Hello Werner,
When doing \afterGrace internally something like
<< [music] { [some-skip] [graces] } >>
is created. These graces will necessarily not fall onto the last timestep of
the measure, which appears to be where the Clef stencil is limited to, which
we can see here:
\relative c' {
<<
Please look at this example.
```
\relative c' {
<<
{ \afterGrace f1 { e16[ f] } | g1 }
{ c1 \clef "bass" | c,1 }
>>
}
\relative c' {
<<
{ f2.. e16[ f] | g1 }
{ c1 \clef "bass" | c,1 }
>>
}
```
What can I do to make the clef move 'under' the grace, similar to the
Works great. Thanks, everyone!
On Sun, Feb 12, 2023 at 7:13 AM Jonas Hahnfeld via LilyPond user discussion
wrote:
> We are proud to announce the release of GNU LilyPond 2.24.1. LilyPond
> is a music engraving program devoted to producing the highest-quality
> sheet music possible. It brings
We are proud to announce the release of GNU LilyPond 2.24.1. LilyPond
is a music engraving program devoted to producing the highest-quality
sheet music possible. It brings the aesthetics of traditionally
engraved music to computer printouts.
This version includes a number of fixes since the
> This is because it assumes that Slur.control-points is still set to
> its original callback at the time `after-line-breaking` is run,
> which isn't true if something like
> `ly:side-position-interface::move-to-extremal-staff`, in
> `BarNumber.after-line-breaking`, reads `control-points`
