Re: overriding voiceOne to add properties to that specific voice context

Hi, Great! This is the perfect solution. I had to adjust the (define-scheme-function) call a bit to run also under 2.18: setStructuralVoice = #(define-scheme-function (parser location num) (integer?) (make-apply-context (lambda (context) (ly:context-set-property! context 'structur

Re: overriding voiceOne to add properties to that specific voice context

Maurits Lamers writes: > Hi, > > Great! This is the perfect solution. I had to adjust the > (define-scheme-function) call a bit to run also under 2.18: > > setStructuralVoice = #(define-scheme-function (parser location num) (integer?) > (make-apply-context > (lambda (context) > (ly:

Re: overriding voiceOne to add properties to that specific voice context

Hi Maurits, Am 20.08.20 um 11:10 schrieb Maurits Lamers: Hi, Great! This is the perfect solution. I had to adjust the (define-scheme-function) call a bit to run also under 2.18: setStructuralVoice = #(define-scheme-function (parser location num) (integer?) (make-apply-context (lambda

\accidentalStyle dodecaphonic

Would someone please explain \accidentalStyle dodecaphonic in the following: \score { \new Staff { \treble } \layout { \context { \Score \accidentalStyle dodecaphonic } } } This is what found in the manuals, "A predefined command such as \dynamicUp or a music ex

Re: overriding voiceOne to add properties to that specific voice context

Lukas-Fabian Moser writes: > Hi Maurits, > > Am 20.08.20 um 11:10 schrieb Maurits Lamers: >> Hi, >> >> Great! This is the perfect solution. I had to adjust the >> (define-scheme-function) call a bit to run also under 2.18: >> >> setStructuralVoice = #(define-scheme-function (parser location num)

Re: \accidentalStyle dodecaphonic

See http://lilypond.org/doc/v2.21/Documentation/notation-big-page.html#automatic-accidentals -- Phil Holmes - Original Message - From: "Freeman Gilmore" To: "Lilypond-User Mailing List" Sent: Thursday, August 20, 2020 1:55 PM Subject: \accidentalStyle dodecaphonic Would someone p

Re: overriding voiceOne to add properties to that specific voice context

Hi, Nevertheless, I'd urge you to try and make sure that everything you develop will work with current LilyPond versions. Not only in order to lower the barrier for developers to help you (or others to make use of your additions), but also because LilyPond simply has evolved a great deal in the

Re: overriding voiceOne to add properties to that specific voice context

Hi all, @David: No, I haven't attempted to run convert-ly and I am very hesitant to do so because I have no clue exactly where to start. That is because it is a songbook with over 1000 songs, with choir arrangments and organ parts for each of those songs, with many complex includes and external

Re: overriding voiceOne to add properties to that specific voice context

Maurits Lamers writes: > Hi all, > > @David: No, I haven't attempted to run convert-ly and I am very > hesitant to do so because I have no clue exactly where to start. That > is because it is a songbook with over 1000 songs, with choir > arrangments and organ parts for each of those songs, with m

Excessive spacing between staves with \MarkLine

Hi everyone. In typesetting chamber music with accompaniment, I would like to print the tempo marks on the bottom staff. Unfortunately, a tempo change produces a lot of space upon the bottom staff, until the last tempo mark. I think that a similar issue has already been discussed two years ago

Re: overriding voiceOne to add properties to that specific voice context

Hey, > > Computers have this wonderful facility called a "copy". I know, and also version systems like git :) > >> I would definitely love to bring the entire system to the most recent >> version of Lilypond, or at least 2.18.2 (which is the version >> installed by default under Ubuntu 18.04LTS

Re: Excessive spacing between staves with \MarkLine

Hi Francesco, > Unfortunately, a tempo change produces a lot of space upon the bottom > staff, until the last tempo mark. Try > \layout { > \context { >\name "MarkLine" >\type "Engraver_group" \RemoveAllEmptyStaves ... That seems to work for me. Hope that helps! Kieren. _

partCombine confused by tags

I have just spent half a day trying to work out why one staff in my orchestral score extends beyond the final barline. Eventually I found out that it is because \partCombine seems only partially to understand tags. The following example illustrates this: % \version "2

Re: partCombine confused by tags

David Sumbler writes: > I have just spent half a day trying to work out why one staff in my > orchestral score extends beyond the final barline. > > Eventually I found out that it is because \partCombine seems only > partially to understand tags. That is a misstatement. \partCombine does not us

Re: Excessive spacing between staves with \MarkLine

Thanks for the reply. It removes the blank space, but, unfortunately, the tempo marks too! Il giorno gio 20 ago 2020 alle ore 19:13 Kieren MacMillan ha scritto: > > Hi Francesco, > > > Unfortunately, a tempo change produces a lot of space upon the bottom > > staff, until the last tempo mark. > >

Re: Excessive spacing between staves with \MarkLine

Hi, > Thanks for the reply. > It removes the blank space, but, unfortunately, the tempo marks too! Oops! \RemoveAllEmptyStaves keepAliveInterfaces = #'( metronome-mark-interface ) That should do it. =) Cheers, Kieren. Kieren MacMillan, composer (he/him/

Re: partCombine confused by tags

On Thu, 2020-08-20 at 20:06 +0200, David Kastrup wrote: > David Sumbler writes: > > > I have just spent half a day trying to work out why one staff in my > > orchestral score extends beyond the final barline. > > > > Eventually I found out that it is because \partCombine seems only > > partial

Re: Excessive spacing between staves with \MarkLine

It works perfectly on the test file. On the real score it prints just the tempo marks in the first system, I don't understand why... Anyway, I will write the second tempo as a markup. Thanks a lot! F. Il giorno gio 20 ago 2020 alle ore 20:31 Kieren MacMillan ha scritto: > > Hi, > > > Thanks for t

Re: Help with Midi

> "David" == David Sumbler writes: David> What I should like to know is 1) how can I use drum and other David> untuned percussion sounds? 2) I notice that fluidr3_gm has David> dozens - probably hundreds - of extra sounds and instruments David> beyond the standard 128. How can I access the

Fwd: \accidentalStyle dodecaphonic

-- Forwarded message - From: Freeman Gilmore Date: Thu, Aug 20, 2020 at 4:14 PM Subject: Re: \accidentalStyle dodecaphonic To: Phil Holmes On Thu, Aug 20, 2020 at 9:21 AM Phil Holmes wrote: > > See > http://lilypond.org/doc/v2.21/Documentation/notation-big-page.html#automatic-a

Re: Fwd: \accidentalStyle dodecaphonic

Sets the accidental style to dodecaphonic - every single note displays an accidental. Used by early Serialists, and a good number of modernist composers. All my scores use it exclusively. From the NR under Accidentals: This rule reflects a practice introduced by composers at the beginning of