Amazing, thank you!
чт, 2 апр. 2020 г. в 01:12, Aaron Hill :
> On 2020-04-01 3:04 pm, Павел Буданов wrote:
> > Hello, I'm newbie in scheme. I want to write simple function to
> > octavize
> > melody, but something doesn't works...
> >
> >
> > \version "2.20.0"
> > octavize = #(define-music-functi
On 2020-04-01 3:04 pm, Павел Буданов wrote:
Hello, I'm newbie in scheme. I want to write simple function to
octavize
melody, but something doesn't works...
\version "2.20.0"
octavize = #(define-music-function
(parser location music) (ly:music?)
#{ << #music \transpose c c' #music >> #}
Hello, I'm newbie in scheme. I want to write simple function to octavize
melody, but something doesn't works...
\version "2.20.0"
octavize = #(define-music-function
(parser location music) (ly:music?)
#{ << #music \transpose c c' #music >> #})
music = { c' d' e' f' }
\markup "Need:"
\ne
Urs Liska writes:
> Am Mittwoch, den 01.04.2020, 11:33 +0200 schrieb Christian Masser:
>> Hi!
>> I think whether it's easier with only click or with click+MIDI purely
>> depends on the player's own stability in terms of intonation and
>> rhythm. (And in terms of MIDI accompaniment you have to pay
On 3/30/20, Daniel Rosen wrote:
>> do you as a conductor
>> prefer to see the vocal parts above the strings,
>> or within the strings
>> (between the violas and
>> cellos)?
Greetings,
I personally always put the vocal parts above the strings. IMO the
only case where it’s still making any sense t
Am 01.04.2020 um 14:33 schrieb Urs Liska:
I'd be very interested to hear more about your Jitsi project by the
way!
github?
That would be extremely interesting for us too because our work will
very much rely on a jitsi instance (which we fortunately had running
for some time already).
This is
On Sat, Mar 28, 2020 at 7:15 PM holl...@hollandhopson.com <
holl...@hollandhopson.com> wrote:
I second Jacktrip. I’ve also had success with JamKazam:
> https://www.jamkazam.com/ which is easier to setup. Using ethernet cables
> instead of wifi helps with latency and audio quality.
>
Alas, no Linu
On Mon, Mar 30, 2020 at 5:16 AM Dr Nicholas Bailey <
nicholas.bai...@glasgow.ac.uk> wrote:
> On Saturday, 28 March 2020 11:00:56 BST Peter Gentry wrote:
> > I appreciate this is off topic but in these times of social isolation
> does
> > anyone have any tips. Clearly latency is the main issue - I
Am Mittwoch, den 01.04.2020, 13:27 +0100 schrieb Dr Nicholas Bailey:
> Off topic, so I've not bothered the list with it. But you might be
> interested...
>
> https://www.researchgate.net/publication/
> 200806144_Perception_of_onset_asynchronies_Acoustic_Piano_versus_Sync
> hronized_complex_versus
Off topic, so I've not bothered the list with it. But you might be
interested...
https://www.researchgate.net/publication/
200806144_Perception_of_onset_asynchronies_Acoustic_Piano_versus_Synchronized_complex_versus_pure_tones
http://musicstudies.org/wp-content/uploads/2017/01/Parncutt_JIMS_11050
Yep, I fully second that. It's by definition not "playing" together, mostly
because of the total lack of spontaneity. But on the other hand, with a few
- or to be more honest: a hell of - adjustments to the MIDI tempos in
advance, you can in fact account for a great deal in terms of at least
agogic
This is all very good but ensembles have been performing double choir
and organ in three widely spaced spots in Venice for centuries.
Without click tracks in 1600.
I am not convinced that there is a human clock running at a specific
rate. Where is the evidence for that, I ask, purely out of intere
Am Mittwoch, den 01.04.2020, 11:33 +0200 schrieb Christian Masser:
> Hi!
> I think whether it's easier with only click or with click+MIDI purely
> depends on the player's own stability in terms of intonation and
> rhythm. (And in terms of MIDI accompaniment you have to pay special
> attention to th
Hi!
I think whether it's easier with only click or with click+MIDI purely
depends on the player's own stability in terms of intonation and rhythm.
(And in terms of MIDI accompaniment you have to pay special attention to
the tuning of the MIDI instrument.)
Having done a few of this recordings myse
Am Mittwoch, 01. April 2020 11:12 CEST, Gianmaria Lari
schrieb:
> Could be a "click track" a "neutral" recording maybe a midi file temporized
> according a conductor? So that each player can play "with" the music?
A click track is a recording (or an electronically produced sound) of metronome
Ciao Urs!
On Wed, 1 Apr 2020 at 09:05, Urs Liska wrote:
> Am Mittwoch, den 01.04.2020, 08:51 +0200 schrieb Gianmaria Lari:
>
> Off topic but very interesting :)
>
> Does anyone have any idea how these people is able to do things like these?
>
> https://youtu.be/Sj4pE_bgRQI
> https://youtu.be/3eX
> On 1 Apr 2020, at 08:51, Gianmaria Lari wrote:
>
> Off topic but very interesting :)
>
> Does anyone have any idea how these people is able to do things like these?
>
> https://youtu.be/Sj4pE_bgRQI
> https://youtu.be/3eXT60rbBVk
At least in the first video, only one of the musicians have t
> On 28 Mar 2020, at 12:00, Peter Gentry
> wrote:
>
> I appreciate this is off topic but in these times of social isolation does
> anyone have any tips. Clearly latency is the main issue – I wonder could this
> be reduced by say hosting a Zoom meeting on a private router – maybe only one
>
Am Mittwoch, den 01.04.2020, 08:51 +0200 schrieb Gianmaria Lari:
> Off topic but very interesting :)
> Does anyone have any idea how these people is able to do things like
> these?
> > https://youtu.be/Sj4pE_bgRQI
> > https://youtu.be/3eXT60rbBVk
I think the Rotterdam Philharmonic information says
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