongs. Sometimes they end with
a descending glide on the last note (like an engine running down). On the
handwritten sheet music I have been using this is represented as a squiggly
Han-Wen Nienhuys ezt írta (időpont: 2020. febr. 8., Szo
21:44):
>
>
> If we construct the grace note grobs in a
> special pass, there is nothing to synchronize them across staves. You could
> have two-handed piano music where the left and right hand do grace notes in
> a synchronized way. I
Am Sa., 8. Feb. 2020 um 22:20 Uhr schrieb Paolo Prete :
>
>
>
> On Sat, Feb 8, 2020 at 9:06 PM Thomas Morley wrote:
>>
>> Am Sa., 8. Feb. 2020 um 19:26 Uhr schrieb Paolo Prete :
>> >
>
>
>
>
>
>>
>> {
>> \override TextScript.stencil =
>> #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
>>
On Sat, Feb 8, 2020 at 9:06 PM Thomas Morley
wrote:
> Am Sa., 8. Feb. 2020 um 19:26 Uhr schrieb Paolo Prete <
> paolopr...@gmail.com>:
> >
>
> {
> \override TextScript.stencil =
> #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
>
> \override Script.stencil =
>
Am 08.02.20 um 21:44 schrieb Han-Wen Nienhuys:
I think the right solution would be to kill grace timing altogether, and
initiate some sort special "embedded" engraving pass that creates the Grace
grobs all at once.
That would have another downside: if we construct the grace note grobs in a
On Fri, Feb 7, 2020 at 2:46 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi all,
>
> Here’s the brainstorm I’ve currently got going:
>
> Issue #34, a.k.a. the grace note bug, is one of Lilypond’s
> longest-standing and most newbie-unfriendly issues. It doesn’t appear in
>
Am Sa., 8. Feb. 2020 um 19:26 Uhr schrieb Paolo Prete :
>
> Hello,
>
> The documentation shows this example:
>
> \override TextScript.stencil = #(make-stencil-boxer 0.1 0.3
> ly:text-interface::print) c'4^"foo"
>
> (http://lilypond.org/doc/v2.19/Documentation/snippets/tweaks-and-overrides)
>
> Is
Hi Harm,
Le sam. 8 févr. 2020 à 20:55, Thomas Morley a
écrit :
[...]
> with \daschedStart (note the "c") you will never succeed ;)
>
[...]
Ouch!... sorry for that ;)
Le sam. 8 févr. 2020 à 20:55, Thomas Morley a
écrit :
[...]
> Anyway, if no stencil for SystemStartBar is created than
Am Sa., 8. Feb. 2020 um 17:42 Uhr schrieb Pierre Perol-Schneider
:
>
> Hi all,
> See herewith the structure I'd like to achieve.
> Ideally, I'd like the startBar to be dashed.
> This coding:
> http://lilypond.1069038.n5.nabble.com/dashed-initial-barline-with-SystemStartBar-td51231.html
> works
Hello,
The documentation shows this example:
\override TextScript.stencil = #(make-stencil-boxer 0.1 0.3
ly:text-interface::print) c'4^"foo"
(http://lilypond.org/doc/v2.19/Documentation/snippets/tweaks-and-overrides)
Is it possible to adapt it for other grobs too? I would like to use it for
Hi all,
See herewith the structure I'd like to achieve.
Ideally, I'd like the startBar to be dashed.
This coding:
http://lilypond.1069038.n5.nabble.com/dashed-initial-barline-with-SystemStartBar-td51231.html
works great until I add \RemoveEmptyStaves which gives an error.
Any idea?
TIA, cheers,
Yes, thank you.
I tried to do it that way but I always forget the "\etc" so I got an error
message.
> -Ursprüngliche Nachricht-
> Von: Thomas Morley
> Gesendet: Samstag, 8. Februar 2020 14:30
> An: sir.teddy.the.fi...@gmail.com
> Cc: lilypond-user
> Betreff: Re: "Quote" Chord Track in
Am Sa., 8. Feb. 2020 um 14:18 Uhr schrieb :
>
> If I've understood everything you said correctly, I should have now made all
> the necessary changes:
Well, not all changes were _necessary_, p.e. using 'parser location'
in music-functions still works. Superfluous, though.
>
>
If I've understood everything you said correctly, I should have now made all
the necessary changes:
%
\version "2.19.83"
quoteChord = #(define-music-function
(staffName music)
(string? ly:music?)
#{
\context ChordNames = #(string-append staffName
Am 06.02.2020 um 21:14 schrieb Bernhard Kleine:
>
>
> Am 06.02.2020 um 20:47 schrieb David Wright:
>>> in a choral from Albert Becker in the alto part there are rhythmical and
>>> text distribution alternatives between the first and the second stanza.
>>> How to write this into a single alto
Thomas Morley writes:
> This relies on matching context-names, so you have to care about them manually
>
>> quoteChord = #(define-music-function
>
> No need for 'parser location' in music-functions for 2.19.x, you could
> delete them
>
>> (parser location music)
>> (ly:music?)
>> #{
Am Sa., 8. Feb. 2020 um 13:23 Uhr schrieb :
>
> Hi,
> thank you for this solution.
> I only made a very small adjustment and now at least I would call it
> "elegant".
> I put all the commands needed to "quote" from the chord track into a
> function, so now I only have to type one command instead
Hi,
thank you for this solution.
I only made a very small adjustment and now at least I would call it "elegant".
I put all the commands needed to "quote" from the chord track into a function,
so now I only have to type one command instead of three.
I'm not versed enough in using Lilypond to know
Am Sa., 8. Feb. 2020 um 12:42 Uhr schrieb :
>
> Hi all,
>
> please consider the following snippet:
>
>
>
> %
>
> \version "2.19.83"
>
>
>
> notes = \relative c' {
>
> \repeat unfold 8 {
>
> c4 d e f |
>
> }
>
> }
>
>
>
> otherNotes = \relative c' {
>
> c1 d e
Hi all,
please consider the following snippet:
%
\version "2.19.83"
notes = \relative c' {
\repeat unfold 8 {
c4 d e f |
}
}
otherNotes = \relative c' {
c1 d e f g^\markup "C" a^\markup "D" b c
}
chordTrack = \chordmode {
\repeat
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