Re: Distance from barline to first note of bar

Hi Jean, >> I know >> describes the different spacing-style options, but can you comment on >> why/whether one would/should set both this spacing-style *and* another >> (e.g., minimum-space)? > I don't understand the question.

Re: Distance from barline to first note of bar

Le dimanche 16 juillet 2023 à 08:51 -0400, Kieren MacMillan a écrit : > I know > describes the different spacing-style options, but can you comment on > why/whether one would/should set both this spacing-style *and* another (e.g., >

Re: Distance from barline to first note of bar

Hi all, > I won't comment on the default value I‘ve always found it too small… > \layout { > \context { > \Score > \override BarLine.space-alist.next-note = #'(semi-fixed-space . 10) > } > } I know

Re: [BUG] WORG example for ob-lilypond is no longer working as described

Graham King writes: > I'm late to this thread, and I might be missing some crucial aspect of the > problem, but if you just want to integrate lilypond scores and fragments into > a LaTeX document, and you're able to choose to use Luatex, the lyluatex and > lilyglyphs packages work beautifully

Re: [BUG] WORG example for ob-lilypond is no longer working as described

I'm late to this thread, and I might be missing some crucial aspect of the problem, but if you just want to integrate lilypond scores and fragments into a LaTeX document, and you're able to choose to use Luatex, the lyluatex and lilyglyphs packages work beautifully with the latest Lilypond

Re: detecting parallel fifths and octaves in figured bass

I wrote a script in Lua to check MIDI files for consecutives. It assumes one voice per track, so may not suit your needs for figured bass. I need to make it more user-friendly, but would be happy to do so if anyone is interested. Congratulations to Thomas Tallis for having no consecutive fifths