[image: Schermata 2021-08-13 alle 07.40.54.png]
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include "04_clarinetI.ly"
\include "06_bassclarinet.ly"
Hello Paolo, hello Carl,
This is actually very easy to fix. By default the algorithm works like this:
We try to put each note to the lowest possible fret. To do this we assume the
strings are in falling pitch and then we just walk through all strings and
stop once we get one that works.
To
Thanks for the report, but it's a known problem of the translation
infrastructure.
The name in the URL of the snippet manual is translated but it
shouldn't:
http://lilypond.org/doc/v2.22/Documentation/notation/expressive-marks-attached-to-notes.de.html
Aww, buried in this explanation is the fact that you are "sharing the
gospel" of LilyPond with your students: Fantastic!!!
Hwaen Ch'uqi
On 8/12/21, Rachel Green wrote:
> Thanks all! That did fix the problem. A student typeset this for me, and I
> was so fixated on the cadenza measure, I did
Dear Paulo,
The automatic fret generation code only works for instruments with monotonic
(steadily increasing or decreasing) string pitches. Since the ukulele has
non-monotonic string pitches, the algorithms do not work. See Known issues and
warnings under
Hi,
I have just started using lilypond to transcribe some music and
automatically get an ukulele tablature for it.
I am a bit surprised by some fingering choices. For example, a simple
scale starting in middle-c:
\version "2.22.0"
global = {
\key c \major
\time 4/4
}
ukulele =
Thanks all! That did fix the problem. A student typeset this for me, and I was
so fixated on the cadenza measure, I did not check the syntax of the first
measure well.
Rachel
> On Aug 12, 2021, at 12:24 PM, David Kastrup wrote:
>
> Valentin Petzel writes:
>
>> Hello Rachel,
>>
>> As
Valentin Petzel writes:
> Hello Rachel,
>
> As others have said before, the Beam syntax is wrong, you need to specify
>
> Note[ note note note]
>
> Instead of
>
> [note note note note]
>
> (the same way as slurs work). The big problem here is that Lilypond by
> default
> forbids breaks during
Hello Rachel,
As others have said before, the Beam syntax is wrong, you need to specify
Note[ note note note]
Instead of
[note note note note]
(the same way as slurs work). The big problem here is that Lilypond by default
forbids breaks during Beams, which is normally only relevant when you
Several things do not work when I open the piece with version 22
Notablly, the [ sign must be after the note, not before
f'32[( df df af)] and not [f'32( df df af)]
\up is refused for me
As for the \break, _it works if you add an invisible bar _
\bar ""
before it
\voiceOne {
f'32[( df df
Rachel,
Beaming command starts after the first note, e.g., d [ a b c ]
See if the attached works.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Rachel Green
Sent: Thursday, August 12, 2021 10:36 AM
To: lilypond-user
Subject: Line
Hi Rachel,
Am 12.08.21 um 19:35 schrieb Rachel Green:
For some reason, the \break command doesn’t seem to be working in this
example. I need a new line to start after the first measure so that
all the notes of the following measure can fit on the same line. Any
ideas? I’ve tried adding breaks
For some reason, the \break command doesn’t seem to be working in this example.
I need a new line to start after the first measure so that all the notes of the
following measure can fit on the same line. Any ideas? I’ve tried adding breaks
in the cadenza section to see if they work elsewhere
Dear list,
I was reading up on stuff in the documentation and found a broken link.
If you go to
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes.de.html
and click on the link in “Schnipsel: Expressive marks”, you get a 404.
Cheers.
--
Grüße | Greetings |
Hi Brent,
To achieve such a thing you need to use \concat. This will tell Lilypond to
join the single markup objects at the edges into one.
Valentin
Am Donnerstag, 12. August 2021, 04:49:36 CEST schrieb Brent Annable:
> Oh just one more thing: how do I get the "love" and the "liest" to join
>
Hello Silvain,
That is kind of the point. In most editions the G-Clef is not balanced, but
leans a bit forward. Lilypond’s G-Clef does so too, but very slightly, so the
I’m asking for aesthetic opinions on whether this might be a slight bit too
straight.
Valentin
signature.asc
Description:
Interesting!
As for me, the Lylypond orientation of G clef looks *actually better balanced* that the
rotated one.
The rotated version seems to fall on the right instead of staying straigth...
I am not sure to understand all the details of the code,
but I tried to check the angles (using a PDF
Hello Werner,
> Actually, I consider it the most beautiful glyph of Emmentaler.
I fully agree with you there, I’d even say the Feta G-Clef is in some regards
one of the most beautiful out there.
I do know that rotation is not an actual solution, for more reasons than that
one, as rotation
>> Lilypond has a very characteristic G-Clef. I’ve only seen a handful
>> of Bärenreiter scores with a similar clef.
Actually, I consider it the most beautiful glyph of Emmentaler.
>> I personally find the Lilypond-Clef beautiful, but quite some
>> people find it a bit too characteristic. I
On Thu, 12 Aug 2021 at 12:06, wrote:
>
> Lilypond has a very characteristic G-Clef. I’ve only seen a handful of
> Bärenreiter scores with a similar clef.
>
> I personally find the Lilypond-Clef beautiful, but quite some people find
it a
> bit too characteristic. I think part of this could come
Lilypond has a very characteristic G-Clef. I’ve only seen a handful of
Bärenreiter scores with a similar clef.
I personally find the Lilypond-Clef beautiful, but quite some people find it a
bit too characteristic. I think part of this could come from the Clef being
very straight. In most
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